Stephen “Spaz” Schnee know a lot about music, especially the genre of power pop. In the latest episode of his show “CD Junkie,” he gives us the skinny on the band Shoes, and their new box set.
We here at Pop-a-looza HQ think that actors Bruce Greenwood and Dennis Quaid have a very similar look. While they probably won’t get mistaken as twins, they do look like they could at least be siblings.
Welcome to our new readers in France! We hope you have a good time, and we’re glad you’re here!
Bienvenue à nos nouveaux lecteurs en France! Nous espérons que vous passerez un bon moment et nous sommes heureux que vous soyez ici!
Big Stir Singles: The Fifth Wave (Big Stir)
Way back in the prehistoric 1990’s, cool record labels used to distribute sampler CD’s of their artists to record stores. They were usually in a stack at the front of the store, with other freebies like stickers and band flyers. Cool indie labels like Sub Pop, Mammoth and Enigma, used this as a marketing tool, to expose the music-buying public to their roster. In a move that puts a smile on my face, Big Stir Records is reviving the tradition.
Volume five in this series boasts a whopping twenty-three tracks, almost guaranteeing something for everyone. The including bands are old school, in that these tunes were inspired by classic guitar bands ranging from The Beatles to ELO to Teenage Fanclub and back again.
The GoAllTherWays open in glorious jangle with “Silly Girl,” before Mod Hippie lets loose with “Saturday Show,” rooting in equal parts Matthew Sweet and The Monkees. How can you not be energized by that? The Tor Guides bring the California sunshine with the buoyant “Just A Smile,” and The Forty Nineteens set their hyper-pop sights atop a reworked Bo Diddley beat, that’ll make you wanna get up and dance.
The stunner of the collection is the beautiful “Summer Blue” by Lannie Flowers. With enough clever chord changes and soothing harmonies to make Collingwood & Schlesinger blush, it just may be the best song I’ve heard in a couple of years. Wait, scratch that “may be.” It is.
A big welcome to our neighbors to the north in Canada! We’re glad you’re here, and we hope you have a good time!
Un grand accueil à nos voisins du nord du Canada! Nous sommes heureux que vous soyez là et nous espérons que vous passerez un bon moment!
Speaking as someone who loves the mystery genre, I couldn’t wait to see “Knives Out.” Set in an old Victorian mansion with a star-studded cast, the trailer firmly set the hook.
From the press kit: “The circumstances surrounding the death of crime novelist Harlan Thrombey are mysterious, but there’s one thing that renowned Detective Benoit Blanc knows for sure, everyone in the wildly dysfunctional Thrombey family is a suspect. Now, Blanc must sift through a web of lies and red herrings to uncover the truth. From acclaimed writer-director Rian Johnson comes this suspenseful, twist-filled whodunnit with an all-star ensemble cast including Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Don Johnson, Toni Collette, LaKeith Stanfield, Katherine Langford, Michael Shannon, Jaeden Martell, and more.”
Harlan Thrombey, who has accumulated a fortune writing mystery novels, realizes that he’s spent his life coddling his children and their families. Thrombey, played to perfection by Christopher Plummer, decides to cut all financial support, and leaves his estate to his kind nurse, Marta (Ana de Armas), who is truly as coy as she seems.
As you might expect, Thrombey’s family is livid, and the lot turns on Marta, when Thrombey’s body is found in his study, throat slashed by a dagger. This is where the tribute to mysteries past ends, twisting more times than Chubby Checker in 1960.
Benoit Blanc (Daniel Craig), a private investigator with an accent more ridiculous than Foghorn Leghorn, is on the case, but it’s not all that clear who hired him, or if he is even capable of unraveling the case to expose the murderer. His main suspect is Thrombey’s son, Ransom, played with prickly delight by Chris Evans.
This is the best mystery I’ve seen since 2017’s “Murder On The Orient Express,” Kenneth Branagh’s brilliant interpretation of the classic novel. “Knives Out” edges it out, however, because it’s impossible to see the end coming. What could be better in a mystery?