Categories
Boppin'

THE GREATEST RECORD EVER MADE! (VOLUME 1)

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. I like that idea so much, I’ve been writing a book about it: The Greatest Record Ever Made! (Volume 1). The long-threatened book remains a work in progress, but what the hell. Work is progressing.

My first public announcement of my plan to do this book was waaaay back in September of 2018. The GREM! concept well predates that announcement, springing from a series of blog posts that commenced in 2016 with a celebration of Badfinger‘s “Baby Blue.” The first proposed Table of Contents was posted in April of 2019, back when I was only planning for the book to discuss a mere 50 songs. 

50…?! How quaint. It’s grown a bit since then. As of the last posted update in November of 2021, the book’s Table of Contents was a collection of 165 songs. It now stands at 175–170 selections plus five bonus tracks–and that’s probably where the number will stay.

The book’s current Table of Contents appears below. But before you dive in to experience its splendor, it’s worth repeating this caveat from one of the book’s introductory chapters:

“This specific disclaimer is worth highlighting in bold and all-caps: THIS IS NOT INTENDED AS AN EXHAUSTIVE LIST OF THE BEST RECORDS EVER MADE! Jesus, no! The chapters in this book cover a number of popular and personal favorites, but it’s nowhere near comprehensive, and it’s not meant to be. It’s a discussion and a celebration of pop’s infinite promise–nothing more, nothing less.”

Ready? Let’s GO!

THE GREATEST RECORD EVER MADE! (VOLUME 1) 

Table of Contents

FOREWORD

DISCLAIMERS AND DECLARATIONS (A User’s Guide To The Greatest Record Ever Made!)

A Fistful Of 45s

OVERTURE THE RAMONES: Do You Remember Rock ‘n’ Roll Radio?

1. BADFINGER: Baby Blue

2. CHUCK BERRY: Promised Land

3. DUSTY SPRINGFIELD: I Only Want To Be With You

4. THE SEX PISTOLS: God Save The Queen

5. ELVIS PRESLEY: Heartbreak Hotel

6. WILLIE MAE “BIG MAMA” THORNTON: Hound Dog

7. PATTI SMITH: Gloria

8. LITTLE RICHARD: The Girl Can’t Help It

9. NEIL DIAMOND: Brother Love’s Traveling Salvation Show

10. CRAZY ELEPHANT: Gimme Gimme Good Lovin’ 

11. WILSON PICKETT: In The Midnight Hour

12. THE HOLLIES: I Can’t Let Go

13. MELANIE WITH THE EDWIN HAWKINS SINGERS: Lay Down (Candles In The Rain)

14. THE ROMANTICS: What I Like About You

15. SAM COOKE: Chain Gang

16. PETULA CLARK: Downtown

17. ARTHUR ALEXANDER: Soldier Of Love

18. TRANSLATOR: Everywhere That I’m Not

19. LESLEY GORE: You Don’t Own Me

20. THE SHANGRI-LAS: Leader Of The Pack

21. THE SHIRELLES: Will You Love Me Tomorrow

22. THE RAMONES: Sheena Is A Punk Rocker

23. AMY RIGBY: Dancing With Joey Ramone

24. PINK FLOYD: Wish You Were Here

25. GLADYS KNIGHT AND THE PIPS: Midnight Train To Georgia

26.THE BOBBY FULLER FOUR: I Fought The Law

27. MERLE HAGGARD: Mama Tried

28. THE TEMPTATIONS: Papa Was A Rollin’ Stone

29. BUDDY HOLLY: Peggy Sue/Everyday

30. ROBERTA FLACK: Killing Me Softly With His Song

31. JOHNNY NASH: I Can See Clearly Now

32. ELTON JOHN: Saturday Night’s Alright For Fighting

33. SUZI QUATRO: I May Be Too Young

34. ALICE COOPER: School’s Out

35. THE RARE BREED/THE OHIO EXPRESS: Beg, Borrow And Steal

36. ARTHUR CONLEY: Sweet Soul Music

37. OTIS REDDING: (Sittin’ On) The Dock Of The Bay

38. ARETHA FRANKLIN: Respect

39. THE MONKEES: The Girl I Knew Somewhere

40. THE MONKEES: Porpoise Song (Theme From Head)

41. PRINCE: When You Were Mine

42. THE 13th FLOOR ELEVATORS: You’re Gonna Miss Me

43. THE ROLLING STONES: Get Off Of My Cloud

44. PAUL REVERE AND THE RAIDERS: Just Like Me

45. BOB DYLAN: Like A Rolling Stone

46. THE KINGSMEN: Louie, Louie

47. BARON DAEMON AND THE VAMPIRES: The Transylvania Twist

48. THE MARVELETTES: I’ll Keep Holding On

49. THE WHO: I Can’t Explain

50. TODD RUNDGREN: Couldn’t I Just Tell You

51. SHOES: Tomorrow Night

52. THE FLASHCUBES: No Promise

53. TELEVISION: Elevation

54. DONNA SUMMER: I Feel Love

55. SMOKEY ROBINSON AND THE MIRACLES: The Tears Of A Clown

56. JUDAS PRIEST: Heading Out To The Highway

57. THE DIXIE CUPS: Iko Iko

58. THE NEW YORK DOLLS: Personality Crisis

59. MILLIE SMALL: My Boy Lollipop

60. THE EASYBEATS: Friday On My Mind

61. IKE AND TINA TURNER: River Deep Mountain High

62. THE RONETTES: Be My Baby

63. RONNIE SPECTOR AND THE E STREET BAND: Say Goodbye To Hollywood

64. BRUCE SPRINGSTEEN: Girls In Their Summer Clothes

65. KISS: Shout It Out Loud

66. THE LEFT BANKE: Walk Away, Renee

67. THE BAY CITY ROLLERS: Rock And Roll Love Letter

68. THE KNICKERBOCKERS: Lies

69. THE WONDERS: That Thing You Do!

70. THE GO-GO’S: We Got The BeatINTERLUDE The Tottenham Sound Of…The Beatles?!

71. THE DAVE CLARK FIVE: Any Way You Want It

72. JAMES BROWN: Please, Please, Please

73. GRAND FUNK: We’re An American Band

74. THE VELVELETTES: He Was Really Sayin’ Somethin’

75. THE FIRST CLASS: Beach Baby

76. THE ISLEY BROTHERS: Summer Breeze

77. THE RUBINOOS: I Wanna Be Your Boyfriend

78. THE PANDORAS: It’s About Time

79. THE MUFFS: Saying Goodbye

80. BIG STAR: September Gurls

81. PAUL COLLINS/THE BREAKAWAYS: Walking Out On Love

82. LINDA RONSTADT: You’re No Good

83. P. P. ARNOLD: The First Cut Is The Deepest

84. THE NEW PORNOGRAPHERS: All For Swinging You Around

85. THE DAVE BRUBECK QUARTET: Take FiveENTR’ACTE THE BEATLES: Yesterday

86. THE BEATLES: Revolution

87. YOKO ONO: Kiss Kiss Kiss

88. THE MC5: Kick Out The Jams

89. THE CHAMBERS BROTHERS: Time Has Come Today

90. MARVIN GAYE: I Heard It Through The Grapevine

91. SAMMY AMBROSE: This Diamond Ring

92. THE MYNAH BIRDS: I Got You (In My Soul)

93. RICK JAMES: Super Freak

94. BIG BROTHER AND THE HOLDING COMPANY: Piece Of My Heart

95. THE FLAMIN’ GROOVIES: Shake Some Action

96. THE DANDY WARHOLS: We Used To Be Friends

97. THE CARPENTERS: Only Yesterday

98. MATERIAL ISSUE: Kim The Waitress

99. THE 5TH DIMENSION: Medley: Aquarius/Let The Sun Shine In (The Flesh Failures)

100. THE JACKSON FIVE: I’ll Be There

101. SLY AND THE FAMILY STONE: Everybody Is A Star

102. LOVE: 7 And 7 Is

103. THE BANGLES: Live

104. THE SEARCHERS: Hearts In Her Eyes

105. THE FLIRTATIONS: Nothing But A Heartache

106. THE SPINNERS: I’ll Be Around

107. TOM PETTY AND THE HEARTBREAKERS: American Girl

108. THE PARTRIDGE FAMILY: I Woke Up In Love This Morning

109. EDDIE COCHRAN: Somethin’ Else

110. DAVID RUFFIN: I Want You Back

111. LED ZEPPELIN: Communication Breakdown

112. FREDDIE AND THE DREAMERS: Do The Freddie

113. THE BANDWAGON: Breakin’ Down The Walls Of Heartache

114. HEADGIRL/MÖTOR HEADGIRL SCHOOL: Please Don’t Touch

115. DON HENLEY: The Boys Of Summer

116. THE CLASH: Train In Vain (Stand By Me)

117. BEN E. KING: Stand By Me

118. GENE PITNEY: Twenty Four Hours From Tulsa

119. RUFUS: Tell Me Something Good  

120. THE SPONGETONES: (My Girl) Maryanne

121. THE TRAMMPS: Disco Inferno

122. HAROLD MELVIN AND THE BLUE NOTES: Don’t Leave Me This Way

123. GRANDMASTER AND MELLE MEL: White Lines (Don’t Don’t Do It)

124. THE VELVET UNDERGROUND: I’ll Be Your Mirror

125. DEL SHANNON: Runaway

126. THE EVERLY BROTHERS: Gone, Gone, Gone

127. THE COCKTAIL SLIPPERS: St. Valentine’s Day Massacre

128. SAM AND DAVE: Soul Man

129. T. REX: 20th Century Boy

130. HEART: Kick It Out

131. THE RUNAWAYS: Cherry Bomb

132. AMERICA: Sister Golden Hair

133. THE KINKS: Waterloo Sunset

134. THE KINKS: You Really Got Me

135. HOLLY GOLIGHTLY: Time Will Tell

136. THE SMITHEREENS: Behind The Wall Of Sleep

137. THE COWSILLS: She Said To Me

138. ELVIS COSTELLO AND THE ATTRACTIONS: (What’s So Funny ‘Bout) Peace, Love And Understanding?

139. THE FOUR TOPS: Reach Out I’ll Be ThereINTERLUDE Old Time Rock ‘n’ Roll

140. THE BOB SEGER SYSTEM: 2 + 2 = ?

141. THE JIVE FIVE: What Time Is It?

142. LULU: To Sir, With Love [Museum Outings Montage]

143. FREDA PAYNE: Band Of Gold

144. THE CONTOURS: Do You Love Me

145. WHAM!: Freedom

146. THE COOKIES: Wounded

147. THE SUPREMES: You Keep Me Hangin’ On

 148. THE BEACH BOYS: God Only Knows

149. JOAN ARMATRADING: Me Myself I

150. THE SELECTER: On My Radio

151. TRACEY ULLMAN: They Don’t Know

152. MANNIX: Highway Lines

153. THE DRIFTERS: On Broadway

154. FIRST AID KIT: America

155. THE FIVE STAIRSTEPS: O-o-h Child

156. SOLOMON BURKE: Everybody Needs Somebody To Love

157. THE JAM: That’s Entertainment

158. THE COASTERS: Yakety Yak

159. CHEAP TRICK: Surrender

160. TEGAN AND SARA: Walking With A Ghost

161. DAVID BOWIE: Life On Mars?

162. THE O’JAYS: Put Your Hands Together

163. THE GRATEFUL DEAD: Uncle John’s Band

164. RITA MORENO, GEORGE CHAKIRIS, SHARKS & GIRLS: America

165. EDDIE AND THE HOT RODS: Do Anything You Wanna Do

166. JOAN JETT: Bad Reputation

167. STEVIE WONDER: I Believe (When I Fall In Love It Will Be Forever)

168. MARYKATE O’NEIL: I’m Ready For My Luck To Turn Around

169. EYTAN MIRSKY: This Year’s Gonna Be Our Year

170. THE JAYHAWKS: I’m Gonna Make You Love Me

An Infinite Number

INTERLUDE Underrating The Beatles

ENCORE! THE BEATLES: Rain

ENCORE!! THE T-BONES: No Matter What Shape (Your Stomach’s In)

Cruisin’ Music

CODA THE RAMONES: Blitzkrieg Bop

AFTERWORD


Repeating the disclaimer
: These selections are not ranked in any way, and this is most definitely NOT intended as an inclusive list of the all-time best songs. There are an infinite number of worthy prospects; these are the one I choose to write about in The Greatest Record Ever Made! (Voume 1).

At this writing, the book is only two chapters shy of a complete first draft. The completed chapters total just under 153,000 words, though that tally may shrink once I start revising the text. It is certainly possible that I will make further changes to the Table of Contents, but this is getting closer and closer to the final line-up.

I hope to complete those two remaining chapters in short order. Then, I’ll finally get to the revision process, tightening the prose and reducing redundancies. Somewhere in there, I’ve gotta start looking for an agent.

I have a different book due out by the end of 2022, but the principal work for that one is already done. Which means it’s finally time for The Greatest Record Ever Made! (Volume 1)
Wish me luck.

TIP THE BLOGGER: CC’s Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Hey! If you buy from Amazon, consider making your purchases through links at Pop-A-Looza. A portion of your purchase there will go to support Boppin’ (Like The Hip Folks Do). Thinking Amazon? Think Pop-A-Looza.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download

I’m on Twitter @CafarelliCarl.

Categories
Pop Sunday

The Lunar Laugh / Nighthawks!

The Lunar Laugh

Nighthawks! (Big Stir Records 2021)

https://thelunarlaugh.bandcamp.com/album/nighthawks


Formed several years ago, The Lunar Laugh quickly made a name for themselves amongst the alternative music circuit. Specializing in a deft juggling of power pop and country rock, the Oklahoma City band has cut three excellent studio albums to date; Apollo, Mama’s Boy and Goodnight Noises Everywhere” The Lunar Laugh’s latest project, Nighthawks!, concentrates on previously-unreleased live recordings of material culled from these albums. 

Taped in different settings, the album manages to possess a consistent flow, giving the impression these songs were recorded from one concert. Confident showmanship, combined with the Lunar Laugh’s joy for sharing their music, is positively infectious. Add a clear and big sound to the mix, and you will feel as if you are experiencing the gigs first-hand. 

The Lunar Laugh certainly picked the cream of the crop to be presented on Nighthawks!, with songs such as Tell Me A Story, Apollo, Winsome, Mama’s Boy, By The Light Of The Living Room, Work In Progress, Old New Kid In Town, Living A Lie and Waiting For A Sign, posting as just some of the gems encountered. Aside from featuring a becoming exterior, the interior of these tunes is also appealing, as the lyrics are thoughtful and observant.

 Blinking brightly with swirls of scrumptious harmonies, rows of well-rounded melodies and instrumentation as tight as steel, Nighthawks! examines The Lunar Laugh in their element and digging every minute of it. Whether the band is strumming a bouncy twang or rocking out to a driving beat, the energy and enthusiasm remains focused and direct. 

An early seventies West Coast accent anchors most of the tracks on Nighthawks!, with particular nods going to artists like Eagles, Fleetwood Mac, Poco and America. Imagine these bands bearing a power pop edge, and that generally describes what The Lunar Laugh offers. 

A couple of covers further appear on the album, being Death Cab For Cutie’s ghostly hymn-styled Soul Meets Body and Neil Diamond’s Solitary Man, which The Lunar Laugh crowns with a rumbling jam. As an extra treat, two new studio songs  – I Wanna Know and It’s Okay  – are included on Nighthawks! Both of these numbers zero right in on the band’s trademark tone of glowing vocals, delectable hooks and tasty licks, leaving listeners hungry for their next album. But until then, here’s a superb souvenir of The Lunar Laugh, captured live and in action!  

By Beverly Paterson

Categories
Boppin'

Give Me A Head With Hair, Long Quarantine Hair

As quarantine restrictions ease, I am still not in the merest hurry to get a haircut. My hair is now longer than it’s been since the mid ’80s, when I was managing a record store. Actually, it may even be longer than it was back then. If not, it’s close. It’s bushy and cascading, curly, voluminous. I’m still just about bald on top, mind you, but I have an increasingly lengthy mane nonetheless.

My reluctance to have someone go all Delilah on li’l ol’ Samson me has less to do with COVID concerns and much more to do with my…well, I guess with my satisfaction with my current shaggy ‘do. It feels good to have hair, the follically-challenged part of my North 40 notwithstanding. In times like these, any little trifle that can make us feel better is welcome, no matter how superficial that feeling may be.

As a boy in the 1960s, my hair was short. Every boy’s hair was short. Longer hair was for girls, unless you were either The Beatles or The Mighty Thor; the former was a pretty exclusive club, and the latter wasn’t from around here. As The Rolling StonesThe Monkees, and the male contingent within The Jefferson Airplane further modeled and popularized the idea of lengthier locks for the older boys (and The Monkees probably did more for that cause than anyone else, just via the mainstreaming familiarity of starring on a weekly TV show), those of us still in elementary school retained our exposed ears and close-to-the-head styling, and I doubt many (maybe any) of my peers objected. I never had a buzz-cut, but regular trips to the barber were routine, expected. Normal. The thought of having longer hair never even occurred to me.

(That said, I hated going to the barber. Sitting still was not what I did best, but my regular barber got the job done. I remember visiting a different guy exactly once, and he kept getting annoyed with me, and he kept forcefully jerking my head into position. Bastard. A session with any barber, including my regular guy, left my neck and shoulders itchy, as stray bits of short ‘n’ sharp debris nestled under my collar and under my shirt. On the bright side, my regular barber had comic books for me to read while I awaited my turn to be shorn. And afterward, I liked to run my hand against the grain of the hair just above the nape of my neck, the bristly light resistance providing a unique and fulfilling closure to the process of a haircut.)

Things changed in the ’70s. I was still as four-cornered as they come, but even a square such as I wasn’t immune to a shift in prevailing fashion, as longer hair become more and more common for guys. My barber became a hair stylist, a transformation no less remarkable than Clark Kent entering a nearby phonebooth and emerging as Superman. Dad was still not gonna allow me to start looking like a hippie or a rock star, but the accepted look of male grooming evolved anyway. By eighth grade, I decided that I would have long hair and a beard when I grew up. By high school, while still beardless and not much shaggier than Paul McCartney circa ten years prior, I was using a blow dryer regularly. 
Punk rock hit as I transitioned from high school to college. The Ramones had long hair, but the prevailing image for most of the young punks was the short and spiky hairdo. Over time, this replaced my ’70s notion of stylin’ like Haight-Ashbury. I never quite got to looking like Sid Vicious, and settled instead for a power-pop hybrid that aped the pre-1967 Beatles. It always comes back to The Beatles, man.

The jobs I had from 1978 to 1984 did not favor tresses hanging much over my ears. The record store job was different. My hair grew to the point that customers remarked that I looked like Neil Diamond. That ended in 1986 when I got a job in retail sales, which is still what I do today. That gig required shorter locks. The length of my hair has varied in the ensuing decades (as the hair on top gradually vanished), while rarely getting too long before a supervisor reminds me of my need to visit a barber. Stylist.


Until now. New York state has allowed salons to reopen within appropriate guidelines, but I’ve come to dig having my hair longer. My bosses have mentioned a preference for me to return to a somewhat less hirsute style. Still, there’s been no hassle, and my stated intent to remain the walking, talking embodiment of a song by The Cowsills is understood and accepted, at least for now. It’s getting wild, but it’s clean, and it’s mine. I don’t even mind the miles of gray streaked throughout. I run my hands through it, and the feeling is as validating now as it was when I rubbed the back of my head when I was six or seven. Give me a head with hair. Long, beautiful hair. Shining, streaming, gleaming, waxen, flaxen. Here baby, there Mama, everywhere Daddy Daddy. HAIR!

TIP THE BLOGGER: CC’s Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Hey! If you buy from Amazon, consider making your purchases through links at Pop-A-Looza. A portion of your purchase there will go to support Boppin’ (Like The Hip Folks Do). Thinking Amazon? Think Pop-A-Looza.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download
Carl’s writin’ a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of ’em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1).

Categories
Boppin'

THE GREATEST RECORD EVER MADE: I Only Want To Be With You

Here’s another chapter from my eventual book The Greatest Record Ever Made! (Volume 1)An infinite number of rockin’ pop records can be the greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

DUSTY SPRINGFIELD: I Only Want To Be With You

Written by Mike Hawker and Ivor Raymonde

Produced by Johnny Franz

Single, Philips Records [U.K.] single, 1963


There is a persistent temptation (and corresponding peril) in attempting to apply contemporary context to past events. It’s revisionist history, a sparkly thing that’s difficult to resist, even as we just chat about the pop songs that enrich our lives. Please forgive me for the premeditated sin I’m about to commit. Because as I look back, I can’t help but wonder what singing a song called “I Only Want To Be With You” may have meant to a closeted bisexual woman named Dusty Springfield.
It’s plausible to counter that she didn’t even think about the connection between the lyrics of her first big hit record and the love she had to hide away. We look back on the ’60s as a time of cultural revolution, an expansion of civil rights, social conscience, a slow dawning of recognition of the disenfranchised at society’s margins. Gay rights weren’t really seen as part of that at the time. Maybe it started to change, incrementally, with the Stonewall riots in 1969, which served as the flashpoint for the gay rights movement as the ’70s beckoned. But in 1963? The closet. The closet was where one stayed if one was gay in ’63.

British singer Dusty Springfield (born Mary Isobel Catherine Bernadette O’Brien) was a member of a folk trio called The Springfields. Presaging The Ramones, the members of The Springfields (which included Dusty’s brother Tom) took the group’s name as a surname; combining this with a nickname she’d gained as a soccer-loving tomboy in her youth, Mary O’Brien became Dusty Springfield. Dusty left The Springfields in 1963, and began her solo career with a single: “I Only Want To Be With You.”I don’t know what it is that makes me love you soI only know I never want to let you go’Cause you started somethingCan’t you see?That ever since we met you’ve had a hold on meIt happens to be trueI only want to be with you
A decade later, writer Greg Shaw would note that Dusty Springfield’s “I Only Want To Be With You” explodes with as much pure pop noise as any Dave Clark Five record. The horns propel, the strings soar, the girl-group spirit celebrates, the music leans forward the way a rockin’ pop song outta. Miss Dusty Springfield presides over all of it, dancing by herself at the microphone, singing sweetly of her love, her happiness, her contented fulfillment in the arms of her chosen one. Her only wish, only ambition, is to be with the object of her desire. It can–we hope–really be as simple as that.

Falling in love is an experience. In our pop music, we prefer it to be a giddy, blissful experience, free of the heartache and doubt that may often threaten us in our real-world affairs. Pop songs do recognize that love’s path may lead through temptation, betrayal, misery, to tests of faith and failures in spite of good initial intent, a path that might reach redemption or fall prey to the hazards that cause us to crash, broken and beaten, before we get to that magic place we so wanted to claim as home. Pop songs can reflect the complications and compromises we may face day to day, every day.
But both pop music and love itself can offer the promise of something sweeter to believe in. Joni Mitchell described the love’s illusions she recalled as The dizzy dancing way you feelNeil Diamond (via Micky Dolenz) saw a face that made him a believer. The Temptations had sunshine on a cloudy day, and so many others have used music to express sacred hopes for new love. Wouldn’t it be nice to be together? I’ve just seen a face, I can’t forget the time or place. No matter what you are, I will always be with you. Hey hey, you you, I wanna be your boyfriend.
Nothing has ever embodied that hope and celebration with greater authority than Dusty Springfield and “I Only Want To Be With You.” The song is love, new love, everlasting love. It radiates with the sheer delight of falling in love. Even listening to it again now, you still believe Dusty as she sings about the only thing she really wants.

Some may regard “I Only Want To Be With You” as a relatively minor part of Dusty Springfield’s career. It was her first single and her first hit (# 4 in the UK, # 12 in the States), but “Wishin’ And Hopin'” and “You Don’t Have To Say You Love Me” were bigger hits in America. “Son Of A Preacher Man” didn’t match the chart performance of any of those, but it’s likely considered the definitive Dusty single, from the definitive Dusty LP Dusty In MemphisThe Bay City Rollers‘ 1976 cover of “I Only Want To Be With You” precisely matched the UK and US chart peaks of Dusty’s original version, and some will speak on behalf of another subsequent cover by The Tourists (with Annie Lennox and Dave Stewart, who remained together as Eurythmics). I’m fond of the Rollers and Tourists records, too; however, neither of ’em is The Greatest Record Ever Made.
No. Today that honor belongs to a former tomboy named Mary, who remade herself with glamour and taste into a pop icon called Dusty. We don’t know who, if anyone, she had in mind as she sang “I Only Want To Be With You.” Dusty’s life was not as happy as the infectious exuberance of her song. She did not remain closeted, though she bristled at being labeled gay, claiming that she liked sex with men and women equally. But she drank too much. She suffered from emotional problems. She hurt herself. She was (unofficially) married briefly, to a woman, in a relationship marred by physical conflict and injuries. Cancer took her in 1999, a mere two weeks before she was inducted into The Rock And Roll Hall Of Fame.
We honor Dusty Springfield by remembering the wonder of her music: the pain of her heartbreak songs, the soul of her performances, the visceral thrill of her artistry. Most of all, I remember the transcendent joy of “I Only Want To Be With You,” a triumphant dedication of love and devotion to the only one with whom she wished to be. Whomever that happened to be.

“I Only Want To Be With You” written by Mike Hawker and Ivor Raymonde, Unichappell Music, Inc.
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Categories
Quick Spins

The Monkees / Good Times!

This week, I’m taking another look at reviews I wrote of various Adam Schlesinger projects, when my Quick Spins column ran in The Kenosha News. Adam’s recent passing due to the pandemic has really impacted me, so I’d really like to be a part of people discovering what made him such a special guy.

D.P.

The Monkees

Good Times! (Rhino)

http://www.themonkees.com

A new Monkees‘ album couldn’t have come along at a better time. Knee-deep in political bile, social media aggression and civil rights unrest, planet Earth seems to be devolving into negativity at an alarming rate. What better antidote than Peter, Davy, Micky and Mike? Here they come, walkin’ down the street…

Good Times! is lovingly produced by Adam Schlesinger of Fountains of Wayne. Schlesinger, who wrote the theme song for Tom Hanks’s That Thing You Do!, unabashedly takes The Monkees back to their 1960’s heyday. While their previous reunion albums, Pool It! and Justus, were uneven attempts at being contemporary, Good Times! is all about taking it back to the beginning.

“You Bring The Summer,” written XTC’s Andy Partridge, and “She Makes Me Laugh,” by Weezer’s Rivers Cuomo, are perfect vehicles for Micky Dolenz’s apparently ageless voice. Mike Nesmith, he of the wool hat, shines on the pretty Western ballad, “Me & Magdelena.”

Though Davy Jones has passed on, his original 1967 vocals for the Neil Diamond-penned “Love To Love” fly in to keep things groovy. I’m so glad they found a way to make him a part of this, as he spent so many decades keeping the band’s legacy alive in concert. Peter Tork, though never recognized as a great vocalist, leaves not a dry eye in the house with his beautiful version of Goffin/King’s “Wasn’t Born To Follow.”

Good Times! is pure joy from start to finish, I can’t recommend it highly enough. It will make you want to roll down your car windows and put off running errands, in favor of a drive to the beach and an ice cream cone. It will lift your spirits, as it fills your mind with wonderful memories of good times and summers passed. If you’re lucky enough, CD-DVD-Games Warehouse might even have a Monkees’ coloring book for you when stop in to get your copy. What more could you ask for? Enjoy!