Big Stir Singles: The Sixth Wave” (Big Stir Records 2020)
Launched in 2018, Big Stir Records has deservedly gleaned the reputation as one of the finest labels on the planet. Not only is the Burbank, California-based imprint committed to releasing the highest quality of music possible, but such standards apply to their presentation, as eye-pleasing graphics are a staple of their wares.
Comprised of 23 tracks, Big Stir Singles: The Sixth Wave is the latest installment of the banner’s various artists series. As if these hooky songs aren’t enough to score piles of points, the collection proposes a doubly worthy purpose, with 25% of the profits going to the Sweet Relief’s Musician Assistance Fund.
The humorously-christened Librarians With Hickeys introduce the set with the star-spangled ripples of Until There Was You, followed by The Popdudes’ Ridin’ In My Car that posts as the perfect summer song, bolstered by an upbeat tenor that ably crosses a crisp country folk rock pitch with a sunny Beach Boys‘ vibe. The Popdudes further check in with a version of Daytime Nighttime Suffering that is as honestly as terrific – if not better – than the original recording by Paul McCartney and Wings.
From Jim Basnight, there’s the gritty Rolling Stones swagger of Big Bang and a cracking cover of This Is Where I Belong that would certainly make The Kinks beam with pride. Blooming with emotion and a sleek orchestral feel, the haunting tremors of Home by Joe Normal & The Anytown’rs dials in as another pick to click on the collection, where Paula Carino’s Door illuminates with a measured moodiness destined to send shivers down the spine.
The Well Wishers step in with the bracing garage pop bite of We Grow Up, Trip Wire’s Katie Says favors a jangling country pop rock pose, assisted by cool breaks and a tugging melody, and Dolph Chaney’s infectious Automatic Caution Door imparts a tasty art rock ambience. The Corner Laughers contribute a pair of super catchy efforts to the program, including the compelling Queen Of The Meadow and The Accepted Time, which chimes to the tune of a smart melody and a gripping arrangement.
Brimming with volume and might, No, from The Walker Brigade is destined to rattle windows far and wide, while a couple of XTC songs are rendered in splendid fashion by Glowbox with Earn Enough For Us and Tom Curless and the 46%’s I’m The Man Who Murdered Love. Last but by no means least, Spygenius turns in an impressive Ian Hunter/Mott the Hoople impersonation on Heaven Is Blue, which does indeed incorporate shades of heavenly blues into the glammy mix.
Every song on Big Stir Singles: The Sixth Wave is utterly fantastic; reinforcing the label’s dedication to the best and the brightest indie pop rock musicians of today.