Dolph Chaney / This Is Dolph Chaney

Dolph Chaney

This Is Dolph Chaney (Big Stir)

https://bigstirrecords.com/dolph-chaney#!


Although Dolph Chaney has been making music since the late eighties, the Chicago-based singer, songwriter and guitarist didn’t receive widespread recognition until his album, Rebuilding Permit was released by the Big Stir label in 2020. Not only did the disc rope in rounds of raves from the public and music journalists, but led to Dolph winning the impressive seat as Woody Radio’s Artist Of The Year.

So now Dolph has returned to the spotlight with This Is Dolph Chaney, which offers remodelings of songs from the handful of albums he recorded prior to Rebuilding Permit. The thirteen track collection was produced by Nick Bertling, who also chips in on background vocals and instrumentation.

Powered by a jumpy beat and juicy melodies, Cuddle Party ranks as one of the many stand-out tracks on This Is Dolph Chaney, as well as the dizzying static of Now I Am A Man, which features guest vocals from Lindsay Murray of Gretchen’s Wheel. And then there’s the twangy tremors of Pleasant Under Glass, that includes the breezy harmonies of Kevin Robertson and Scott Robertson (of The Vapour Trails). 

Jazzy rhythms, seasoned with a shot of soul-styled six-string flourishes, are heard on the seductive Under The Overpass, where the springy I Wanted You pops and prances with digging hooks and breaks. A bare-bones arrangement, augmented by the haunting tenor of a Mellotron and sleepy but emotionally-charged vocals, shape Sideless World and Worship Song chimes brightly with tingling melodies and ear-pleasing licks.

Shooting and playing straight from the hip, Dolph keeps it real. There is nothing the least bit forced or pretentious about This Is Dolph Chaney, as raw talent and spontaneous energy ride his songs, not fussy and fancy technology. An honest and heartfelt affair, This Is Dolph Chaney is sure to catch fire and gather continual accolades for the Windy City musician.    

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Got Any Singles?

Dan Pavelich’s 1st Annual Means-nothing Awards

Please note: These awards mean nothing beyond the fact that I like what the recipients did. There were tons of albums, songs and videos that I never heard or saw. 2020 was a shitty year in general, but an extraordinary one for great independent music. It would have been impossible to acknowledge or consume all of it.

DP

Coolest Release of the Year

Michael Slawter & The Pleased To Meet Me’s – Dear Bastards (Flexidisc)

Record of the Year

Marshall Holland – Paper Airplane

Song of the Year

The Vapour Trails – Lonely Man

Best Vinyl Releases (Tie)

Maurice & The Stiff Sisters – Welcome To Love

Gretchen’s Wheel – Such Open Sky

Best Cassette Release

Dw Dunphy – Test Test Test

Top Ten Singles of the Year  (In no particular order)

Ken Sharp – Girl

Ed Ryan – Even Time

Nick Frater – Let’s Hear It For Love

Tenderhooks – 20-20 Vision

More Animal – I Won’t Forgive You

The Empty Hearts – Coat-tailer

Katrina – Drive

Mike Daly & The Planets – This Is My Life

Coke Bela – Thank You, Paul

The Pretenders – The Buzz

Top Ten Long Players of the Year (In no particular order)

The Well Wishers – Shelf Life

Katrina – Hearts, Loves and Babys

honeychain – Pocketful of Good Luck

Tom Curless and The 46% – Almost Ready For The Future

Bill Lloyd – Don’t Kill The Messenger

It’s Karma It’s Kool – Woke Up In Hollywood

Nick Piunti and The Complicated Men – Downtime

Pop Co-Op – Factory Settings

Gary Ritchie – Head On Swivel

The Toms – The 1979 Sessions

Music Video of the Year

Tiny Bit Of Giant’s Blood – Girl Over Here

Best Children’s/Family Releases (In no particular order)

Lindsay Munroe – I Am Kind

Rena Strober & Friends – Imagine That

Red Yarn – Backyard Bop

Flor Bromley – Fiesta Global

Diana Panton – A Cheerful Little Earful

Congrats to all of the winners!

Gretchen’s Wheel / Such Open Sky

Gretchen’s Wheel

Such Open Sky (Futureman Records)

https://gretchenswheel.bandcamp.com/album/such-open-sky

Based in Nashville, Tennessee, Gretchen’s Wheel is essentially a single-person operation steered by the heavenly vocals and poetic songwriting skills of Lindsay Murray. October 2 is the date her new studio album, Such Open Sky, will be available. Flowing with exceptional entries, the disc promises to floor  established fans as well as first-time listeners.

Orbiting around an intriguing blend of atmospheric auras and jingling riffs, Can’t Shake The Feeling keys in as just one of the album’s many highlights, not to neglect You Should Know, which starts off on a delicate, strummy note before expanding into a rocking repertoire of amplified power. Formed of sweeping piano chords and dynamic vox exercises, Sleight Of Hand gushes with class and sophistication, while Interloper romps to a fairly funky beat anchored by tightly-toned drumming and a series of uniquely catchy melodies.

A lovely slice of sonic radiance, involving pretty patterns and sun-kissed harmonies, Land On Zero dispenses wise psychological advice to the subject at hand, and Infernal Machine dives in as a volcanic blast of hard-edged instrumentation threaded with penetrating breaks and battery-charged hook lines. 

Containing a good balance of soft textures and weightier interludes, Such Open Sky demonstrates how flexible and fluid Gretchen Wheel’s energy and imagination is. By incorporating a contemporary pop essence with a freestyle indie approach, the record claims widespread appeal. Five albums on, Gretchen’s Wheel continues to create spellbinding songs geared to inspire or simply chill out to. Bounding forth with neat surprises, Such Open Sky shimmers with nuggets of pop rock gold.