Having garnered golden reviews from his first album – “Straighten Up” – Johnathan Pushkar returns to center stage with the equally exceptional “Compositions.” Planted in familiar and fertile soil that nurtured his debut effort, the Nashville, Tennessee based singer, songwriter and multi-instrumentalist once again back pedals to the pre-psychedelic age of rock and roll for inspiration. Johnathan’s bright and boyish vocals – which parrot a cross between Buddy Holly and Gary Lewis – united with his deft tunecraft abilities, portrays the mood of the era he mines with remarkable precision.
Peddling giddy anticipation, “Any Second Now” recalls a long lost British Invasion nugget. From the radiant guitars to the zesty rhythms to the airy chorus, the infectious song opens “Compositions” with a sugar-fueled jolt. Pronounced by ringing hooks and a tasty break, “Can’t Get You Out Of My Mind” is the kind of chipper cut the Knickerbockers were known for laying down.
Performed at a lower volume and softer pitch, “Making Plans” is a mid-paced ballad soaking in the sorrow of being separated from a sweetheart for the summer, while the foot-wiggling “Just Friends” owes a nod to the country flavored musings of the Beau Brummels. Then there’s “Does What She Does,” which spills forth with twinkling melodies and jovial harmonies in the recognizable style of the Beach Boys. Charted of string arrangements and a somber feel, the delicate “No One Ever Said You Had To Stay” dispatches the story of a homecoming queen whose life after high school was met with disappointment, where the brooding blush of “Alexandra” shoots arrows at a possessive girlfriend and is peppered with some cool Zombiesque keyboard fills.
Due to its quaint lyrics and tight and riffy pop songs, “Compositions” tends to be frozen in time circa 1965, which is sincerely meant as a compliment. The sole track defying tradition is a reprise of “Juniior’s Farm” that was recorded by Paul McCartney and Wings in 1974. Not only does Johnathan’s take of the song remain true to the initial rocking production, but drummer Geoff Britton – who played on the original version – lends his tub thumping skills to the session.
As attested by the fine offerings on “Compositions,” Johnathan certainly has his bowl-headed and Beatle-booted affairs in order. Everybody appreciates a catchy little ditty, and this album is stuffed with such pleasures.