Categories
Pop Sunday

Underwater Sunshine / Suckertree

Underwater Sunshine

Suckertree (Futureman)

https://futuremanrecords.bandcamp.com/album/suckertree

Music fans residing in the Vancouver, British Columbia area during the mid to late nineties were no doubt aware of Underwater Sunshine. A hot live attraction, the band put money earned from gigs towards recording an album.

A major label expressed interest in signing Underwater Sunshine, but unfortunately things did not proceed as planned. The band dispersed, and the album cocooned in the can. Yet the story has a happy ending. Having not been in contact since dismantling nearly twenty-five years ago, the band members reconnected in 2020. The tapes of the album were retrieved, and now Suckertree is available. Containing all original material and recorded in a basement, the album serves as a totally self-sufficient affair. 

Treading the fine line between power pop and stadium rock, Suckertree is coated front, center and back with buzzing  guitars, solid drumming and stimulating hooks. Pure and tidy vocals, bolstered by muscular amplification, allow some of the songs on the album to sound like a heavier version of Shoes. Reflections of The Posies also can’t be missed, not to mention Oasis and Sloan.

While Suckertree may be a product of its time, these songs still hold up extremely well. From the opening cut – Verse 2 to the final number – Spin Around – the album bristles with energized instrumentation and hard-hitting melodies that go on and on. Gripping arrangements, sweeping rhythms and insistent breaks further characterize Underwater Sunshine’s vision. 

Along with the already noted songs, Backward Glance, Shine, It’s You and Smoke & Mirrors lock in as other electrifying efforts emphasizing the band’s harmonious chemistry. Less rocking, but equally effective, there’s the crisp shimmer of Baby Blue and the absolutely unforgettable Rusted Crown, which burns with a moody intensity. 

Had Suckertree been released when intended to be, Underwater Sunshine would have surely set the charts alight with their catchy brand of industrial-strength guitar pop. 

Categories
Pop Sunday

Star Collector / Game Day

Star Collector

Game Day (Clockwise)

https://starcollectorcanada.bandcamp.com/album/game-day

After a fifteen year sabbatical from recording, Star Collector are back on board and sound better than ever. Weighing in as the Vancouver, Canada band’s fifth album, Game Day picks right up where these guys left off, meaning listeners are in for yet another exciting expedition of dashing pop rock performed at a high-octane level.

Since their inception in 1996, Star Collector has met a variety of personnel changes. The current version of the band features lead singer, songwriter and guitarist Vic Wayne, lead guitarist and vocalist Steve Monteith, bassist and vocalist Adam East and drummer and vocalist Adrian Buckley

Dominated by the hot roar of soaring guitars, beefy drum beats and charismatic vocals blooming with melody and might, Game Day consistently reveals Star Collector’s astounding dynamics and ability to operate in an extra sensory perception manner. Astronomical choruses, supported by ribbons of rich and robust hooks are additional principal factors bedded into the songs.

Star Collector’s single-minded intensity arrives in full force on cuts like the title track of the album, the swaggering sneer of Rip It Off, the heavy-handed Super Zero Blues, Green Eyes and The Silent Type.  For a brief moment of quiet and solitude, there’s Hook, Line & Singer, which is acoustic-based.

Think the arena rock flash of The Who and Cheap Trick, layered with the Britpop of The Jam and Oasis, and that is basically where Game Day is at. Not a bad thing at all, especially when considering Star Collector has both the motivation and energy to make their songs fresh and imaginative. Well-oiled and sizzling with rockstar attitude, Game Day is a power chord fan’s ticket to the promised land. 

Categories
Pop Sunday

Richard Turgeon / 10 Covers, Volume 2

Richard Turgeon

10 Covers: Volume 2″ (2021)

https://richardturgeon.bandcamp.com/album/10-covers-volume-ii


Every so often, Richard Turgeon takes a breather from crafting his own superb songs, and picks tunes of his favorite artists to tackle. The material included on the San Francisco Bay Area one-man band’s “10 Covers: Volume 2” slides in as the second installment of his recycling project, and features tracks that were released as digital singles over the past year.

The selections presented on this effort – which span different eras and styles –  generally follow the template of the initial versions. That is definitely not a bad thing, as some of these songs stand as of the most beloved of all time. Turgeon’s taut and durable vocals, paired with his cracking instrumental techniques, simply crystallize the qualities that made the cuts so appealing in the first place. 

Whether he is channeling the alternative rock of Hole’s “Malibu,” the twelve-string jangle of The Byrds’ “I’ll Feel A Whole Better” or the driving beat of Flesh For Lulu’s “Postcards From Paradise,” Turgeon approaches the songs with earnest enthusiasm.

 Other entries heard on “10 Covers: Volume 2” are The Mamas and the Papas’ luscious harmony-laden “California Dreaming,” T,he Cure’s punchy “Just Like Heaven,” and Neil Diamond’s “I’m A Believer” that was of course popularized in frisky fettle by The Monkees. 
Potty Mouth’s jaunty punk flavored “22,” The Bobby Fuller Four’s heartbreaking ballad “A New Shade Of Blue” and Oasis’ sweeping and soaring “Live Forever” also appear on the set.

 And how fitting it is Turgeon pays homage to Tom Petty on “10 Covers: Volume 2,” considering much of his original work invokes comparisions to the late icon. The song Turgeon elected to revisit is “Learning To Fly,” which adds a layer of  muscular guitar mettle to the mix. 

An eclectic choice of offerings, “10 Covers: Volume 2” is a nice thank you note to the musicians who have inspired Turgeon. Excellent indeed!