Born on this day in 1925, in London, UK, actress Angela Lansbury. Known for her long-running TV series, Murder She Wrote, Lansbury also had a length career in film, starring in The Picture Of Dorian Gray, National Velvet, Bedknobs and Broomsticks, Beauty & The Beast, and Mary Poppins Returns.
I have to admit that I wasn’t all that thrilled to hear of a sequel to Disney’s “Mary Poppins,” starring Emily Blunt in the title role. My apprehension, however, was allayed as soon as I heard Julie Andrews talk about how much she loved Blunt, and thought that she was practically perfect in every way to fill her own button-down shoes.
It would be impossible to overstate just how much care Disney took over this production, getting absolutely every detail beyond just-right. Cherry Tree Lane and The Banks Family are alive and well, albeit in need of Mary Poppins’s saving graces once again.
Michael Banks is grown up and living as a widower in the house he grew up in, along with his three children and Ellen, the maid. Banks has had a string of bad luck, beginning with the passing of his dear wife, which has left him in the position of having the family home foreclosed on. This is a job for Mary Poppins, if ever there was one.
Just as in the original movie, Mary Poppins arrives on the wind via umbrella, with a discerning eye focused on setting right multiple family problems, including saving the Banks home. I won’t spoil the story for those who’ve not seen it yet, but it’s relayed through really wonderful musical numbers and dance sequences that really do live up to their legacy.
Lin-Manuel Miranda is well-placed as Mary’s lamplighter pal, and with a bright smile and pleasant demeanor with the children, is instantly likable. His Cockney accent fares far better than Dick Van Dyke’s did in the original, so that what many have felt was a distraction (me, too) in the first film, is no longer. When Van Dyke puts in a cameo as the senior bank president near the end of the film, we happily find that his accent & dancing feet are both right where they need to be.
The closing scene of the movie is happy-tear-inducing, wrapping up an emotional sequel that hits all of the right marks. I haven’t ever seen a contemporary movie even come close to creating a sentiment and charm that so many golden-era movies do, until “Mary Poppins Returns.” Returning to Cherry Tree Lane is a dream come true.