Categories
Pop Sunday

Big Stir Singles / The Seventh Wave

Various Artists

Big Stir Singles: The Seventh Wave (Big Stir Records 2020)

https://bigstirrecords.bandcamp.com/album/big-stir-singles-the-seventh-wave


Stationed in Burbank, California, Big Stir Records is not only impressively prolific, but the quality of the label’s output remains consistently high. Along with releasing a never-ending stream of great discs by bands and solo artists, the banner regularly produces Big Stir Singles compilations, which contain both the A and B sides of digital singles recorded by acts from nearly every nook and cranny of the world.


The imprint’s most recent collection – Big Stir Singles: The Seventh Wave – offers an extra treat, as a number of these songs have never been aired until now. You’ll also notice that much of the material relates to the confusing and chaotic times we are presently experiencing. 


Stacked with storming riffs, a driving backbeat and a punchy chorus, Far Away from The Incurables cuts a dashing power pop pose, and The Ex-Quaranteens sign in with We’ll All Drink Alone Together, a mid-tempo crooner-type ballad rimmed with country-laden pedal steel guitar gestures. From Broken Arrows, there’s the anthemic folk rock of Worst Of The Rest, which is wrapped in a bundle of ringing and jingling six-string sensations. Anton Barbeau and Kenny’s Land Of Economy spins and soars to a dizzy display of daring melodies and surrealistic lyrics that resemble a curious coupling of 10CC and Robyn Hitchcock. 


A double shot of penetrating garage rock is provided by The Forty Nineteens in the form of Crocodile Tears and Late Night Radio, the latter which features legendary Standells guitarist Tony Valentino. The Vapour Trails make good with the atmospheric bluster of A Bit More Fire, where Strange moves to a grittier gait projecting in an early seventies underground rock vibe pockmarked with bluesy harmonica fills.

 
The Corner Laughers step up to the plate and hit a home run with the jaunty Calculating Boy, and Nick Frater unveils a spine-tingling showing of his amazing vocal prowess on Intro. The fast and frantic If Romance Is Dead Then I Want To Be Dead Too from Carol Pacer & The Honey Shakers teams hillbilly aspirations with reckless punk rock energy to exciting effects, while the band deposits a completely different demeanor on Love Does, a sweet and tender acoustic-based ballad.
Contributions from Rick Hromadka  include the big and bright harmony popfest of Searchlight that should send fans of The Beach Boys and Todd Rundgren into orbit, and Dreams Of A Hippy Summer, which floats and flutters with flowery psychedelic frequencies. Kai Danzberg and Dear Stella’s Let Him Go lets loose a lashing of trippy space-age soundscapes, and The Empty City Squares check in with History Rhymes, a hook-heavy slab of hypnotic pop-rock grandeur. 


Bumper to bumper with catchy tunes, Big Stir Singles: The Seventh Wave is the yardstick which all albums of its kind should be measured. Nothing but top picks here, my friends.

Categories
Pop Sunday

Anton Barbeau / Kenny Vs. Thrust

Anton Barbeau Presente

Kenny Vs. Thrust (Big Stir Records 2020) 

https://bigstirrecords.com/anton-barbeau

For the past couple of decades, Anton Barbeau has been churning out one prized project after another. Originally based in Sacramento, California – and currently residing in Berlin, Germany – the prolific singer, songwriter and multi-instrumentalist has recently returned to the fore with Kenny Vs. Thrust, an album featuring tunes with his American band Kenny – along with material from his European group Thrust

Occupying a realm reeling with psychedelic perspectives, Anton creates wiggy and wondrous dialogues that collect comparisions to the likes of early Pink Floyd, The Idle Race, XTC, Plasticland and Robyn Hitchcock. Delivering his musings in an affected British accent, Anton certainly has a knack for bringing his surrealistic insights to life and luring listeners into the scenarios.

Equipped with spacey patterns and unconventional melodies, “Beautiful Bacon Dream” and “Haunted In Fenland” are all but a couple of choice cuts heard on Kenny Vs. Thrust, as well as the aptly titled “Jingle Jangle,” which snaps, crackles and sparkles with Byrds-buttered guitars in a garage band styled manner. 

Steeled with skittish rhythms and a cracked edge, “Clean Clothes In A Dirty Bag” nails hooky new wave expressions to a lysergic-lubricated vision, and “Land Of Economy” is underlined by thumping percussion and nagging time shifts. A choppy reggae beat, trailed by a touch of tie-dyed electronica, is applied to “Tidy Up Yourself” and “Back To Balmain” bristles and buzzes with trippy synthesizer swirls. 

Playful yet progressive, Kenny Vs. Thrust efficiently combines acid-damaged whimsy with freewheeling performances designed to keep audiences stimulated and alert. Those claiming appreciation for eccentric – and eclectic – sounds and stories are sure to dig this album.