Jobbernowl (Big Stir)
A momentous occasion occurs June 24th, as this is the date the new Spygenius album is released. Skating in as the Canterbury, England band’s seventh full-length endeavor, “Jobbernowl” is jammed to the pores with tunes of the “hit repeat button” quality.
But then again, we wouldn’t expect anything less from lead singer and guitarist Peter Watts, bassist and vocalist Ruth Rogers, keyboardist and vocalist Matt Byrne and drummer and vocalist Alan Cummings, who certainly hold court as one of the most interesting and exciting musical configurations of today.
Enigmatic verse, compounded by ripe melodies, compelling instrumentation and perfectly-pressed harmonies represent “Jobbernowl,” beginning with the spinning thrust of “I Dig Your New Robes, Pierre!,” which is topped by a manic chorus of “Dig it! Dig it! Dig it!,” and then there’s the throbbing stomp of “Sky-Pie, Century 21” that slips a pinch of zoomy surf-rock shadings into the fold via the iconic “Batman” theme.
Submerged in jangling guitars and juicy hooks, “Mandy Rice-Davies Applies” cycles in as another particularly stand out cut on the album. Also seated in the platinum-plus category is “Screwy,” a bippity-boppity XTC-influenced number charting the experiences of a couple who are nine years apart in age.
An invitation to spool back to the flower power era, “The Marvellous, Mendacious Time Machine” is an uptempo slice of psychedelic pop magic, where “Son Of The Morning, Go Man Go!” rocks to a racing beat, based in the neighborhood of The Buzzcocks and The Undertones.
Classy piano flourishes, whirling with beauty and grace, highlight “All That Is Solid Melts Into Ash,” which frequently reflects the moodier aspects of The Beach Boys, while the squeaky ukulele-driven “Foucault Swings Like A Pendelum Do” would make Tiny Tim glow with pride.
As is the case with previous Spygenius albums, “Jobbernowl” contains a grab bag of notions, but such variation somehow manages to flow to a synchronized rhythm. So raise a toast to these three lads and a lady, and relish every minute of “Jabbernowl” and its avant-garde magnetism.