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What’s Not On Your iPod?

What’s not on your iPod?

My friend Dave Murray has posed this question a few times. It would be a good subject for a poll of music fans, a chance to explore what seemingly essential artists one would elect personally to just skip entirely. I’d think the discussion should be limited to the plausible; you wouldn’t expect a 58-year-old rockin’ pop fan like me to have much–if any–current Top 40, country, metal, or hip hop in my listening queue, so that’s not what we’re talking about. It’s also not about an iPod specifically, nor any other portable music player. It can be about the music in your head, the stuff you’d listen to when you call the shots and you make the playlist. For the sake of expedience, let’s call that your iPod.

So. What’s not on your iPod?

Dave and I have bounced the question back and forth for a good long time. For me, a lot of my expected pop bogeymen are on my iPod. I’ve got Bob Seger (I like “Get Out Of Denver,” “Heavy Music,” and “Hollywood Nights”). I’ve got The Eagles (“Take It Easy” and “Already Gone”). I’ve got Styx (I love both “Lorelei” and “Kiss Your Ass Goodbye”). I even have the hated REO Speedwagon (“Tough Guys”). I don’t have a lot of Dylan or Springsteen, but they’re there. The Grateful Dead and Pink Floyd, too. Amidst my preferred mix of BeatlesKinksRamonesFlashcubesMonkeesChuck Berry, power pop, Motown, British Invasion, soul, bubblegum, surf, punk…well, it’s all part of my preferred mix, up to and including Phil OchsPercy Faith,and Grandmaster Flash. It’s all pop music, anyway.

What’s not on my iPod? Well….

As I was listening to the radio the other day, the local airwaves reminded me of a popular classic rock act whose music always prompts me to change the station, every time. And that act is Lynyrd Skynyrd.

It’s not that I hate Lynyrd Skynyrd. Lynyrd Skynyrd is in The Rock And Roll Hall Of Fame, and it’s a group that deserves to be in The Rock And Roll Hall Of Fame. I’m not hostile. I’m not exactly indifferent, but it’s music that I just don’t care to listen to. Ever. I understand its appeal. The audience for that appeal does not appeal to me.

There are, of course, many other acts whose records are likewise alien to the rich ‘n’ fertile playground of my iPod. There’s no Frank Sinatra or Stevie Ray Vaughan. There’s no Van Halen, though it’s theoretically possible I would consider adding “Dance The Night Away” or “Runnin’ With The Devil” someday. There’s for damned sure no Dave Matthews Band; that one’s probably a given. And I’d take a truncheon to the damned thing if it tried to play Kid Rock, whom I loathe. But, among worthy acts that just ain’t my cuppa, Lynyrd Skynyrd tops the list of what’s not on my iPod. Turn it up? Turn it off. Your iPod may vary. What’s not on your iPod?

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Pat Boone : The Rock And Roll Hall Of Fame

Some years back, my friend Gary Pig Gold solicited replies to this poll question: Should Pat Boone Be Inducted Into The Rock And Roll Hall Of Fame? Although there were a fair amount of replies from intelligent and otherwise-reasonable folks in favor of this preposterous notion, I fell firmly in the No, No, NO!!! camp. Still do. If you think it’s odd that I advocate the immediate induction of The Monkees but categorically snub Mr. Boone, then you may be reading the wrong blog.


(How strong is my opposition to Boone’s induction? I think Percy SledgeMadonna, and Bon Jovi have much stronger RnRHOF resumes, even though I don’t care about Bon Jovi and I regard Sledge and Madonna as the least qualified among all of the acts already inducted into the Hall. And incidentally, I do understand the justification for rap artists in a Rock And Roll Hall of Fame; I certainly think Grandmaster Flash belongs more than Pat Boone would.)


You can still read Gary’s original poll results here. This is what I wrote:

No. I’m tempted to add “Absolutely not!,” but I’m aware of the arguments in Boone’s favor. Give ‘im his due: he did help to popularize many classic R & B tunes with his wretched, whitebread covers of “Tutti Frutti,” “Ain’t That a A Shame,” “Long Tall Sally,” et al. But his bloodless covers were hits at the expense of the vastly superior versions by the likes of Little Richard and Fats Domino.


Proponents for Boone’s induction into the Rock Hall claim that his covers of these great early rock ‘n’ roll records were pivotal, since segregated white radio stations would never have played the “race-music” originals; Boone’s versions therefore brought the songs to an audience that would otherwise never have heard that ol’ “A-wop-bop-a-loo-bop-a-lop-bam-boom!” The claim has some validity; I reject it nonetheless. Boone’s records were never intended to spread the gospel of rock ‘n’ roll or R & B–they were intended to dilute the music’s power, to make it safe for White America and, oh yeah, make a big pile of money while effectively shutting out the black guys who created this transcendent music to begin with.

Apartheid should not be rewarded. I don’t hold Boone personally responsible for the inherent racism of his early, ersatz rock ‘n’ roll success. But nor do I see any good reason to consider him a rock ‘n’ roll pioneer, nor even a rock ‘n’ roller of any description or distinction. And there’s certainly no good reason for him to be in the Rock ‘n’ Roll Hall of Fame.

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