From the Jem Records’ upcoming tribute to Brian Wilson disc, we get The Grip Weeds covering You’re So Good To Me. The Grip Weeds respectfully deliver their own brand of power pop, which, combined with Wilson’s genius, is the stuff that pop dreams are made of. This is music that will make you happy.
Old Town Crier is multi-instrumentalist Jim Lough, and Don’t Go hails from his most excellent e.p., I’m Longing For You Honey in Middleboro, Mass. With a rollicking feel akin to Old 97’s or Squirrel Nut Zippers, Lough effortlessly blends American music elements from the Civil War right on through to The Velvet Underground. Lough’s pleading vocal and hooky guitar riff make Don’t Go interesting and unforgettable.
If somebody had told me that Why was written by Felice & Boudeleaux Bryant for Tom & Jerry or The Everly Brothers, I’d have believed it. Not much winsome pop music, simply arranged and sweetly sung, gets made these days, making this track just the breath of fresh air we need right now.
Jeff Shelton’s music has always had a certain 1990’s-indie pop vibe, and here, he leans into that inspiration. Guest vocalist Lindsay Murray gives All We Love an otherworldly feel, going a long way to filling in the hole left by The Sundays, Mazzy Star and The Darling Buds. Absolutely gorgeous.
When it comes to these tribute compilations, nobody does it better than the Curry Cuts label. Indeed, their previous releases, Songs, Bond Songs, and Here Comes The Reign Again, are high-ranking favorites here at Pop-A-Looza HQ.
Higher Than A Mountain is a revelation, in that it serves to jog our collective conscience into recalling what may have been forgotten….that Andy Gibb had a very impressive, albeit short, career. Pop 4 opens the comp with (Love Is) Thicker Than Water, Gibb’s first Gold single. The vocals on this one are simply to die for.
The Corner Laughers follow with Shadow Dancing, which nearly bests the original. Lisa Mychols takes on (Our Love) Don’t Throw It All Away, complete with chill 70’s electric piano and breathy vocals. With remaining tracks provided by the likes of Coke Bela, Greg Pop, The Armoires, Irene Pena and Ken Sharp, this release is the perfect combination of reverence and nostalgia.
In the interest of full disclosure, the three guys that make up The Legal Matters are all friends of mine. I’ve been a Chris Richards fan since 2009’s Sad Sounds Of Summer, recorded with his excellent band, The Subtractions. Chris records for Keith Klingensmith’sFutureman Records, as do I. The third Legal Matter, Andy Reed, produces and engineers all parties mentioned here. Talk about yer nepotism.
Chapter Three is as comfortable as a favorite sweater, bathed in production techniques that recall Apple Records’ later output. If things like tea towels on toms and mellotron keys strike at the pleasure centers of your brain, you’ll love every second of this 41-minute long player.
Andy Reed’s The World Is Mine creeps along in sneering John Lennon fashion, while Chris Richards’ sweet That’s All floats with ethereal harmonies. The advance single from the album, the buoyant Light Up The Sky, still sounds as good as the first time I heard it. On the same level as the best of bands like Fountains Of Wayne or The Red Button, it’s an almost other-worldly good piece of music. Few bands have a song this strong, or the immaculate harmonies that Richards, Klingensmith and Reed have in combination. Top shelf.
Jenn Cleary’s latest, All Together Now!, “…offers children and families messages of connection, community, and caring for each other and our environment.” Considering what most of us have experienced in the last year and a half, that’s exactly what we could use more of. Love Right Now was suggested by Cleary’s mother, for that very same reason.
Continuing on in the same spirit, the pretty All Kinds Of Families acknowledges that families need not be made up of blood relatives exclusively. Considering that Cleary’s family includes an adopted daughter, this song is especially touching.
All of these songs are filled to the brim with warmth, and the hope that we may someday get to a place filled with kindness and compassion for others, as well as our natural world. That’s a sentiment that shouldn’t be hard for anyone to get on board with. Very well done.
No matter how commercially successful or how wildly obscure, there seems to be a tribute album for just about every group or artist imaginable. Nesting somewhere between the two extremes is 20/20, a band that reaped regional attention and acclaim amid the thriving Los Angeles power pop scene of the late seventies and early eighties.
Throughout the years, numerous groups have cited the band as an inspirational presence. Therefore, Action Now: 20/20 Re-Envisioned holds forth as a long overdue love letter to the group. Aside from the great music marinated within the grooves, all proceeds from the disc will go to MusiCares, which is 20/20’s chosen charity.
From Plasticsoul’s take of the energetic bristle of “Nuclear Boy” to Pop Co-Op’s cover of “Yellow Pills,” which sounds like David Bowie performing the cult classic at a somewhat slower stride than the initial version, Action Now: 20/20 Re-Envisioned is crowded with tasty treats. Despite the grim theme, The Armoires slap a bright and jingly spin on “The Night I Heard A Scream,” and Popdudes deliver “She’s An Obsession” in a pure and punchy pop rock manner bubbling with radio-rich qualities.
The fist-pumping title track of the collection is brought to you by Librarians With Hickeys, while The Brothers Steve’s remake of “Beat City” projects an appropriately catchy beat. Irene Pena’s interpretation of “Tonight We Fly” swings and soars with melodic excitement, and Chris Church’s copy of “Remember The Lightning” crackles and crunches with solid brass guitar riffs and robust hooks.
The Toms pour a splash of new wave quikiness onto their reprise of “Out Of This Time,” where Ransom and The Subset’s reading of “Fast Car” races with driving rhythms and high-octane harmonies, and The Hangabouts season the utterly infectious “A Girl Like You” with a sweetly-scented fragrance.
Sterling selections from Coke Belda, The Slapjacks and Joe and Tracy Sullivan are additionally included on Action Now: 20/20 Re-Envisioned. After sinking your ears into these credible homages, you will not only be spurred into revisiting 20/20’s deftly-crafted catalog of righteously rocking pop tunes, but you will also want to give a listen to the original recordings of the musicians who contributed their time and talent to this mighty fine effort.
Nick Piunti and The Complicated Men continue their 2020 hot streak with Christmas Morning, a nifty bit of rocking yule, equal parts Paul Westerberg and Bryan Adams. A gritty comment on Christmas commerciality that is definitely this year’s Christmas ear worm.
Combining spooky surf guitar runs with a sweet melody, Will You Turn Up (For Christmas) is quickly becoming a favorite to accompany holiday decorating at my house. This one wouldn’t sound out of place on the great Phil Spector Lp that is so beloved. Nicely done!
Lisa Mychols and Paul Ryan (SUPER 8) give us Red Bird, a dreamy winter pop tune full of twinkling bells and floaty, ethereal vocals. Cheerful in all the right ways, it’s a welcome addition to the seasonal songbook. Pretty.