Categories
Pop Sunday

Spy Genius / Man On The Sea

Spygenius

Man On The Sea (Big Stir Records 2020)

https://www.bigstirrecords.com/store#!

Made up of singer, guitarist and main songwriter Peter Watts, bassist, vocalist Ruth Rogers, keyboardist, vocalist Matt Byrne and drummer, vocalist Alan Cannings, Spygenius has been a going concern since 2008. The British band’s fifth and most recent venture, Man On The Sea will be released July 10th and being a double album, provides twice the listening pleasure.

Steered by vocals best defined as the missing link between the quirky charm of Robyn Hitchcock and Ian Hunter on a Dylanesque bender, Spygenius ices their  material with industrious structures, unique hook lines and compelling curves in general. Putting a premium on  exploration, Man On The Sea illuminates with color and wonder.

From the vintage dance hall shuffle of Remember Me When I Was Good to the ominous din of Green Eyed Monster to the harmonious jangle of Watch Your Back – which is an admitted renovation  of John Lennon and Paul McCartney‘s You’re Going To Lose That Girl – the project stands as a striking survey of mercurial moods that seriously does offer something for everyone. 

The brooding psychedelic folk of Dolphinarium 1986 mirrors certain aspects of bands like Procol Harum and Traffic, while Ruth Rogers handles lead vocals on the melodious monogram of Spite and the infectiously jubilant Cafe Emery Hill could easily be mistaken as a paisley-laced bubblegum nugget from the swinging Carnaby Street era. Another True Day rolls in as a nifty guitar pop piece, where cuts such as In A Garden and New Street, rock with strength and balance.

By investigating and embodying various sounds and styles, Spygenius not only preserves multiple musical values on Man On The Sea, but the band adds their own individual touch to their thoughtfully-composed essays, which mix philosophical prose with nautical themes. Prepare for a fun and fascinating odyssey!

Categories
Quick Spins

It’s Karma It’s Cool / Woke Up In Hollywood

It’s Karma It’s Cool

Woke Up In Hollywood

https://itskarmaitscool.bandcamp.com/album/woke-up-in-hollywood

I’ve always liked unusual voices in pop, and It’s Karma It’s Cool’s James Styring has a really good one. As I mentioned in a previous review, to my ears, he falls squarely between Mitch Easter and Robyn Hitchcock. Styring’s vocals, combined with imaginative lyrics, make Woke Up In Hollywood a pleasurable listen.

Bubblegum Monsters creeps into your ears with a hooky bassline, before ending in a sublime chorus. The Girl Who Gave You Everything is nifty Merseyside pop, with a snappy middle 8. When’s the last time you actually heard a middle 8, let alone a really nice one? Here it is, kids!

This band will most likely get lumped into the power pop genre, but they’re so much more than that. New Age Eve is propelled by ska guitar and brass, while Wooden Buddha relies on softer vocals and thoughtfully-delicate guitar. If variety is the spice of life, this is one band that is guaranteed to enhance the flavor and quality of your music collection.

When you go to the band’s Bandcamp page to buy Woke Up In Hollywood, make sure you check out their 2019 release, Hipsters and Aeroplanes. It’s a humdinger.

By Dan Pavelich

Categories
Got Any Singles? Quick Spins

Got Any Singles? The Vapors / The Chicks / It’s Karma It’s Cool

The Vapors

Together

http://www.thevapors.co.uk

This sorry old world could use a few good, up-tempo pop songs to make us feel better, and, boy, does this new one from The Vapors fill the bill. The band is sounding fit as ever on this fine bit of power pop; a little fuzzy around the edges, poppin’ drum beat and boyish vocals. From the stellar new album of the same name.

The Chicks

Gaslighter

http://www.dixiechicks.com

With background vocals stacked high enough to make Mutt Lange blush, The Dixie Chicks, now shortened to The Chicks, unleash one of the finest singles of their career. Natalie Maines is in fine voice and is pulling exactly zero punches. Set fists on “pump.”

It’s Karma It’s Cool

Our Love Is An Amplifier

https://itskarmaitscool.bandcamp.com/album/woke-up-in-hollywood

Another one getting a lot of spins here at Pop-A-Looza HQ is the lead-off track from It’s Karma It’s Cool’s latest long-player, Woke Up In Hollywood. We love pop songs that are a bit left-of-center, and Our Love Is An Amplifier sits somewhere between Mitch Easter and Robyn Hitchcock. Nifty.

By Staff

Categories
Pop Sunday

Anton Barbeau / Kenny Vs. Thrust

Anton Barbeau Presente

Kenny Vs. Thrust (Big Stir Records 2020) 

https://bigstirrecords.com/anton-barbeau

For the past couple of decades, Anton Barbeau has been churning out one prized project after another. Originally based in Sacramento, California – and currently residing in Berlin, Germany – the prolific singer, songwriter and multi-instrumentalist has recently returned to the fore with Kenny Vs. Thrust, an album featuring tunes with his American band Kenny – along with material from his European group Thrust

Occupying a realm reeling with psychedelic perspectives, Anton creates wiggy and wondrous dialogues that collect comparisions to the likes of early Pink Floyd, The Idle Race, XTC, Plasticland and Robyn Hitchcock. Delivering his musings in an affected British accent, Anton certainly has a knack for bringing his surrealistic insights to life and luring listeners into the scenarios.

Equipped with spacey patterns and unconventional melodies, “Beautiful Bacon Dream” and “Haunted In Fenland” are all but a couple of choice cuts heard on Kenny Vs. Thrust, as well as the aptly titled “Jingle Jangle,” which snaps, crackles and sparkles with Byrds-buttered guitars in a garage band styled manner. 

Steeled with skittish rhythms and a cracked edge, “Clean Clothes In A Dirty Bag” nails hooky new wave expressions to a lysergic-lubricated vision, and “Land Of Economy” is underlined by thumping percussion and nagging time shifts. A choppy reggae beat, trailed by a touch of tie-dyed electronica, is applied to “Tidy Up Yourself” and “Back To Balmain” bristles and buzzes with trippy synthesizer swirls. 

Playful yet progressive, Kenny Vs. Thrust efficiently combines acid-damaged whimsy with freewheeling performances designed to keep audiences stimulated and alert. Those claiming appreciation for eccentric – and eclectic – sounds and stories are sure to dig this album.