Music fans residing in the Vancouver, British Columbia area during the mid to late nineties were no doubt aware of Underwater Sunshine. A hot live attraction, the band put money earned from gigs towards recording an album.
A major label expressed interest in signing Underwater Sunshine, but unfortunately things did not proceed as planned. The band dispersed, and the album cocooned in the can. Yet the story has a happy ending. Having not been in contact since dismantling nearly twenty-five years ago, the band members reconnected in 2020. The tapes of the album were retrieved, and now Suckertree is available. Containing all original material and recorded in a basement, the album serves as a totally self-sufficient affair.
Treading the fine line between power pop and stadium rock, Suckertree is coated front, center and back with buzzing guitars, solid drumming and stimulating hooks. Pure and tidy vocals, bolstered by muscular amplification, allow some of the songs on the album to sound like a heavier version of Shoes. Reflections of The Posies also can’t be missed, not to mention Oasis and Sloan.
While Suckertree may be a product of its time, these songs still hold up extremely well. From the opening cut – Verse 2 to the final number – Spin Around – the album bristles with energized instrumentation and hard-hitting melodies that go on and on. Gripping arrangements, sweeping rhythms and insistent breaks further characterize Underwater Sunshine’s vision.
Along with the already noted songs, Backward Glance, Shine, It’s You and Smoke & Mirrors lock in as other electrifying efforts emphasizing the band’s harmonious chemistry. Less rocking, but equally effective, there’s the crisp shimmer of Baby Blue and the absolutely unforgettable Rusted Crown, which burns with a moody intensity.
Had Suckertree been released when intended to be, Underwater Sunshine would have surely set the charts alight with their catchy brand of industrial-strength guitar pop.