Limitations Of Source Tape (SpyderPop Records/Big Stir Records)
Early 2021 saw two great labels – SpyderPop and Big Stir – team up as a relaunch imprint. Chris Church is one of the artists receiving a reprise. And here is a look at the Lenoir, North Carolina-based singer, songwriter and multi-varied instrumentalist’s second solo album, Limitations Of Source Tape, which was originally recorded in 2017 and distributed by SpyderPop.
While Chris boasts a background involving a diverse selection of musical styles, Limitations Of Source Tape points the arrow straight towards the guitar-oriented pop rock side of the spectrum. Equipped with a fine voice seated somewhere between the harmonious blush of Todd Rundgren and a rootsy brogue, Chris unleashes his intelligently-composed material with assertiveness and authority.
Certain portions of Limitations Of Source Tape additionally share traits with the likes of Tommy Keene and Michael Penn, placing Chris in very good company indeed.
Navigated by a tugging rhythm and an equally snaring hook, Bell The Cat stands as one of those ridiculously catchy tunes impossible to shake, whereas Be My Nuisance is glazed with jangling chords and pops with power.
Energetic tempos, tied to solid arrangements and shrewd breaks, command the course on tracks such as Pollyanna’s Going Dark and Fall Into Me, and be sure to also give a listen to Understudy Blues, which charges forth as a tasty piece of hard-rocking ear candy.
No frills and all thrills, Limitations Of Source Tape focuses on strong and melodic songs created from the heart and gut. The crisp and crunchy production of the album provides extra appeal. And speaking of perks – in conjunction with Limitations Of Source Tape – SpyderPop and Big Stir have resurrected Chris Church’s third solo album – Backwards Compatible – which was initially released in 2018 and is highly recommended as well.