Released by Spandau Ballet in November of 1980, as both a 7″ and 12″ single, To Cut A Long Story Short would be the band’s first taste of chart success in The U.K., Ireland and New Zealand.
Richard Turgeon “Let’s Take A Drive” (2021)
It’s one thing to be prolific, but it’s another thing to be prolific and accomplished. San Francisco Bay Area singer, songwriter and multi-faceted instrumentalist Richard Turgeon boasts both traits. Following the release of his last full-length album, Sea Change, which appeared this past August, Turgeon has been producing digital singles every couple of weeks.
His current single – “Let’s Take A Drive” – is a popping rocker sizzling with a solid sense of dynamics and sound. Ushered by Turgeon’s rural vocals, the simply-structured, yet bold and blunt song, exudes instant appeal. The energy is raw and forthright, and the hooks and chorus are absolutely addictive. As an additional treat, a sweltering guitar solo is squeezed into the showstopper.
An ideal suggestion for the times we are living in, “Let’s Take A Drive” will no doubt encourage those cocooning to step outside, get behind the wheel and go cruising. The song is also designed to play at top volume while tooling about with the windows rolled down.
Visualize Tom Petty fronting Bachman Turner Overdrive, and that pretty much defines the flavor and feel of this great song. In a live setting, “Let’s Take A Drive” would be perfect to perform as the closing number. Excitement abounds, Bics are flicked, and when the crowd-pleaser hits the final note, the audience will scream for an encore. Strapped tight with all the makings of a classic rock anthem, “Let’s Take A Drive” possesses traction and power by the mile.
Born on this day in 1909, in Valley City, North Dakota, actress Ann Sothern. Sothern had an incredible 60-year career, in both film and television, appearing alongside everyone from Lucille Ball to Dick Van Dyke.
I’m not 100% certain how I first became aware of pulp magazines, but the book pictured above was certainly an early clue. I recall seeing the hardcover collection The Pulps at World Of Books in North Syracuse in the early ’70s, maybe as early as 1971, but probably ’72 or so. It was one of a number of books that caught my eye all at the same time, right alongside comic book celebrations All In Color For A Dime, Jules Feiffer‘s The Great Comic Book Heroes, and Crown Books‘ Superman From The 30’s To The 70’s and Batman From The 30’s To The 70’s. Edited by Tony Goodstone, The Pulps was the only one of these books that I didn’t acquire in that early time frame. I was certainly intrigued by it nonetheless.
My real indoctrination into the world of pulp magazines came via Steranko‘s History Of Comics, I’d say around 1974. My high school library had both volumes of Steranko’s captivating account of the Golden Age of comics, and I spent a lot of time immersing myself in those books. Steranko’s chapter on “The Bloody Pulps” fascinated me, and fanned the flames of my nascent interest in The Shadow, Doc Savage, The Avenger, The Spider, Operator 5, The Phantom Detective, The Black Bat, and G-8 And His Battle Aces.
(What’s that? I should have been studying when I was in the school library? Ahem. Just move along.)
I read my first pulp adventure–The Land Of Terror, a Doc Savage paperback–before reading Steranko’s account of the pulps, and possibly/probably before spying The Pulps at World Of Books. I told my story of discovering Doc Savage here–a sequel describing my discovery of The Shadow is forthcoming–and of my teenage fascination with superpulp paperbacks here.
Somewhere in there, I picked up my first pulp anthology, The Fantastic Pulps (edited by Peter Haining), plus my very first actual pulp magazine, a flea market purchase of a forgotten random issue of Dime Detective. The flea market also provided me with a copy of The Crime Oracle And The Teeth Of The Dragon, a trade paperback reprint of two vintage Shadow pulp novels, reprints which included the illustrations from the original pulps (something the paperback reprints lacked).
In the ’80s, when I was living in Buffalo, I snagged a few more ragged pulps at the flea market. In later years I also bought some of Anthony Tollins‘ exquisite pulp reprints starring The Shadow and Doc Savage, and some Black Bat and Spider books, too.
And I finally did buy a copy of Tony Goodstone’s The Pulps. Some time early in this newfangled new millennium, I saw a used copy on display (in very good shape) at Metropolis Books, one of the best little book shops that ever was. Metropolis was also in North Syracuse, pretty much kitty-corner across the street from where World Of Books used to be. I told Metropolis owner Mike Paduana about seeing The Pulps on the shelf when I was eleven or twelve, and gestured in the direction of the cafe that now occupied the hallowed ground that had once been World Of Books. And I mentioned to Mike how I always wanted that book when I was a kid, but never got around to getting it.
Mike kinda looked at me for a second before saying, “What are you waiting for? You know you’re gonna buy it today.”
Yep. Mike was right. Years later, it’s on my bookshelf next to The Great Comic Book Heroes. Some things just take time.
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Hey, Carl’s writin’ a book! The Greatest Record Ever Made will contain 100 essays (and then some) about 100 tracks, plus two bonus instrumentals, each one of ’em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: https://carlcafarelli.blogspot.com/2019/06/the-greatest-record-ever-made-updated.html
Our new compilation CD This Is Rock ‘n’ Roll Radio, Volume 4 is now available from Kool Kat Musik! 29 tracks of irresistible rockin’ pop, starring Pop Co-Op, Ray Paul, Circe Link & Christian Nesmith, Vegas With Randolph Featuring Lannie Flowers, The Slapbacks, P. Hux, Irene Peña, Michael Oliver & the Sacred Band Featuring Dave Merritt, The Rubinoos, Stepford Knives, The Grip Weeds, Popdudes, Ronnie Dark, The Flashcubes, Chris von Sneidern, The Bottle Kids, 1.4.5., The Smithereens, Paul Collins’ Beat, The Hit Squad, The Rulers, The Legal Matters, Maura & the Bright Lights, Lisa Mychols, and Mr. Encrypto & the Cyphers. You gotta have it, so order it here. A digital download version (minus The Smithereens’ track) is also available from Futureman Records.
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