Born on this day in 1951, in Herefordshire, England, drummer and songwriter, Martin Chambers. Chambers is known for his work with The Pretenders and Mott The Hoople.
Home (Spyderpop Records/Big Stir Records 2021)
Originally released during the latter days of 2019, Home by Lannie Flowers has recently been given the reissue treatment by the newly-formed partnership of Spyderpop Records and Big Stir Records. Resurrecting the album was a great idea, because here’s a set of tunes pleading to be heard by as many people as possible.
For those of you not hip to Lannie Flowers, the Texas-based singer, songwriter, guitarist and keyboardist staged his first serious musical move in 1976 with The Pengwins. The band remained together until the early nineties and are now regarded as cult heroes among the indie crowd. Lannie also led The Lannie Flowers Band and has an artistically rewarding solo career, with Home logging in as his third effort.
Sophisticated storytelling, compounded by row after row of intrepid melodies and ambitious arrangements pad every single song on the album. Delivered in Lannie’s rich and sturdy pipes, which are glazed with a roots rock accent, the material on Home crackles with raw emotions. Whether he is self-analyzing or sharing tales about characters who are lost and searching, Lannie makes his words and music come alive.
Triggered by pretty piano playing and yearning vocals, Missing You Tonight eventually thickens into an exhilarating exhibition of electrified instrumentation, topped with a blush of beautiful bluesy George Harrison styled guitar work, while the commanding Shine A Light proposes a similar epic quality. Devised of snappy hooks, a bounce per ounce and an adventurous break, Just Go To Sleep addresses insomnia, and It’s All Over growls and grinds to a fierce hard rocking pitch.
Polished and catchy, Anyway shifts gears towards the end of the song and slings a shot of jazzy big band sounds into the mix, where Free To Dream is a John Mellencamp inspired slice of heartland rock centered on a girl who grew up too fast and is struggling to deal with the consequences. Shades of The Kinks and Mott The Hoople are cast upon the title track of the album, which sparkles with jumpy piano notes, a gripping rhythm and harmonious tones.
Balanced by power and sensitivity, Home observes Lannie riding high on both a musical and lyrical level. He nails it at all angles, resulting in an outstanding album that transcends time and space.
Big Stir Singles: The Sixth Wave” (Big Stir Records 2020)
Launched in 2018, Big Stir Records has deservedly gleaned the reputation as one of the finest labels on the planet. Not only is the Burbank, California-based imprint committed to releasing the highest quality of music possible, but such standards apply to their presentation, as eye-pleasing graphics are a staple of their wares.
Comprised of 23 tracks, Big Stir Singles: The Sixth Wave is the latest installment of the banner’s various artists series. As if these hooky songs aren’t enough to score piles of points, the collection proposes a doubly worthy purpose, with 25% of the profits going to the Sweet Relief’s Musician Assistance Fund.
The humorously-christened Librarians With Hickeys introduce the set with the star-spangled ripples of Until There Was You, followed by The Popdudes’ Ridin’ In My Car that posts as the perfect summer song, bolstered by an upbeat tenor that ably crosses a crisp country folk rock pitch with a sunny Beach Boys‘ vibe. The Popdudes further check in with a version of Daytime Nighttime Suffering that is as honestly as terrific – if not better – than the original recording by Paul McCartney and Wings.
From Jim Basnight, there’s the gritty Rolling Stones swagger of Big Bang and a cracking cover of This Is Where I Belong that would certainly make The Kinks beam with pride. Blooming with emotion and a sleek orchestral feel, the haunting tremors of Home by Joe Normal & The Anytown’rs dials in as another pick to click on the collection, where Paula Carino’s Door illuminates with a measured moodiness destined to send shivers down the spine.
The Well Wishers step in with the bracing garage pop bite of We Grow Up, Trip Wire’s Katie Says favors a jangling country pop rock pose, assisted by cool breaks and a tugging melody, and Dolph Chaney’s infectious Automatic Caution Door imparts a tasty art rock ambience. The Corner Laughers contribute a pair of super catchy efforts to the program, including the compelling Queen Of The Meadow and The Accepted Time, which chimes to the tune of a smart melody and a gripping arrangement.
Brimming with volume and might, No, from The Walker Brigade is destined to rattle windows far and wide, while a couple of XTC songs are rendered in splendid fashion by Glowbox with Earn Enough For Us and Tom Curless and the 46%’s I’m The Man Who Murdered Love. Last but by no means least, Spygenius turns in an impressive Ian Hunter/Mott the Hoople impersonation on Heaven Is Blue, which does indeed incorporate shades of heavenly blues into the glammy mix.
Every song on Big Stir Singles: The Sixth Wave is utterly fantastic; reinforcing the label’s dedication to the best and the brightest indie pop rock musicians of today.