The Lemon Clocks
“Time To Wake Up” (Rock Indiana 2020)
Here on their fifth album, “Time To Wake Up,” The Lemon Clocks proceed to explore and embrace varied late sixties and early seventies musical forms with remarkable results. Self-contained and self-assured, the band’s adventurous songs expand on the concepts they are so dearly enamored with. Each new Lemon Clocks album reveals growth and depth, and “Time To Wake Up” is no exception.
In case you are not familiar with the band, Jeremy Morris handles lead vocals as well as a slew of different instruments. Stefan Johansson and Oscar Granero are also multi-instrumentalists, while Carlos Vigara plays bass, and Dave Dietrich is on drums and percussion.
Directed by Jeremy’s mega-melodious vocals based in the Beatles-Badfinger range, “Time To Wake Up” takes listeners on an enchanted expedition of magical shapes and sensations. Captivating chord changes, shifting grooves, reverb-soaked trimmings, spinning synthesizer passages, haunting Mellotron motions, ringing glockenspeils and the warm tones of mandolins contribute to the interesting and exciting sounds housed within the album. Inspiring and surrealistic lyrics further illustrate the songs, producing a presentation vibrating with color and wonder.
Every single track on “Time To Wake Up” possesses memorable qualities, but for starters, there’s “Sleepwalkers” that simultaneously tip-toes and trembles across a bed of spacey squiggles, underlined by an eerie riff that is plucked over and over again. Imagine The Electric Prunes rubbing shoulders with Pink Floyd, and that should give you a good idea where the creepy-crawly confection is coming from.
Thieving the jaunty lick of Them’s “I Can Only Give Everything” and nailing it to a wall of trippy and hypnotic patterns, “Floating Free” signs on as another stroke of psychedelic genius, along with “You Are The Cosmos” and “Infinity Dream” that shimmer and swell with atmospheric elements. A shot of mind-bending ingredients arrive at the end of “Flowers In My Hair,” where the title cut of the album jingles to a clinging arrangement, and the salty temper of “Buzz Off!” duly buzzes with strange sonic figures and venomous verse aimed at a character suitably called Mister Mosquito.
Songs featuring hanclaps are always fun, and “Time To Wake Up” offers a couple of such efforts. Bouncing and bopping with optimism, “Brand New Day” reflects the bubblegummy blush of The Archies, and the popping garage rock of “Stop!” is powered by an utterly infectious hook and bright and breezy harmonies.
Set to a swaying rhythm and delivered in an easygoing manner, “People Come And Go” dispenses sage and spiritual commentary, “How I Miss You” slides in as a gorgeous mid-paced ballad rich with heart-tugging emotion, and the comparably thoughtful and effective “This Is Love!” would make John Lennon beam with paternal pride.
The closing number on “Time To Wake Up” is a cover of the Tommy James and The Shondells paisley-phased classic, “Crimson And Clover.” Stretching out the song to nearly fifteen minutes in length, The Lemon Clocks turn an already brain-twisting tune into a tapestry of epic proportions. The beginning of the band’s version of “Crimson And Clover” remains true to the original recording. But about halfway through the song, gears are switched and a celestial Moody Blues styled symphony enters the picture. The Lemon Clocks eventually return to “Crimson And Clover,” which proves to be a fitting finale to an album big on daring tricks and kicks.