From The Pretenders‘ debut record, released in 1979, Mystery Achievement. Although it wasn’t released as a single, it was an instant live favorite with fans.
honeychain – Pocket Full of Good Luck
Golden Robot Records
Punky L.A. trio honeychain returns, with a riff-tastic track called Pocket Full Of Good Luck. Hillary Burton, late of The Pandoras, does her best Jim Ellison and it’s all kinds of fun. Summer starts NOW!
Coke Belda – Thank You, Paul
Kool Kat Records
Coke Belda puts out consistently-good records, and if we could press 45’s at our pleasure, this would definitely be an “A” side. Coke pays homage to his favorite Beatle for providing so much joy to the world, and we couldn’t enthusiastically support that position any more. Awesome track!
The Pretenders – The Buzz
On this new one from Hate For Sale, Chrissie Hynde channels her younger self, in a song that neatly bookends with Kid, from The Pretenders’ first Lp. If you have any connection whatsoever with her and the band, this one will put you in your happy place. More, please.
Hate For Sale (BMG)
The full version of Hate For Sale isn’t being released until July 15th, but we’ve got a handful of tracks to tide us over until then. The Buzz neatly recalls Kid, from The Pretenders’ debut, highlighting Chrissie Hynde’s ability to sound as if no time has passed at all since 1980.
Turf Accountant Daddy and Didn’t Want To Be This Lonely are tight rockers, sounding rough and ready for roadhouse stages everywhere. Good, gritty stuff, again, recalling the first incarnation of the group. Guitarist James Walbourne and bassist Nick Wilkinson, who’ve both been with Hynde for several years now, augment her and original Pretenders’ drummer Martin Chambers nicely.
“Brass In Pocket” by The Pretenders, was the seventh video played on the inaugural day of MTV, back in 1981. Though it was the band’s third single, it was its first international success. From the Sire Records Lp simply titled Pretenders.
Chrissie Hynde & Valve
Bone Woe Ensemble
Valve Bone Woe (BMG)
This is the jazzy pop record that rocker Chrissie Hynde has always threatened to make. Focusing on the late 1950’s through the early 1960’s, it’s a pleasant record that isn’t overly fussy, which is welcome relief these days. An emotional voice lending its own beauty, as well as its own flaws.
The Kinks’ “No Return” sounds even more samba-like than the original, and Brian Wilson’s “Caroline, No” gets turned into a sultry torch song. Sinatra’s “I’m A Fool To Love You” takes on a whole new elegance in Hynde’s hands. This is a very special moment in a long and fascinating career.
By Dan Pavelich