Categories
Pop Sunday

Lannie Flowers / Home

Lannie Flowers

Home (Spyderpop Records/Big Stir Records 2021)

https://lannieflowers.bandcamp.com/album/home

 Originally released during the latter days of  2019, Home by Lannie Flowers has recently been given the reissue treatment by the newly-formed partnership of Spyderpop Records and Big Stir Records. Resurrecting the album was a great idea, because here’s a set of tunes pleading to be heard by as many people as possible.

 For those of you not hip to Lannie Flowers, the Texas-based singer, songwriter, guitarist and keyboardist staged his first serious musical move in 1976 with The Pengwins. The band remained together until the early nineties and are now regarded as cult heroes among the indie crowd. Lannie also led The Lannie Flowers Band and has an artistically rewarding solo career, with Home logging in as his third effort.

Sophisticated storytelling, compounded by row after row of intrepid melodies and ambitious arrangements pad every single song on the album. Delivered in Lannie’s rich and sturdy pipes, which are glazed with a roots rock accent, the material on Home crackles with raw emotions. Whether he is self-analyzing or sharing tales about characters who are lost and searching, Lannie makes his words and music come alive.

Triggered by pretty piano playing and yearning vocals, Missing You Tonight eventually thickens into an exhilarating exhibition of electrified instrumentation, topped with a blush of beautiful bluesy George Harrison styled guitar work, while the commanding Shine A Light proposes a similar epic quality. Devised of snappy hooks, a bounce per ounce and an adventurous break, Just Go To Sleep addresses insomnia, and It’s All Over growls and grinds to a fierce hard rocking pitch.

 Polished and catchy, Anyway shifts gears towards the end of the song and slings a shot of jazzy big band sounds into the mix, where Free To Dream is a John Mellencamp inspired slice of heartland rock centered on a girl who grew up too fast and is struggling to deal with the consequences. Shades of The Kinks and Mott The Hoople are cast upon the title track of the album, which sparkles with jumpy piano notes, a gripping rhythm and harmonious tones.

Balanced by power and sensitivity, Home observes Lannie riding high on both a musical and lyrical level. He nails it at all angles, resulting in an outstanding album that transcends time and space.  

Categories
Pop Sunday

Big Stir Singles / The Tenth Wave

Various Artists

Big Stir Singles: The Tenth Wave (Big Stir Records 2021)

https://bigstirrecords.bandcamp.com/album/big-stir-singles-the-tenth-wave


Chaos and confusion often produces great art – and the disastrous year of 2020 certainly motivated many musicians to flock to the studio and transmit their thoughts onto tape. That said, the main thrust of material on Big Stir Singles: The Tenth Wave, which involves singles released between October and December 2020, addresses and comments on the pandemic pandemonium. But this is no dreary affair, as the disc buzzes with energy, moments of humor and wit, and visions of a better day.

Connoisseurs of quirky British pop stationed in the seat of XTC and Robyn Hitchcock are sure to glean much pleasure from Whelligan’s Anyone Who Never Had A Heart and the psychedelic-tinted Rabid Hole. Then there’s NPFO Stratagem checking in with a cocktail lounge version of Jello Biafra’s Nazi Punks Fuck Off, along with an enthused take of Ringo Starr’s Back Off Boogaloo.

Popdudes also join the cover game via The Guess Who’s powerful Share The Land and the gorgeously silky soul of O-o-h Child that was a hit in 1969 for The Five Stairsteps

October Surprise signs on with the hypnotic sing-songy rhythms of (Just Can’t See) The Attraction and a sophisticated rendition of John Cale’s Paris 1919, where D.F.E’s I Say We Take Off And Nuke The Site From Orbit contains a mesmerizing mishmash of grunge rock, experimental pop and weird psychedelic effects. Both bands are actually pseudonyms for The Armoires, the revered Burbank, California based group featuring Big Stir label owners Rex Broome and Christina Bulbenko. The band birthed a string of fantastic singles under different names that have recently been issued as a complete album, cleverly titled Incognito as The Armoires

Navigated by a nasty sneer, the hard-edged bite of Funhouse by The Incurables blends punk elements with heavy metal guitar flash in a highly appealing manner, The Speed Of Sound’s choppy and economical Radio State spawns a solid Lou Reed influence, and mylittlebrother’s Song About Amsterdam clicks and clacks to a vaudeviile vibe before turning into something resembling a Hungarian waltz. 

The Ice Cream Hands deliver a real showstopper with Can You Feel My Love, which gushes and glows with divine harmonies, exuberant melodies and polished arrangements. Generated by chiming Byrds– inspired guitars and intoxicating hooks and breaks, Octagon from the dynamic duo of Anton Barbeau and Allyson Seconds plugs in as another utterly flawless piece of pop rock magic, as well as Nick Frater’s California Waits,  that streams forth to a swinging and spunky temper attired in dapper instrumentation and rich and radiant vocals.

For the past two years, our good friends from the Big Stir headquarters have been knocking out singles on a weekly basis, resulting in a series of universally acclaimed albums. Big Stir Singles: The Tenth Wave marks the final episode of this particular odyssey. But have no fear, because these creative folks are on a roll and will eternally unleash the kind of cool and crafty fare we have come to expect from them. 

Categories
Pop Sunday

Big Stir Singles: The Ninth Wave

Various Artists

Big Stir Singles: The Ninth Wave (Big Stir Records 2021)

https://bigstirrecords.bandcamp.com/album/big-stir-singles-the-ninth-wave

 
Manned by Rex Broome and Christina Bulbenko – of the ace band The ArmoiresBig Stir Records is easily the hardest working label in the biz. For the past few years, the Burbank, California based roster has been releasing a weekly singles series, then compiles the songs onto collections, with Big Stir Singles: The Ninth Wave counting as the latest chapter in their never-ending sonic sojourn.

It is highly fitting DJ Mike Lidskin of Woody Radio has written the liner notes, because these tunes are so remarkably good that the disc truly  sounds like the greatest radio station imaginable. So not only is Big Stir impressively productive, but the quality of their fare is consistently cut of a top-grade fabric. 

The Brothers Steve’s Beat Generation Poet Turned Assassin races steadily along to a chipper punk pop pose, where Pink Floyd meets Ziggy Stardust and The Spiders From Mars on Athanor’s cosmic-coated Approximately Eternity. From Nick Frater, there’s the rapturous rush of the Hollies styled Let’s Hear It For Love, as well as a striking cover of Gilbert O’Sullivan’s sad and somber Alone Again Naturally, which is transpired into a dazzling production, driven by glistening piano chords and punctured with a searing guitar solo.

Jim Basnight signs on with the Rolling Stones flavored snarl and drawl of Best Lover In The World and the ambitiously-crafted Prince Jones Davies Suite, a medley of Prince, David Bowie and Kinks missives. The Viewers fuse stadium rock flash with keen pop sensibilities on the gripping Beautiful, and the bracing chime of Dolph Chaney’s  My Old Fart celebrates the joy of maturing with your sweetheart in a charming narrative revolving around cats, books and  Sunday crossword puzzles.

Irene Pena’s inspired reprise of Fountain of Wayne’s The Summer Place rings with intent to a sharp new-wavish angle, and  The First Song Of Summer by Blake Jones parents a cool art rock feel, pronounced by inventive keyboard moves and loping tempo changes. Blessed with a gorgeously-soulful set of pipes, Rosie Abbott turns in a spine-tingling performance on Hold On,” and Chamberlain from The Persian Leaps shimmers to an infectious clip of jangly licks, a flighty chorus and insistent drum drills. 

David Brookings checks in with the  chugging All I Love Is Rock And Roll, and the frisky acoustic-framed Livin’ Through The Plaque, which offers a cheeky commentary on dealing with virus crisis rules and regulations. Last but by no means least is Mike Daly & The Planets, whose Falling Out Of Love Song recites the drama of an on and off relationship to an inviting array of musical moods. Rich and melodic vocals, accompanied by powered and polished instrumentation, a punishing break and a crown of psychedelic riffs complete the epic track. The band further shines brightly on Star, an energetic burst of soaring hooks and harmonies, splashed with a showing of neat harmonica trills.

And speaking of such, every song here is a star. Trying to pick favorites is indeed a challenge, since each number contains its own divine spark. So switch the dial to Big Stir Singles: The Ninth Wave, and get ready for some serious ear-pampering! 

 

Categories
Pop-A-Looza TV Video of The Day

Kevin Robertson / Love’s Blue Yonder

We don’t just like music from the 80’s here at Pop-A-Looza HQ, we dig the new stuff, too! This nifty video and tune comes via Scotland’s Kevin Robertson, who is also a member of The Vapour Trails. we think Love’s Blue Yonder is top-shelf!

https://bigstirrecords.bandcamp.com/album/loves-blue-yonder-big-stir-single-no-125

https://futuremanrecords.bandcamp.com/album/underneath-tomorrow

Categories
Pop Sunday

The Armoires / Incognito

The Armoires

Incognito (Big Stir)

https://bigstirrecords.bandcamp.com/album/incognito-2

Oh, those sly rascals! Between October 2020 and April 2021, The Armoires released eight excellent singles under different pseudonyms. The reason the Burbank, California band staged such an exercise was to venture beyond their comfort zone and indulge in sonic promiscuity without apology.

All those songs have now been compiled onto a collection appropriately titled Incognito. While the core members of The Armoires are Big Stir founders Rex Broome on vocals and guitar and Christina Bulbenko on vocals and keyboards – along with bassist and vocalist Clifford Ulrich, violist Larysa Bulbenko and drummer John Borack – an assortment of loyal label mates also submit their talents to select cuts.  

Strands of paisley pop elegance tangles and wrangles with classical interludes on a swell cover of John Cale’s Paris 1919, where Bagfoot Run wheels in as a bluegrass-battered number, and the world-weary Homebound is a standard country ballad. Then there’s Awkward City Limits, which totters back and forth between tense moodiness, sweeping viola fills and thrashing rock rhythms.

Governed by grandiose and gloss, Ohma, Bring Your Light Into This Place mixes elements of church revival bliss with Broadway flash into a powerhouse production of dramatic dictation, mountain-sized melodies and goose-pimple inducing harmonies. A sashaying beat and clawing hooks brand the garage rocking  Walking Distance, and a rendition of Christie’s Yellow River remains relatively true to the original bubble-gummy swamp rock version. 

A dash of Brit pop, a touch of grunge and a splattering of wiggy psychedelic effects penetrate I Say We Take Off And Nuke The Site From Orbit, a copy of XTC’s Senses Working Overtime throbs and bobs with animated new wave perspectives, and Magento Moon keys in as an absolutely gorgeous slice of art pop. 

Modeled on the mercurial vision of The White Album and The Turtles Present The Battle Of The Bands, The Armoires move from one style to another with natural instinct. A fun and spontaneous feel fuels Incognito, letting you know a great time was had, cooking up these splendid songs. Slip on those headphones and enjoy!

Beverly Paterson

Categories
Pop Sunday

Chris Church / Game Dirt

Chris Church 

Game Dirt

Big Stir Records 2021

https://bigstirrecords.bandcamp.com/album/game-dirt


Chris Church has been writing and playing a wide scope of sounds and styles for the past thirty years. Orbiting everywhere from pop to heavy metal to experimental art pieces, the Lenoir, North Carolina resident clearly possesses a voracious appetite for music in general. Here on his latest album – Game Dirt – the one-man band pursues a fetching form of progressive pop rock.

Equipped with a voice jointly recalling the grainy bite of Michael Stipe and the rootsy brogue of Adam Durwitz, Chris sings his imaginatively-engineered songs with passion and purpose. A crisp and crunchy tone floods Game Dirt, allowing the material to yield a live and lusty feel that sinks right into your ears and bones. 

Bursting with a jolly demeanor crafted of a foot-stomping beat, windy harmonies and a showing of smashing guitar licks, Learn has wisely been tapped as the first single from the album. Dominated by a penetrating pulse and a hard rocking swagger, Know kicks in as another not to be neglected number, as well as the Todd Rundgen flavored Fall, where pristine melodies collide with a punchy rhythm section to unified effects. 

An aggressive edge slinking with intensity, strengthened by a stabbing hook drives Down, the jumpy jubliance of Smile serves as a countrified power popping delight, and the blindingly beautiful Sunrise communicates a positive message while a flowering of celestial voices, swirling breaks and ringing riffs radiate warmth and security.

Although each song on Game Dirt conveys a different mood and color, they all hang nicely together. You certainly won’t get bored listening to this dynamic album, and will be amazed at the way Chris so effortlessly scales the varied angles and slopes found within his quirky yet catchy songs.

Beverly Paterson

Categories
Pop Sunday

Dolph Chaney / This Is Dolph Chaney

Dolph Chaney

This Is Dolph Chaney (Big Stir)

https://bigstirrecords.com/dolph-chaney#!


Although Dolph Chaney has been making music since the late eighties, the Chicago-based singer, songwriter and guitarist didn’t receive widespread recognition until his album, Rebuilding Permit was released by the Big Stir label in 2020. Not only did the disc rope in rounds of raves from the public and music journalists, but led to Dolph winning the impressive seat as Woody Radio’s Artist Of The Year.

So now Dolph has returned to the spotlight with This Is Dolph Chaney, which offers remodelings of songs from the handful of albums he recorded prior to Rebuilding Permit. The thirteen track collection was produced by Nick Bertling, who also chips in on background vocals and instrumentation.

Powered by a jumpy beat and juicy melodies, Cuddle Party ranks as one of the many stand-out tracks on This Is Dolph Chaney, as well as the dizzying static of Now I Am A Man, which features guest vocals from Lindsay Murray of Gretchen’s Wheel. And then there’s the twangy tremors of Pleasant Under Glass, that includes the breezy harmonies of Kevin Robertson and Scott Robertson (of The Vapour Trails). 

Jazzy rhythms, seasoned with a shot of soul-styled six-string flourishes, are heard on the seductive Under The Overpass, where the springy I Wanted You pops and prances with digging hooks and breaks. A bare-bones arrangement, augmented by the haunting tenor of a Mellotron and sleepy but emotionally-charged vocals, shape Sideless World and Worship Song chimes brightly with tingling melodies and ear-pleasing licks.

Shooting and playing straight from the hip, Dolph keeps it real. There is nothing the least bit forced or pretentious about This Is Dolph Chaney, as raw talent and spontaneous energy ride his songs, not fussy and fancy technology. An honest and heartfelt affair, This Is Dolph Chaney is sure to catch fire and gather continual accolades for the Windy City musician.    

Categories
Got Any Singles? Quick Spins

Got Any Singles? Grey DeLisle, The Dupont Circles, Dolph Chaney & Joseph Williams

Grey Delisle’s latest single, Valentine, is a pretty, wistful ballad, guaranteed to tug at the heartstrings. Delisle’s emotional voice carries the melody as if it might be the last song she ever records (it isn’t). If you find the vocal on this a bit familiar-sounding, it might be because she’s also a voice actor, having played Daphne in Scooby Doo cartoons for years. Very nice.

https://www.amazon.com/Grey-DeLisle

***

The Dupont Circles produce a nifty brand of power pop, but they sure do take a looong time getting the stuff out. The tracks on their long player, In Search Of The Family Gredunza, took some 30 years to percolate and see the light of day. Our fave rave is Jokes On Zandra, a rough and ready rocker that recalls the best of The Replacements, with a dash of the Davies’ brothers thrown in for good measure.

https://thedupontcircles.bandcamp.com/

***

Until we review Dolph Chaney’s This Is Dolph Chaney, we recommend you check out his wink-and-a-nod track, My Good Twin. Chaney must be influenced more than a bit by Matthew Sweet, as this track made us want to give another spin to Sweet’s 100% Fun. Very well done, produced by the always-reliable Nick Bertling, who also takes a seat behind the kit.

https://bigstirrecords.bandcamp.com/album/this-is-dolph-chaney

***

Toto vocalist Joseph Williams’s latest solo outing features a collaboration with former bandmate David Paich on Black Dahlia. You’d be forgiven if you mistook its mid-tempo slickness for the new Toto single, as it’s got that band’s trademark vocal harmonies and rhythmic interest. Cool.

https://www.amazon.com/Denizen-Tenant-Explicit-Joseph-Williams/

By Staff

Categories
Pop Sunday

Big Stir Records / The Yuletide Wave

Various Artists

Big Stir Singles: The Yuletide Wave

(Big Stir Records 2020)

https://bigstirrecords.bandcamp.com/album/big-stir-singles-the-yuletide-wave-2

Nobody in their right mind has to be told 2020 has been a major downer. But the year is ending on a great note, because Big Stir Singles: The Yuletide Wave has arrived! Offering twenty-two holiday-related songs, the collection is primed to lift the spirits and restore hope and faith. It’s only fitting Big Stir Singles: The Yuletide Wave begins with a song addressing the situation we are currently experiencing. And that track is Nick Frater’s Wash Your Hands Of Christmas, which speaks of the lack of  lovely things we normally celebrate during the season. Despite the subject matter, the song sparkles and shines with beauty and bliss.

 Alison Faith Levy’s All I Want For Chanukah Is A Ukele strums and hums to the noggin-nodding burr of a ukele, and The Brother Steve’s I Love The Christmastime weighs in as a peppy piece of power pop perfection. Michael Simmons channels Frank Sinatra with impressive effects on the crooning Christmas Waltz and from Spygenius, there’s Revels Without A Claus that jumps and jerks to a wonky dance hall shuffle.

Wrapped in atmospheric attire, involving  jazzy horns and novel melodies, I Remember You At Christmas by Anthanor plugs in as a poignant paean to a former sweetheart, while The Decibels cleverly combine the traditional hymn, Angels We Have Heard On High with segments of the sixties garage rock nugget, Gloria with hard-hitting appeal.

The Stan Laurels crib a cue from the warm vocals and detailed construction of The Beach Boys on the shimmery Noche Buena, and Kai Danzberg & Scott McPherson’s frisky The Day Before Christmas vividly recalls the anticipation felt as a child waiting for the fat man on a sleigh to deliver wish list toys and games.

 Swinging and spinning with gripping chords and happy harmonies, Groovy Time Of The Year by The Bobbleheads is indeed groovy. Propelled by a bouncy beat and a sugar-coated bubblegummy chorus, the absolutely irresistible All I Want Is You For Christmas by Kimberely Rew and Lee Cave-Berry sounds like a joint effort between The Archies and Fountains Of Wayne, and Blake Jones & The Trike Shop’s String The Lights And Hold On pitches an ear-pleasing repertoire of choppy drumming, incisive licks and fetching hooks.

Excellent entries from Librarians With Hickeys, Irene Pena, The Forty Nineteens, Anton Barbeau, Dolph Chaney, The JAC, Addison Love, The Stillsouls and Kelly’s Heels with Steve Rinaldi further complete this prized package of sonic greetings.

Stuffed to the pores with catchy songs, Big Stir Singles: The Yuletide Wave can actually be enjoyed anytime of the year. You don’t have to practice a certain religion or believe in Santa Claus to appreciate these tasty treats. Every day is a holiday when it comes to a record flashing the Big Stir imprint, and here’s yet another production asserting their care, knowledge and recognition of quality music.

Categories
Pop Sunday

Big Stir Singles: The Yuletide Wave

Various Artists

Big Stir Singles: The Yuletide Wave

(Big Stir Records 2020)


Nobody in their right mind has to be told 2020 has been a major downer. But the year is ending on a great note, because Big Stir Singles: The Yuletide Wave has arrived! Offering twenty-two holiday-related songs, the collection is primed to lift the spirits and restore hope and faith.

It’s only fitting Big Stir Singles: The Yuletide Wave begins with a song addressing the situation we are currently experiencing. And that track is Nick Frater’s Wash Your Hands Of Christmas, which speaks of the lack of  lovely things we normally celebrate during the season. Despite the subject matter, the song sparkles and shines with beauty and bliss. Alison Faith Levy’s All I Want For Chanukah Is A Ukele strums and hums to the noggin-nodding burr of a ukele, and The Brother Steve’s I Love The Christmastime weighs in as a peppy piece of power pop perfection. Michael Simmons channels Frank Sinatra with impressive effects on the crooning Christmas Waltz and from Spygenius, there’s Revels Without A Claus that jumps and jerks to a wonky dance hall shuffle.

Wrapped in atmospheric attire, involving  jazzy horns and novel melodies, I Remember You At Christmas by Anthanor plugs in as a poignant paean to a former sweetheart, while The Decibels cleverly combine the traditional hymn, Angels We Have Heard On High with segments of the sixties garage rock nugget, Gloria with hard-hitting appeal.


The Stan Laurels crib a cue from the warm vocals and detailed construction of The Beach Boys on the shimmery Noche Buena, and Kai Danzberg & Scott McPherson’s frisky The Day Before Christmas vividly recalls the anticipation felt as a child waiting for the fat man on a sleigh to deliver wish list toys and games.

Swinging and spinning with gripping chords and happy harmonies, Groovy Time Of The Year by The Bobbleheads is indeed groovy. Propelled by a bouncy beat and a sugar-coated bubblegummy chorus, the absolutely irresistible. All I Want Is You For Christmas by Kimberely Rew and Lee Cave-Berry sounds like a joint effort between The Archies and Fountains Of Wayne, and Blake Jones & The Trike Shop’s String The Lights And Hold On pitches an ear-pleasing repertoire of choppy drumming, incisive licks and fetching hooks.

Excellent entries from Librarians With Hickeys, Irene Pena, The Forty Nineteens, Anton Barbeau, Dolph Chaney, The JAC, Addison Love, The Stillsouls and Kelly’s Heels with Steve Rinaldi further complete this prized package of sonic greetings. Stuffed to the pores with catchy songs, Big Stir Singles: The Yuletide Wave can actually be enjoyed anytime of the year. You don’t have to practice a certain religion or believe in Santa Claus to appreciate these tasty treats. Every day is a holiday when it comes to a record flashing the Big Stir imprint, and here’s yet another production asserting their care, knowledge and recognition of quality music.