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Video of The Day

Coke Belda / Thank You, Paul!

The staff here at Pop-A-Looza HQ just can’t stop watching Coke Belda’s video for his song, “Thank You, Paul,” from his latest record, Coke Belda 4.

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Quick Spins

Justin Bieber / Changes

Justin Bieber

Changes (Def Jam)

http://www.justinbieber.com

Three tracks in and this sounds just like every other R&B-tinged pop record out there. That’s the nicest thing I can say about Changes.

D.P.

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Quick Spins

Marshall Crenshaw Miracle Of Science

Marshall Crenshaw

Miracle of Science (Shiny-Tone)

http://www.marshallcrenshaw.com

With the release of 1996’s Miracle of Science, alt-pop favorite Marshall Crenshaw had a bit of a career renaissance. Comparisons were immediately drawn between this new record and his stellar 1982 self-titled debut. Much to the delight of guitar-pop fans everywhere, he seemed to have rediscovered his muse, and in a big way.

Here, Miracle of Science gets the reissue treatment from Crenshaw’s own Shiny-Tone Records label. In edition, Shiny-Tone will give another go ‘round to 1996’s #447, 2003’s What’s In The Bag? And 1998’s The 9 Volt Years. All will be welcome to this writer.

“What Do You Dream Of” and “Who Stole The Train” are two of Crenshaw’s best, indeed, he almost sings them with the energy he had in ’82. “Twenty-Five Forty-One” is a great warning song about the downside of getting a place with your girl. The cover of Billy Page’s “The “In” Crowd” is peppy and fun, as is the imaginary TV theme song, “Theme From Flaregun.”

For Crenshaw’s collecting fans, Shiny-Tone adds three additional unreleased tracks; “Rouh Na Selim Nevers (Seven Miles An Hour backwards)”, and demos of “What The Hell I Got” and “Misty Dreamer.” Even without the extra added tracks, Miracle of Science is one of his absolute best, and well worth another listen.

D.P.

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Quick Spins

The Well Wishers – The Lost Soundtrack

The Well Wishers

The Lost Soundtrack (That Was My Skull)

http://www.facebook.com/thewellwishersband

In 2014, Jeff Shelton and his Well Wishers were commissioned to create a musical bed for an independent film. As these things often play out, the film’s soundtrack was created, yet the film itself remains unmade. Leaving these eleven tracks “in the can” would’ve been a travesty. That fate is rectified by this release.

Shelton is one of the San Francisco Bay Area’s premier songwriters, and it’s easy see why an indie film company would tap him to join their team. “Back Door”,”Build A Life” and “Great Day Out” recall the best work of alt-pop singer-songwriters like Matthew Sweet, Evan Dando and Bob Mould. Melancholy melodies and jangly guitars permeate with comforting results, and the visual nature of Shelton’s writing is superb.

D.P.