TV: Another Updated List Of TV Series I’ve Seen From Start To Finish

Last year, I posted a list of TV series that I’ve seen in their entirety, every episode. This is an update of that list, still missing a number of shows my memory won’t surrender, but adding some recent completions. 

Since that original list and its first update, I’ve fallen under the thrall of the wonderful NBC series This Is Us. Brenda and I binged the show’s first five seasons last year, and we were fully on-board for its final season in 2022. I now regard This Is Us as one of my all-time favorite TV series. Now that it’s completed its run (and while we’re still wiping the sting out of our teary eyes–oh, the feels!), it’s time for another update to the master list. Let’s get to that list, with its original introduction intact, and its later paragraphs given a fresh coat o’ varnish.

Above image by Tyrone Biljan, courtesy of

I like TV shows. This is an attempt to list every TV series I’ve ever watched in its entirety, from Season 1 Episode 1 through the blowout finale. It includes mini-series, broadcast series, cable series, and streaming series without discrimination. And it includes some series I saw piecemeal, as long as I’m sure I saw all of the episodes in whatever sequence I got to them. Some I saw on first run, others I watched after the fact. It is a woefully incomplete list–because, y’know, memory–but it’s a start. I may come back here to add more series as I remember them.

The Adventures Of Superman




Being Erica

Bionic Woman [2007 series]

Birds Of Prey

Black Lightning

The Bob Newhart Show

Bosom Buddies

Buffy The Vampire Slayer


The Crazy Ones


The Defenders[Marvel Comics series]

The Dick Van Dyke Show

Ellery Queen

The Event

The Falcon And The Winter Soldier


The Flash [1990-1991 series]

Flashforward [2009-2010 series]

Freaks And Geeks


Gilligan’s Island

Gilmore Girls


Go On

The Good Place, quite possibly my all-time favorite TV series (other than Jeopardy!)

The Good Place


The Green Hornet



High Fidelity


Iron Fist

Jessica Jones


Luke Cage


Mad Men

Marvel’s Agent Carter

The Mary Tyler Moore Show

The Middle Man

The Monkees

Moon Knight

Mrs. America

The Munsters

The Newsroom

No Ordinary Family

Pan Am

Police Squad!


Pushing Daisies

Quantum Leap

The Queen’s Gambit





Square Pegs

St. Elsewhere

Star Trek

*The Steven Banks Show

Studio 60 On The Sunset Strip


This Is Us



V [2009-2011 series]

Veronica Mars

The Village


We’ll Get By

The West Wing

The Wonder Years


Zoey’s Extraordinary Playlist

If I forgot any series you think I must have seen from start to finish, I welcome attempts to jog my stubborn memory.

There are two series cited with an asterisk: NBC’s 2017 DC Comics sitcom Powerless and the 1994 PBS comedy series The Steven Banks Show. In both cases, I saw all of the broadcast episodes, but each had additional episodes that were completed but never aired. Haven’t seen those, so…asterisk.

This list arbitrarily excludes animated shows, only because I didn’t want to rack my brain to identify which cartoon series qualified; the cartoon list would include things like The FlintstonesBatman: The Animated Series (and the subsequent related Superman and  Justice League series that were part of that B:TAS universe), and Avatar: The Last Airbender. Among live-action shows, Arrested Development andTwin Peaks would have been listed on the basis of their original network TV runs, but both have since been revived, and I haven’t seen any of the latter-day episodes. (On the other hand, I have seen the continuations of Gilmore Girls and Veronica Mars, and approve of both.)

Current series that will probably make this list some day include Firefly LaneThe Flash (The CW‘s version, which is distinct from the ’90s series), LokiThe Marvelous Mrs. MaiselStargirl, and the simply swell Superman and Lois. I bailed on Batwoman before its cancellation in 2022. Having seen the first season of Dollhouse, I may go back to see its second and final season. 

I own home video copies of just a handful of complete TV series. I have The Monkees on DVD and on Blu-ray, Batman on Blu-ray, Shindig! on an unauthorized set of DVD-Rs (and I really need to go back and finish watching those), homemade VHS copies of The Green Hornet, and Police Squad!, and, if we count non-physical media, the 2011-2012 series Pan Am on iTunes. I may write about Pan Am some day; the timing of its original network run coincided with some emotional turmoil in my life, and the idea of jetting off to Europe seemed mighty appealing to me. The pilot episode of Pan Am would serve as part of the climax in the first chapter of a long-gestating memoir I call Spain, a piece which, frankly, I doubt I’ll ever getting around to writing. 

There are still a lot of older TV series that should probably be on this list. It’s likely that I’ve seen every episode of Get SmartThe Beverly HillbilliesF TroopThe Odd CoupleThe Andy Griffith ShowWKRP In CincinnatiHec RamseySwitchWhen Things Were Rotten, and a big ol’ bunch of others, but my reasonable doubt is sufficient for me to omit them from this list. There are some other older shows–The Guns Of Will Sonnett, the 1960s Tarzan, Disney’s Zorro–I’d like the opportunity to re-visit, but for now, I don’t think I’ve seen all of those episodes.


We’re gonna miss you, Pearson clan. Thank you for six superb seasons of This Is Us.

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This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at You can read about our history here.

I’m on Twitter @CafarelliCarl

Remembering My 100-Page FAKES! (DC Comics Spectaculars That Never Were)

Well over a year after posting my last 100-Page FAKE!, it occurs to me that I probably never made any official announcement that the series was kaput. I did mention their demise here, but otherwise I never really got around to bidding a proper farewell.

The series began in May of 2018, designed as a proudly fannish attempt to concoct a bunch of 1970s DC Comics 100-Page Super Spectaculars that never were. I announced the series’ transition from the original DC Comics-centric 100-Page FAKES! into the less-restricted (but ultimately still DC-centric) Spectacular Comics 100-Page Specials in April of 2020. I then concocted four monthly issues of Spectacular Comics, with the fourth and final issue posted on July 24, 2020.

At that time, I think I still intended to continue slappin’ these things together. But a few factors combined to make me re-think that intent, and ultimately abandon the concept entirely. The fake books were very time-consuming to create, and they became even more time-consuming when I liquidated my digital comics stash entirely. The final efforts were constructed from a mix of public-domain comics pages available on line and scans of comic books in my collection. Even with all of that, I might have continued doing them if a format change at Blogger hadn’t made the process so much clunkier to accomplish. The inconvenience was more than I was willing to bother messin’ with. Sayonara, FAKES! and Spectaculars.

But I’m glad I did them. They were a cool way to connect with my inner adolescent, the 12-15 year-old kid who loved DC’s 100-pagers in the ’70s, and wished there had been more of them. I wrote a history of DC’s (real-life) 100-pagers, and I felt I wanted to expand on the real world a little bit. Here are links to every one those fabrications:

Adventure Comics # 435
The Shadow # 6
Rima The Jungle Girl # 1
Wanted, The World’s Most Dangerous Villains # 4
The Brave And The Bold # 111
Detective Comics # 446
Justice, Inc. # 1
The Sandman # 1
The Phantom # 67
All-Star Comics # 58
Metal Men # 45
DC Special # 16 (Super-Heroes Battle Super Gorillas)

E-Man # 11

Secret Origins # 1

The Six Million Dollar Man # 1

Adventure Comics # 436

Secret Origins # 2

Detective Comics # 447

The Brave And The Bold # 118

Super-Hero Grab Bag # 1 (with The Seven Soldiers Of Victory)

Rima The Jungle Girl # 2

Adventure Comics # 437

DC Special # 14 (Wanted, The World’s Most Dangerous Villains)

Detective Comics # 448

Wanted: The Secret Society Of Super Villains # 1

The Shadow # 5

Detective Comics Special Edition

*MARVEL WEEK [in memory of STAN LEE]:

*Sub-Mariner # 72 [a DC-Marvel hybrid]

*Giant-Size Spider-Man # 3 [with Doc Savage]

*Marvel Feature # 1 [with The Defenders]

*Astonishing Tales # 1

Adventure Comics # 438

Adventure Comics # 439

Adventure Comics # 440

Adventure Comics # 441

Adventure Comics # 442

Adventure Comics # 443

Rima The Jungle Girl # 3

Detective Comics # 449

Detective Comics # 451

Adventure Comics # 444

Detective Comics # 452

Adventure Comics # 445

Detective Comics # 453

Adventure Comics # 446

Detective Comics # 454

Adventure Comics # 447

Detective Comics # 455

Adventure Comics # 448

Detective Comics # 456

Adventure Comics # 449

Adventure Comics # 450

Adventure Comics # 451

World’s Finest Comics # 245

Sensation Comics 100-Page Super Spectacular [starring Wonder Woman]

Green Arrow & The Black Canary 100-Page Super Spectacular

Adventure Comics # 452

Detective Comics # 457

The Brave And The Bold # 119

Batman # 262

Batman # 263

The Sandman # 2

The Sandman # 3

The Sandman # 4

The Sandman # 5

The Sandman # 6

All-Star Comics # 59

The Sandman # 7

Shazam! # 36

The Phantom # 68

Spectacular Comics 100-Page Special # 1

Spectacular Comics 100-Page Special # 2

Spectacular Comics 100-Page Special # 3

Spectacular Comics 100-Page Special # 4

From the Spectre to the Phantom, with a cast of multitudes: BatmanAquamanSpider-Man, the original Captain Marvelthe ShadowSupermanSuperboythe Justice Society of AmericaE-ManDaredevilDoc SavagePlastic ManWonder Womanthe Silver SurferBlue Beetlethe Lone Rangerthe Seven Soldiers of Victorythe SandmanRima the Jungle Girlthe Six Million Dollar ManSpy SmasherDial H For HEROMetal MenCaptain Americathe Bat SquadKa-ZarDick TracyBatgirlTorchyBulletman and BulletgirlDr. StrangeHawkmanBlackhawkBlack Canarythe Vigilantethe Creeperthe DefendersHydromanthe Elongated ManWildcatthe Doom PatrolDoll Man and Doll GirlIbis the Invinciblethe Boy CommandosSub-MarinerHot WheelsCaptain ActionZorroDetective ChimpJonny QuestGreen Arrowthe Secret Society of Super-Villains, and Astra, Girl of the Future, plus many more. It was mostly about DC, but it included properties DC licensed or acquired from QualityCharltonFawcettMattelIdealJerry Lewis, and The Chicago Tribune, and it included MarvelECComicoMighty ComicsFoxMLJLev Gleason, more from Charlton, and other purveyors of four-color fantasy. 

I regret I never got around to using Vampirella. But I did what I could, until the time came to move on. They weren’t real. But they were Spectacular.


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This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at You can read about our history here.

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Only The Beginnings (New Stories Have To Start Somewhere)

I think I was still in middle school, in the early 1970s, when I decided I wanted to be a writer. I started making up stories as a kid in the ’60s, but made a conscious decision to follow that path circa ’72 or ’73. I never achieved any notable success as a writer of…well, anything, but I did sell a bunch of nonfiction (mostly about rock ‘n’ roll) as a freelancer. As a practicing late bloomer, I finally made my first fiction sales in 2019. I’ve sold seven short stories (and spent every dime of what I earned concocting ’em), with an eighth short currently pending. Five of those seven short stories can also hang together as the rough start of a novel. Six other stories that didn’t sell may yet find their way into a self-published anthology. Maybe. But I’m still writing.

I always have a number of drafts at some stage of nowhere-near-done-yet. Today’s post sews together the opening bits from a number of different short stories in progress. Only the beginnings. New stories have to start somewhere. Some of these will remain unfinished. Some may grow into something.

So! Let’s begin….

He wasn’t really used to big cities. But being in a teeming metropolis didn’t bother him. The twenty years he’d spent on the run from the law taught him to adapt, to find his place in whatever place he found himself. Places were temporary. As a fugitive, he usually wouldn’t stick around long enough to care all that much about where he was.

The ghost of Quisling knocked back a drink. The liquor had no effect on him. Souls damned to spend eternity in Hell felt no buzz from alcohol, no fulfillment from food, no relief from any resource, no matter how much they consumed. Quisling drank anyway, out of habit. He downed another shot before rising to greet the tourists that had entered his dismal office.

“Vidkun Quisling at your service,” he purred, his cheery facade unconvincing to anyone who bothered to pay attention. The indifference of his guests rendered the point moot. “I shall be your tour guide on your visit to Hell.”

Type casting? Not Exactly.

Darren was 13 years old, and his parents had just divorced.

My Mom used to joke that she was gay, but that she wasn’t very good at it. If a pretty boy’s face caught her fancy, she would turn hetero for a night or a weekend. But she always, always returned to her one true love.  

Captain Whirlwind surveyed the battlefield around him. His usual smile was not in evidence, his cheerful demeanor displaced by a sober, somber visage. He knew all was lost. It was an unfamiliar feeling. He didn’t have any experience in how he should react to that dull certainty.

There had been a Rapture. But it was fleeting, temporary, not eternal. 

I was dreaming. In the dream, I was still a little girl, five years old.

I knew it was a dream. I’m a grown woman, a widow, an occasional writer, and an occasional insomniac. When I did sleep, I didn’t dream. But I was dreaming now.

I was dreaming that it was 1965. The year my parents divorced. The year my Aunt Ellis died. The dream wasn’t about any of that.

The dream was about television.

Time travel carries certain inherent restrictions. You can’t change the past, of course; you can’t prevent 9/11, bet on stocks, or facilitate a second season of Freaks And Geeks. You can’t hook up with your college crush, nor interact in any way with anyone in a previous time. You are there to observe, not participate. The temporal natives won’t even notice you’re there.

All of the restrictions were okay with Scott. All he wanted was a Club Burger. 

Those are my assembled openings. One of them already has several additional paragraphs written, and most have only gotten as far as you see them here. There are a number of other stories with just a title and nothing more. Guess I have some work to do.

If you like what you see here on Boppin’ (Like The Hip Folks Do), please consider supporting this blog by becoming a patron on Patreon, or by visiting CC’s Tip Jar. Additional products and projects are listed here.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at You can read about our history here.

I’m on Twitter @CafarelliCarl

THE EVERLASTING FIRST: The Legion Of Super-Heroes

Continuing a look back at my first exposure to a number of rock ‘n’ roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it’s the subsequent visits–the second time, the fourth time, the twentieth time, the hundredth time–that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every love story still needs to begin with that first kiss.

This was originally posted as part of a longer piece. It’s separated here for convenience.

I’ve posed the rhetorical question before, but it bears repeating: if you’re a kid into superheroes, what could be better than more?
More superheroes! Superman and BatmanThe Mighty AvengersThe Justice League of America! The Justice League of America and The Justice Society of America! Super! More super! In the ’80s, when an inter-company crossover of  The Teen Titans and The X-Men casually mentioned the possibility of calling in every superhero on Earth to deal with a growing crisis, all I could say in response was, Of course!

When I was a kid in the ’60s, The Legion Of Super-Heroes seemed to me to be the ultimate, enormous super-team. More! The Legion was a co-ed group of teen heroes in the far future of the 30th century; the group also included 20th century stalwarts Superboy and Supergirl (and occasionally Jimmy Olsen as Elastic Lad, and even Lana Lang as Insect Queen), who joined in adventures with their pals of tomorrow through the ready convenience of time travel. My first exposure to the Legion was Superboy # 129, an 80-Page Giant which reprinted the first appearance of Mon-El (a then-obscure super character who is now part of the Supergirl TV series). That story’s original conclusion left Mon-El poisoned, on death’s doorstep, his fragile existence saved only by a voluntary exile into The Phantom Zone. A text page accompanying the story updated Mon-El’s saga, detailing how Mon-El spent a thousand years in The Phantom Zone–not aging, not dying, but not living, either–until the 30th century, when the brilliant mind of Brainiac 5 discovered a cure for Mon-El’s terminal condition. Mon-El emerged from The Phantom Zone, and joined The Legion Of Super-Heroes.

As a child of six, I may have skipped the text piece.

But somehow, somewhere along the way, I absorbed the knowledge that Mon-El was a member of the Legion. I liked Superboy a lot, but I preferred Mon-El, and I would have sought him out in Legion stories if I’d been aware of the possibility. The LSH had become the stars of Adventure Comics, but I don’t remember seeing any of their adventures until I was eight. But, before that, I learned a bit about the Legion in the pages of an issue of World’s Finest Comics when I was seven.

World’s Finest Comics was the home of team-ups by Superman and Batman, “Your two favorite heroes in one adventure together!” We’ll be discussing that title in more depth in a future edition of The Everlasting First. In the summer of 1967, my family went on a Vermont vacation, a vacation I recall with fond memories of fishing with my Dad, and of discovering some (I thought) unique rock in the water, a rock I kept for years thereafter. Like all of my vacations, this trip included some comic books, one of which was World’s Finest Comics # 168.

The star villain in this issue was The Composite Superman, a green-faced half-Superman/half-Batman hybrid who possessed the combined power of all of the members of The Legion Of Super-Heroes. If, as I suspect, I didn’t pay much/any attention to that text piece in Superboy # 129, this may have been my first, indirect exposure to the Legion.

Whether this was my introduction to the Legion or a subsequent step on my path to 30th century heroics, I recall studying the pictures of those Legion statuettes in World’s Finest, trying to figure out the names of all the members. Brainiac 5. Ultra Boy. Element Lad. Light Lass. Triplicate Girl. Elastic Lad. Phantom Girl. MON-EL!! Oh, I was hooked on this concept–a veritable army of superheroes! I loved the story at hand, thrilled with its heroics and touched by the pathos of its conclusion, as [**SPOILER ALERT!!**] a reformed Composite Superman sacrificed his own life to save Batman and Superman. Sniff. Still gets me, right here. But my main takeaway was an abiding fascination with The Legion of Super-Heroes.

Fascination notwithstanding, this seven-year-old kid had a finite supply of the twelve-cent increments necessary to buy new comics in 1967. I have a vague memory of waiting for my turn at the barber shop one day, and reading a coverless comic book (possibly an 80-Page Giant) that included at least one Legion story, a story involving the origin of Starboy. I have no idea when this specific haircut occurred, nor can I identify the precise comic book, but I can tell you I asked the barber if he would let me buy the damned thing, and he laughed me off. Adults just don’t understand.

The first actual Legion comic book I could call my own was Adventure Comics # 368 in 1968, an unbelievably sexist story called “The Mutiny Of The Super-Heroines!” I missed the next two issues–a pity, since I would much later discover the “Mordru The Merciless” two-parter contained in Adventure # 369-370 to be one of my favorite Legion stories–but I returned in time for a rip-roarin’ two parter about Colossal Boy betraying the Legion in Adventure # 371-372, and the debut of super-speedsters The Tornado Twins in Adventure # 373.

Adventure Comics # 374 was a coverless purchase for me, and I don’t remember which (if any) of the subsequent issues I managed to grab at the time. I definitely remember buying and adoring Adventure # 378, with the gripping “Twelve Hours To Live!,” featuring the apparent deaths of Superboy, Brainiac 5, Duo DamselKarate Kid, and Princess Projectra, and the story’s thrilling conclusion in Adventure # 379. Adventure # 380 was anticlimactic, but even worse: it was the Legion’s last appearance in Adventure ComicsTheir spot was taken over in the next issue by one of their own, that super-hussy Supergirl. The Legion were relegated to a back-up spot, supporting Superman in the rear pages of Action Comics.

But, like TV’s Star Trek, the Legion refused to go gently into that dark night. Diehard fans begged and pleaded for more of the Legion. The team’s back-up series switched from Action Comics to Superboy, and in those pages in 1972, writer Cary Bates and new artist Dave Cockrum brought a whole new level of pizazz to the proceedings. Cockrum designed eye-catching new costumes for many of the Legionnaires, including some gorgeous, pulchritudinous new styles for the female heroes. This twelve-year-old heartily approved.

A lot of other folks must have also approved of something, as the Legion became the lead feature in Superboy # 197 in 1973. The Legion has generally been one of DC’s A-list features since then. Dave Cockrum left DC shortly thereafter, moving on to Marvel (where he and writer Len Wein tried their hands at reviving an old, failed title called The X-Men. They were, uh…pretty successful with that.)

I was also starting to acquire back issues by then, so I finally got to read some of the great Legion stories I missed the first time around. I’ve resisted the temptation to buy the various reprint collections over the past few years, but I plan to succumb when DC begins a series of trade paperback reprints this summer. Best start buildin’ some more bookshelves….

I continued to follow The Legion Of Super-Heroes faithfully throughout the ’70s, and into a particularly exciting ’80s run by writer Paul Levitz and artist Keith Giffen. But I lost interest after a few too many reboots. I don’t know anything about the Legion of today–or, I guess, the Legion of one thousand years from today–but I hope they’re well, and plentiful. A legion of super-heroes!  If you were a kid like me in the ’60s, and a kid like I still am now in my fifties, then you couldn’t ask for any more than that.


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THE OLD 52: Imagining A New Pre-Crisis DC Comics

I don’t remember any of the details (like whose idea it was or where the idea appeared), but some time back, someone in one of the online DC Comics groups I frequent challenged fellow fans to come up with a Pre-Crisis DC Comics New 52. That is, a hypothetical slate of 52 comic book series set in the DC Comics continuity that existed prior to the 1985-1986 mini-series Crisis On Infinite Earths, a series which wiped out the multiple universes that had been DC’s playground up to that point. Worlds will live! Worlds will die! And the DC Universe will never be the same!

The idea here was to create a new DC line-up based in the old DC continuity. One of DC’s latter-day relaunches was called The New 52, so this would be the new Old 52, drawing on characters and concepts that DC had before the Crisis. I liked the idea, and started jotting down possibilities. I wound up with way more than just 52.

I mean, way, way more than just 52.

Rather than attempt a self-edit–because really, what fun would that be?–I figured I’d just list the whole mess right here:

Action Comics

Action Heroes

The Albatross

Adventure Comics

All-American Western
All-Star Comics

All-Star Squadron

Ambush Bug

Angel And The Ape
The Atom
Bat Lash


Beowulf: Dragon Slayer
Beware The Creeper

Black Lightning

The Black Orchid

The Black Spider
The Blue Beetle

Blue Devil
The Brave And The Bold

The Bronze Tiger

Captain Atom And Nightshade

Captain Thunder
The Challengers Of The Unknown

Claw The Unconquered

The Crimson Avenger
DC Comics Presents

DC’s Imaginary Stories


The Demon

Dial H For HERO

The Doom Patrol

Doorway Into The Unknown

Dr. Fate


The Flash

Forbidden Tales Of Dark Mansion
Freedom Fighters

G.I. Combat

Green Arrow And The Black Canary
Green Lantern

Hercules Unbound

House Of Mystery

The Human Target

Ibis The Invincible

Inferior Five

Jason’s Quest

Jimmy Olsen

The Joker

Jonah Hex

Judo Master

Justice League Of America


Kid Eternity


Legion Of Super-Heroes

Lois Lane

The Maniaks

The Martian Manhunter

‘Mazing Man

Metal Men
Mister Miracle
Mystery In Space

The New Gods

Newsboy Legion

Ninja The Invisible

Nubia Of The Amazons

Our Army At War
The Peacemaker

The Phantom Stranger

Plastic Man 


The Question


Rima The Jungle Girl

Rose And The Thorn

Scribbly And The Red Tornado

Secret Origins

The Secret Six
Secret Society Of Super-Villains

Seven Soldiers Of Victory
Sgt. Rock

Shade The Changing Man

Shazam’s Squadron Of Justice

Slam Bradley

Son Of Vulcan
The Spectre

Spy Smasher

Stanley And His Monster

Star Hunters
Star Spangled War Stories

Strange Adventures

Sugar & Spike

Suicide Squad
Super-Team Family



Swamp Thing

Swing With Scooter

The Teen Titans



The Trident

The Unknown Soldier

The Vigilante


Weird War Tales


The Witching Hour

Wonder Woman

World’s Finest Comics

Young Love


As a Silver and Bronze Age kid, my specific yearning is for the DC Universe as it existed in the ’60s and ’70s, but I also included some ’80s titles, as well as the 1960s Action Heroes that DC bought from Charlton Comics in the ’80s. Given my druthers, this line would also include some licensed titles, from The Adventures Of Jerry Lewis through TarzanThe ShadowHot Wheels, and Captain Action. Plus the former Charlton book E-Man, which DC never published nor had rights to publish, but what can I say? I like E-Man! But that’s all well outside the parameters of this exercise.

In my imagination, these are written and drawn by creators like Nick CardyJim AparoTony IsabellaTrevor Von EedenMurphy AndersonNeal AdamsDenny O’NeilSteve EnglehartMarshall RogersTerry AustinJoe KubertNestor RedondoMichael UslanBob RozakisCurt SwanRamona FradonBob HaneyMike GrellSteve SkeatesDick GiordanoSal AmendolaPaul LevitzMark EvanierDan SpiegleJack KirbyLen WeinGerry ConwayJose Luis Garcia LopezAlex TothMike W. BarrDon HeckWally WoodDon NewtonGray MorrowMike SekowskyDick DillinMartin PaskoRoy ThomasJerry OrdwayKurt SchaffenbergerArnold DrakeIrv NovickGeorge PerezDave CockrumFrank RobbinsRich BucklerBerni WrightsonGene ColanMike KalutaJoe OrlandoBob OksnerE. Nelson BridwellMarv WolfmanJoe StatonWalt SimonsonArchie GoodwinCarmine InfantinoDick SprangMichael NetzerGil KaneSteve DitkoMarvel Comics stalwarts John Romita and John Buscema, latter-day lights such as Steve Rude and Darwyn Cooke, and a long list of more. Many of these creators are no longer with us. But if one is going to fantasize, one should shoot for the stars.

A few points to clarify. Starfire is the ’70s DC sword and sorcery heroine, not the 1980s Teen Titan. The Albatross was an aborted 1975 back-up series that would have been written by Martin Pasko, who hated the idea and did his successful best to sabotage it. Ninja The InvisibleVixen, and Captain Thunder were all era-appropriate DC books that were proposed but never realized, with the latter writer Roy Thomas’ idea for an Earth-1 reboot of the original Captain Marvel as an African-American hero. 

Batgirl, the Black Orchid, Black Spider (a Batman villain), Bronze Tiger, Bulletgirl, Dr. Fate, Hourman, Nemesis, Nubia, the Question, Robin, Rose and the Thorn, the Seven Soldiers of Victory, Shazam’s Squadron of Justice, Slam Bradley, and Wildcat (I’m thinking this would be the Earth-1 Wildcat) were DC properties that never starred in their own pre-Crisis DC books. The pulp-reminiscent Crimson Avenger was chosen here as a substitute for The Shadow.Jason’s Quest and The Maniaks had appeared in DC’s Showcase in the ’60s. There was never a book called DC’s Imaginary Stories, nor a Charlton characters team-up series called Action Heroes, but there should have been. I also wanted to have genres beyond my superhero favorites, hence the inclusion of humor, horror, science fiction, Western, war, and romance titles. If I could have justified throwing in a 100-Page Super Spectacular, I woulda, but even flights of fancy need some sense of tethering.

(The need for tethers didn’t prevent me from listing The Trident, a World War II-set comics series I submitted to DC in the ’80s. The perks of having your own blog. The Trident came about when I asked myself the question, “What if Joe Simon and Jack Kirby had created a two-fisted black superhero in the ’40s?,” and then attempted to answer that rhetorical query. You’re free to ignore the Trident; DC certainly did.)

So that’s the director’s cut of my Old 52, imagining a new pre-Crisis DC Comics. It’s not worth the effort to try to whittle this down to a mere 52, and I betcha everyone from Sargon the Sorcerer to Super-Turtle to the Mind-Grabber Kid is queuing up to expand the line after successful appearances in Showcase. Bigger worlds live. Nobody dies. A new old DC universe. Just imagine.

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This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at You can read about our history here.

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It is impossible to overstate the impact of artist Neal Adams on American comic books. Whatever grand impact you want to assign to Adams, you can double that, triple it, and keep going to absurd lengths, and you still won’t be able to give Adams more credit than he deserves. 

There have been many tributes written in the wake of Adams’ passing last week at the age of 80. Writers, fans, associates, and pundits have done a wonderful job of recognizing and celebrating his legacy. There is the legacy of his artwork itself, how he revolutionized the way comic book art can be created and appreciated, and how his visual interpretation of The Batman was essential–absolutely essential–in transitioning the character’s image from camp crusader to dark knight; I mean no disrespect to the 1960s Batman TV series (which was also extremely important to me), but there is no way the public’s perception of Batman gets from Adam West to the pop culture dominance of THE Batman without Neal Adams. I recommend a visit to 13th Dimension for further reading on this subject.

Beyond the artwork, Adams was also a tireless and passionate advocate for the rights of creators. His highest-profile battle for truth, justice, and the American way was his role in publicly shaming the publishers of DC Comics into giving credit and (some) compensation to Superman creators Jerry Siegel and Joe Shuster in the ’70s. Adams was not the only one involved in this valiant effort, but his voice was the loudest, and he helped get the job done.

That’s the larger picture of Neal Adams and his work, and I encourage you to bop around the web and read more of his story. That would give you a better understanding of just why the comics world is in mourning now.

But I just want to speak for a minute about my own relationship with this body of work. I became more conscious of Adams in the very early ’70s, when I was ten to fourteen years old. I had seen his work before; I have no recollection of where or when I first saw Adams’ dynamic comic book images, though it was probably in DC Comics house ads in the mid to late ’60s. He drew the covers for my first issues of Action Comics (# 356, cover dated November of 1967) and Adventure Comics (# 368, May 1968), and the cover of Batman # 200 (March ’68) in between those. My first Neal Adams interior work was The Spectre # 3 (February-March 1968), followed later that year by World’s Finest Comics # 175 and The Brave And The Bold # 79.

Adams had been bugging regular Batman and Detective Comics editor Julius Schwartz for a chance to draw Batman, but Schwartz was adamantly not interested. Another DC editor, Murray Boltinoff, was more open to the idea. Adams drew a couple of Batman-Superman team-ups in World’s Finest Comics, and Boltinoff assigned Adams writer Bob Haney‘s script for The Brave And The Bold # 79. This was a team-up of Batman and Deadman, a character Adams was already depicting in the pages of DC’s Strange Adventures.

Don’t worry about those two issues of World’s Finest. They’re like the forgotten singles the Kinks did before “You Really Got Me.” Neal Adams really began drawing Batman in The Brave And The Bold # 79.

This issue, this single issue, was Ground Zero for the return of The Batman, the reclaiming of the character’s long-lost pulp roots. It’s no snub to Haney to say this was entirely because of Neal Adams. Adams knew how Batman–sorry, THE Batman–should look. The dark shadows, the visual sense of noir, weren’t in the script; Adams brought all of that in himself.

As Adams continued to draw a few more issues of B&B, legend has it that Julie Schwartz saw letters from readers wondering why that Batman, the REAL Batman, was only appearing in The Brave And The Bold. Schwartz was known to be stubborn, but he was no dummy. Adams was soon drawing Batman stories for Schwartz, usually with writer Dennis O’Neil, who shared Adams’ preference for Batman as a dark knight. In these stories, the definite article in the character’s name was reclaimed after decades of disuse. We caught our first glimpse of The Batman in Adams’ Brave And Bold stories; the stories done by O’Neil and Adams (and Frank RobbinsIrv NovickDick GiordanoJim Aparo, Bob Haney, and others) made the change official. The Batman. THE Batman. 


Within this time frame, very late ’60s into very early ’70s, Adams also did some incredible work for Marvel Comics, notably with writer Roy Thomas in the pages of X-Men and The Avengers. An artist working for Marvel and DC at the same time was a rarity, and certainly something stodgier minds (especially at DC) discouraged and often prohibited. Neal Adams did not care. He made his own rules, and modeled an approach for other creators to follow and expand. His talent was too great for any publisher to even think about blackballing him. Restrictions? Pfui. He was Neal freakin’ Adams. He didn’t draw outside the lines. He redrew the lines.

The Dennis O’Neil-Neal Adams version of The Batman debuted in Detective Comics # 395 in 1970, but I didn’t see that one until a few years later (in the hardcover collection Batman From The ’30s To The ’70s). After Adams’ Brave And Bold run, I started with “Ghost Of The Killer Skies” in Detective Comics # 404 (October 1970), Adams’ single-issue return to The Brave And Bold (with O’Neil) for # 93’s “Red Water, Crimson Death” (December 1970-January 1971), and the return of Golden Age Batman villain Two-Face in “Half An Evil” (Batman # 234, August 1971). That last one thrilled me no end. I was eleven years old. I still wasn’t following creator credits yet (other than Stan Lee and Jack Kirby). I would start to know the names of the writers and artists very soon.

And, by the summer of ’72, I knew who my favorites were. And I knew exactly who knew how to write and draw The Batman.

1972 gave us The Batman’s serialized battle with Ra’s al Ghul, an adversary created by Adams and O’Neil. At the age of twelve, I thought this was the most epic thing I had ever seen. I’m still not convinced I was wrong about that. Dennis O’Neil and Neal Adams were absolute superstars to me. The following year, when they brought back The Joker and returned him to his original murderous characterization in “The Joker’s Five-Way Revenge!” in Batman # 251, I couldn’t stand the anticipation of waiting for the issue to hit the stands. I read it obsessively, over and over. It will always be among my favorite individual comic books.

“Moon Of The Wolf” in Batman # 255 (March-April 1974) was Adams’ final Batman work for DC Comics, at least until many years later. Other paths beckoned. Other writers and artists continued the work, some of them rivaling or even surpassing what O’Neil and Adams had done. But I say none of that subsequent great stuff–hell, The Batman himself!–none of it would have happened if not for Neal Adams.

I confess I had less interest in much of Adams’ later work. I did absolutely adore O’Neil and Adams’ slam-bang 1978 tabloid Superman Vs. Muhammed Ali, as well as his cover illustrations for Tarzan paperbacks, his illustrations for Harlan Ellison‘s short story “The New York Review Of Bird” (in the 1975 paperback anthology Weird Heroes, Vol. 2 ), and the sublime 1976 DC superheroes calendar, most of which was drawn by Adams. But Adams’ creator-owned material and even his decades-later return to The Batman wasn’t my cuppa. Doesn’t matter. The stuff I loved will always be the stuff I loved, the stuff I love still. I can’t exaggerate the importance of that work to me. It was everything.

1972 was when I made the connection that my favorite Batman stories were created by these guys, Dennis O’Neil and Neal Adams. 1972 was also the year I started writing in…well, not in earnest, but maybe in pursuit of earnest. I was twelve. In social studies class, rather than do a boring research project about the Revolutionary War, I scripted a science-fantasy story about traveling back in time to participate in the Boston Tea Party, and corralled classmates to help me perform the piece on video tape. For English class, our study of Bram Stoker‘s Dracula prompted me to write a (terrible) Gothic horror story, performed as an audio tape. By 1973, I was submitting scripts to DC Comics. They were awful, sure, and they didn’t get me anywhere. But I’d made a decision: I was going to create. I couldn’t draw like Neal Adams, but I could write. I’m still doing that.

I met O’Neil and Adams in 1976. It was a brief can-I-have-your-autograph? encounter at the Super DC Con in New York. I felt like I’d met the Beatles.

Neal Adams was the Beatles. He was Babe RuthCharlie ChaplinOrson Welles, and whatever other reference you care to use to indicate he was the best, THE best, at what he did. Nonpareil. It is impossible to overstate the impact of artist Neal Adams on American comic books. That’s not hyperbole. That’s just the way it is. The artist. The crusader. The storyteller. A definite article carries specific meaning.

Just ask The Batman.

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This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at You can read about our history here.

I’m on Twitter @CafarelliCarl


Continuing a look back at my first exposure to a number of rock ‘n’ roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it’s the subsequent visits–the second time, the fourth time, the twentieth time, the hundredth time–that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every love story still needs to begin with that first kiss.

This was originally posted as part of a longer piece covering both pop music and comic book characters. It’s separated here for convenience.

I don’t think I was aware of Aquaman before my Dad bought me a copy of Aquaman # 30 (November-December 1966), which cover-featured Aquaman’s funeral. Aquaman would eventually become one of my favorite superheroes, but I doubt that I’d heard of him before getting this issue. But who can resist a cover full of superheroes? Fine, I didn’t know Metamorpho or Hawkman yet, but I sure knew Batman and Superman! The thing is, even if Bruce and Clark had been replaced on this cover by some other superheroes that I didn’t know–Green ArrowPlastic ManMartian ManhunterThe Hooded Halibut, even–I would still have been intrigued: it was a comic book cover full of superheroes! What more could a six-year-old want?! Perhaps it was a cheat that these heroes only appeared in a single panel in the story itself (with Metamorpho entirely hidden, but The Flash bringing up the rear), but I don’t believe that put me off.

Given that the King of the Sea’s comic book lasted another 26 issues in the ’60s (and has been revived again and again since then), and that he became a Saturday morning TV cartoon star in the Fall of 1967 (and did so again as one of the Super Friends in the early ’70s), and that he moved into blockbuster Hollywood feature film stardom with the Justice League and Aquaman movies…yeah, given all that, it ain’t a spoiler to reveal that Aquaman survived his own death in Aquaman # 30. He’s resilient.

I think I saw DC house ads for Aquaman #s 31 and 32, plus The Brave And The Bold # 73 (co-starring Aquaman and The Atom), but my next Aquaman adventure was Aquaman # 36 (November-December 1967), with its cover blurb proclaiming, “The King Of The Sea Is Now The King Of TV!” This would have gone on sale around the same time as the debut of the above-mentioned TV cartoon series, The Superman-Aquaman Hour Of Adventure on CBS. The series continued Superman and Superboy‘s  cartoon exploits from the previous fall’s The New Adventures Of Superman, supplemented by all-new animated action starring Aquaman and Aqualad, plus one additional cartoon each week starring one of a rotating line-up of DC superstars (The Flash, Hawkman, The Atom, Green LanternThe Teen Titans, and The Justice League of America).

These cartoons were terrible–hokey, juvenile, formulaic, and strictly by-the-numbers–but I just loved ’em as a kid. Frankly, the comics at the time weren’t exactly cutting-edge themselves, but there was undeniable energy, and there was artwork by Nick Cardy, who is possibly my all-time favorite comics artist. The TV show added a pair of black boots to Aquaman’s costume, and I don’t think it made much use of the comic-book supporting cast other than trusty sidekick Aqualad; the villains were there–I think I remember seeing Black Manta on TV–but there was no sign of Aquababy or Aquagirl. And there wasn’t nearly enough of Aquaman’s beautiful wife MeraThat was a shame! As drawn by Cardy, Mera was the hottest-looking female character in comics at the time.

But my favorite run of Aquaman stories began in 1968, when Dick Giordano took over as editor with Aquaman # 40. Giordano replaced veteran writer Bob Haney with young turk Steve Skeates, and the series just exploded with imagination, drama, and sensational quirkiness. Skeates’ first order of business was a long, long serial involving Aquaman’s search for Mera, who’d been abducted by unknown assailants. Giordano took Nick Cardy off the main art chores–Cardy retained cover art duties, and proceeded to knock everyone out with some of the finest covers of his long career–but found a more than able replacement in Jim Aparo. Like Giordano and Skeates, Aparo had come to DC fresh from budget-priced-but-brilliant work at Charlton Comics, a low-rent line we’ll be discussing in a couple of days. Aparo’s work on Aquaman was stunning, gorgeous–so much so that I still consider Aparo the definitive Aquaman artist, my eternal allegiance to Nick Cardy notwithstanding. This was just a terrific, underrated run, one of my favorite runs of any character at any time.

Sadly, sales weren’t sufficient to keep Aquaman afloat. The book was cancelled with its 56th issue (March-April 1971), cover-featuring “The Creature That Devoured Detroit!” The book may have been too off-kilter to survive, but it was a blast while it lasted. Aquaman returned a few years later in the pages of Adventure Comics (inspiring a letter of comment from a certain future blogger in North Syracuse), and he regained his own comic book in the mid-’70s. The current Aquaman comic book is pretty cool (and Mera is still a knockout), but no version of these characters could ever top my affection for the Skeates-Aparo-Giordano era.

Splash page of Aquaman # 56
My letter to Aquaman, Adventure Comics # 444


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THE EVERLASTING FIRST: Quick Takes For T (Comics Edition)

Continuing a look back at my first exposure to a number of rock ‘n’ roll acts and superheroes (or other denizens of print or periodical publication), some of which were passing fancies, and some of which I went on to kinda like. They say you never forget your first time; that may be true, but it’s the subsequent visits–the second time, the fourth time, the twentieth time, the hundredth time–that define our relationships with the things we cherish. Ultimately, the first meeting is less important than what comes after that. But every story still needs to begin with that first kiss.

Robin the Boy Wonder! Wonder Girl! Kid Flash! Aqualad! I was six years old in 1966, and I I was certainly a fan of ol’ Robin from his heroic appearances on my favorite TV show Batman. The others were unfamiliar to me prior to my introduction to DC Comics’ junior superhero group The Teen Titans. I didn’t even really know Wonder Woman or The Flash yet, and I first encountered Aquaman around the same time as my first issue of Teen TitansThat would have been Teen Titans# 6, cover-dated November-December 1966.

But I for damned sure knew Robin. Batman and Robin! I think I saw a house ad for Teen Titans # 1 before ever noticing the Titans on the spinner rack. I was absolutely fascinated by DC’s house ads during this era, colorful come-ons that teased and enticed with glimpses of everything from Batman and Superman to Starman and Black CanaryDial H For HEROThe SpectreBob HopeJerry Lewis, and Scooter. I don’t remember whether or not I ever owned a copy of Teen Titans # 1; I think maybe I did buy it as a back issue in the ’70s, but if so, it’s long gone now. Either way, though, its cover captivated my young mind, and I wanted it.

In this time frame, my parents frequently allowed me to pluck a comic book of my choice from the rack at Sweetheart Corner, a grocery store in North Syracuse. That’s how Teen Titans # 6 came into my possession. Robin was on the cover! Of course. 

And I loved it. This issue guest-starred Beast Boy from The Doom Patrol; my only previous exposure to The Doom Patrol was another irresistible house ad, depicting a team-up of the Doomsters and that Scarlet Speedster, The Flash. My next Teen Titans was # 11 (September-October 1967), which guest-starred The Green Arrow‘s sidekick Speedy (and opened with a scene revealing the Titans’ bulletin board, featuring pinned letters from Earth-One’s version of President Lyndon Johnson and that other Fab Four, The Beatles).

Seeing Speedy with the Titans prepared me for the team’s TV debut in the fall of ’67, as The Teen Titans became one of the rotating guest features on the new Saturday morning cartoon series The Superman-Aquaman Hour Of Adventure. This show aired on CBS, but the Boy Wonder was still contractually obligated to appear with his caped crusadin’ mentor over on ABC, thus elevating Speedy to full Titandom, at least on Saturday mornings.

I bought Teen Titans comics when I could. Writer Bob Haney‘s willful abuse of the English language in pursuit of his outta-touch idea of hip teenspeak can be kinda painful to read now, but I was all in as a young’un. The art by Nick Cardy was terrific, and would become even better as the series continued. Cardy may be my all-time favorite comics artist, and I first encountered his work in Aquaman and Teen Titans

(Even beyond his overall skill as a draftsman and visual storyteller, Cardy drew some of the prettiest girls in comics, including Wonder Girl and early ’70s Titans addition Lilith.)

DC’s Teen Titans comic book lasted 43 issues, succumbing to cancellation at the end of ’72. It was brought back for another ten issues in the late ’70s, but the latter series was not my cuppa. In the early ’80s, writer Marv Wolfman and artist George Perez managed a popular and critically-acclaimed revival as The New Teen Titans, and that series (which also brought back Beast Boy, renamed Changeling) made the Titans into A-listers from that point forward.

The New Teen Titans was a great book, and it was key to getting me back into comics after I graduated college. The six-year-old superhero fan from 1966 had grown up…but I resisted growing up too much.

1966 was a big year for me and my superheroes. I liked superheroes before actors Adam West and Burt Ward donned capes and masks to bop the bad guys as TV’s Batman and Robin, but it was certainly Batman that knocked that interest into overdrive. My previous affection for Superman comic books grew into a full-blown obsession with all sorts of superdoers patrolling the spinner racks and magazine shelves. I discovered Marvel Comics in there somewhere, starting with Sub-Mariner and The Incredible Hulk in Tales To Astonish

I first encountered The Mighty Thor in the pages of The Avengers # 13, the same time and place where I first met Captain AmericaIron ManGiant-Man, and The Wasp. We were vacationing at my grandparents’ house in Missouri, and my sister Denise and cousin Cheryl came back from a walk with that comic book in hand. It was an old comic book, published at the end of ’64 (postdated February ’65, as comics were wont to do), probably coverless. Okay by me. Any book you ain’t read is a new book.  

This book was so important to me, and I read it and re-read it many, many times. I have no idea of when I next saw the mighty God of Thunder in a comic book–by the time I got another issue of The Avengers, Thor was no longer an Avenger–but even the one appearance was sufficient to instill wonder and awe in this six-year-old. And if I didn’t see Thor in the funny pages, I could see him on TV; Thor joined Captain America, Iron Man, Sub-Mariner, and The Hulk as one of the rotating stars of The Marvel Super-Heroes, a series of (barely) animated short cartoons that aired weekday afternoons, beginning in September of ’66. The year of the superhero!


My introduction to T.H.U.N.D.E.R. Agents was most definitely second-hand. If there were issues of Tower Comics‘ 25-cent giant T.H.U.N.D.E.R. Agents on the rack at Sweetheart, I missed ’em, and I didn’t get around to seeing any of them (and their sublime Wally Wood artwork) until snagging a couple of back issues in the ’70s. No, instead I saw two parodies first. The second of the two was from Marvel Comics, as seen in the humor book Not Brand Echh. I didn’t come aboard the Brechh train until its fourth issue, so I missed seeing NBE # 2’s cracked-mirror version of Nick Fury, Agent of S.H.I.E.L.D. facing Dynamo and NoMan of The T.H.U.N.D.E.R. Agents (that would be Knock Furious, Agent of S.H.E.E.S.H. facing Dynaschmoe and Invisible Man of The Blunder Agents). But I did see it when it was reprinted in Not Brand Echh # 10–“The Worst Of Not Brand Echh“–in the summer of ’68. I have all of the Not Brand Echhs in a hardcover collection now.

My first vicarious exposure to T.H.U.N.D.E.R. Agents was in a DC Comics humor title: the bad guys in H.U.R.R.I.C.A.N.E., as seen in DC’s The Inferior Five # 1 in 1967. We covered that in a previous Everlasting First. I wish there were a hardcover Inferior Five collection I could buy now.


The classic TV anthology series The Twilight Zoneended in 1964, so four-year-old me should have had no business watching it. Maybe it was still in reruns a little after that? Not that I would have been any braver to face the show at six or seven years old. I remember that creepy opening, and I remember the show scared the livin’ chicklets outta me. Ooh! I particularly remember one episode where a mystic scarab or something caused some poor geezer to crumble into dust before my terrified eyes. Brrr! This never happened on Batman. Robin! ROBIN! Save me, Boy Wonder!

Or, y’know, you could send Wonder Girl to save me. That would be fine, too.


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Batman in THE BRAVE AND THE BOLD (Annotated)

Following up on my recent post The Notebook Notions: Batman in THE BRAVE AND THE BOLD, here’s a slightly expanded look at what DC superstars would appear as guests in each issue of this imaginary twelve-part series.

When editor Murray Boltinoff and writer Bob Haney planned out what would happen in The Brave And The Bold in the ’60s and ’70s, I would presume they picked a guest star first. My fancies here started out that way for the first seven chapters; for the four final chapters, I switched to story idea first, as I expanded on the notion of all of this as an inter-related serial. Chapter 8 was a last-minute add-on.

I rejected a few ideas along the way. “World’s Finest!” would have been a gathering of the Superman family (Lois LaneJimmy Olsen, and Supergirl, plus the Man of Steel himself) and the Batman family (Robin and Batgirl), a nod to the Superman Family and Batman Family series DC ran in the mid ’70s. “A Piece Of The Outer Space Action” was originally a DC Comics Presents idea, teaming Superman and Green Lantern in a story concocted specifically so the villain could channel Donovan while protesting, “Superman and Green Lantern ain’t got nothin’ on me, see?” I am too cute for casual description, but my mind couldn’t see that as a Batman story. A Justice League of America story called “The Trial Of Dr. Light!” was actually among my many failed DC submissions, and it didn’t fit here, nor did Batman solo stories “Nightmare Resurrection” and “The Day I Met The Batman.” I considered “Bounty Hunter’s Back In Town,” reprising a one-off hired assassin created by Haney for The Brave And The Bold # 101, and “When Gotham Freezes Over,” continuing Mr. Freeze‘s quest for revenge from “The Undersea World Of Mr. Freeze.” The latter story would have to be told in this series, but could be chronicled within the events of the later chapters.

Among the other guest stars I considered for this hypothetical B & B exercise: Jimmy Olsen, Blue BeetleThe Crimson AvengerThe Martian ManhunterThe Challengers of the UnknownDolphinKid EternityDoll Man, and The Seven Soldiers Of Victory. Now, let’s have a look at the twelve chapters I decided to include.

“The Undersea World Of Mr. Freeze”
The only chapter I’ve ever completed, and I’m crazy, stupid proud of it. I think this can stand alone as a purple prose Batman pulp short, but it also serves as the spark for this series.

“Paradise Does Not Believe In Tears”
My satisfaction with “The Undersea World Of Mr. Freeze” led me to think about expanding that storyline. Picking up on Steve Trevor‘s cameo in the Mr. Freeze story made Wonder Woman a logical candidate to guest star in Chapter Two, for which I wrote a teaser intro. I also wanted to incorporate the amoral Ruby Ryder, whom Haney created for The Brave And The Bold # 95, one of my favorite issues. Ryder appeared in several subsequent issues of B & B, and I think she’s the only B & B-specific supporting character Haney ever re-used.

“Between Arkham And Eternity”
The billing says “Shazam, ” but we’re referring to The World’s Mightiest Mortal, the original Captain Marvel. I became a fan of Captain Marvel in the early ’70s, and ol’ Cap was likely the guest star I would have most wished to see in The Brave And The Bold. In an interview many years later, B & B artist Jim Aparo agreed that he would have enjoyed drawing Captain Marvel (or, even better, Cap’s younger pal Captain Marvel Junior) in B & B, and didn’t know why that never happened. I suspect licensing concerns may have complicated things: DC was still just leasing the character from original publisher Fawcett Comics at the time, and wouldn’t get around to owning the character outright until the ’90s, I think.

“Bring Me No Dreams”
Golden Age comics greats Joe Simon and Jack Kirby reunited for the 1974 one-shot The Sandman # 1, starring a new titular character with no connection to the previous DC hero of the same name. It was very goofy, very out of place in the milieu of ’70s superhero comics, but it had an energy that was sorta kinda fun. From what I’ve read elsewhere, I gather that some glitch in sales reports led DC honchos to the erroneous conclusion that The Sandman # 1 was a smash hit on the spinner racks, prompting an order to series. Neither Simon nor Kirby stuck around for the unexpected second issue, leaving the reins to writer Michael Fleisher and artists Ernie Chua and Mike Royer. Kirby returned with the fourth issue, and Neil Gaiman much later incorporated the character as a tangent to his own acclaimed Sandman series. Writer Len Wein provided my favorite use of the character in 1983’s Justice League Of America Annual # 1.

“Welcome To The Jungle”
As comics sales seemed destined to dwindle to a vast and empty void throughout the ’70s, DC publisher Carmine Infantino scrambled to find ways to scrounge up sales, trying different formats, different genres, any damned thing that might stick. One half expected a new DC title called The Kitchen Sink. Jungle girls (particularly the iconic Sheena, Queen Of The Jungle) had been popular in comics in the ’40s; Marvel Comics started its own latter-day Sheena counterpart Shanna The She Devil in 1972. Rima the Jungle Girl was a public domain character, from the 1904 novel Green Mansions by W. H. Hudson. Artist Nestor Redondo rendered Rima as a strikingly beautiful character in the DC comics version, while still avoiding the cheesecake good girl art style of the classic Sheena. Batman and Rima would be an odd team-up indeed, probably involving time travel, and (if I were writing it) definitely featuring Poison Ivy as the big bad.

“The Phantom Of Gotham City”

No, it ain’t The Riddler (though maybe I should make him the villain of the piece, just ‘cuz). The mystery guest-star concept of “Batman And ?” was first used in The Brave And The Bold  # 95 (the same issue that introduced Ruby Ryder), and reprised for The Brave And The Bold # 150. At this time, I have no intention of telling you who my Super Secret Mystery Guest Star would be. I will say that I’m playing fair with the selection itself: it’s a DC Comics character, one who was part of DC continuity in the mid ’70s milieu I’ve chosen for this Brave And Bold project. And ’70s B & B letter columns indicated that there had been requests for this character to appear as B & B co-star, requests that were never answered…until NOW! Sort of. Fans familiar with Silver Age DC continuity might find a clue in the “Phantom” part of this story’s title. That’s all you’re gettin’ outta me about it today.

“Who Is The Black Orchid?”
The Black Orchid‘s three cover-featured appearances in Adventure Comics made her a star in my eyes, and I followed her subsequent appearances as a back-up strip in The Phantom Stranger. The Black Orchid’s true identity was a mystery, to crooks and to readers, and I always figured this had to be a job for the World’s Greatest Detective, Batman. In her original ’70s incarnation, The Black Orchid never interacted with the rest of the DC universe, though I think writer E. Nelson Bridwell, bless ‘im, used her–and Rima the Jungle Girl!–in Super Friends.

“Our One Man Army At War”
As noted above, this was a last-minute choice, and I began to second-guess it immediately. OMAC–Jack Kirby’s One Man Army Corps–much, much later became a large part of Batman and DCU continuity, though I would ignore all of that here. But I don’t feel any real affinity for the idea either. “One Man Army Corps” put me in mind of DC’s long-running war book Our Army At War, and its star (and frequent Batman B & B co-star) Sgt. Rock. Rock doesn’t work for me outside of a World War II setting, so the only Batman-Sgt. Rock team-up I really liked was the first one, 1969’s “The Angel, The Rock And The Cowl” in B & B # 84, which was set in WWII. (I didn’t see B & B # 162 until years later; it was published in 1980, during the brief period when this cash-strapped college student stopped buying comics altogether. Its Batman-Sgt. Rock story also went back to the ’40s, but it was written by Bill Kelley, not Haney.)

“The Judgement Of Gotham”
One of my favorite characters since I was a kid, the ghostly avenger The Spectre replaced The Black Orchid as the star of Adventure Comics in a new series of stories by Michael Fleisher and Jim Aparo, stories which became notorious for their grim and gritty revenge fantasies. Brrrr! “The Judgement Of Gotham” was a title in my original notebook notions of half-baked story ideas, and it was intended to introduce my new villain Torquemada, a fire ‘n’ brimstone zealot determined to cleanse Gotham’s sins in a funeral pyre. The Spectre vs Torquemada? A match made in Purgatory!

“The Death Of The Joker”
One of the many little bits that delighted me in the creation of “The Undersea World Of Mr. Freeze” was my idea of The Joker putting himself into a catatonic state at will, allowing himself an opportunity to re-invent himself according to whatever his mad whims dictate. A line early in “Paradise Does Not Believe In Tears” tells us that The Joker had awakened from his slumber, but had been affected by the emotional miasma felt worldwide at that first story’s climax. What if this made The Joker…sane? What if it gave him a soul, a conscience, and an overwhelming sense of guilt over his own murderous actions? What if The Joker felt that, in penance, it was time for him to die?

And what if The Batman disagreed?

“A Superstitious And Cowardly Lot”
The events of both “The Undersea World Of Mr. Freeze” and “The Death Of The Joker” would culminate in “A Superstitious And Cowardly Lot,” a free-for-all finding Batman battling alongside some of his enemies, including The Riddler, Poison Ivy, The PenguinTwo-Face, and Catwoman.

“Hope In Crime Alley”

Writer Dennis O’Neil‘s “There Is No Hope In Crime Alley” (Detective Comics # 457, cover-dated March 1976) is one of the all-time classic Batman stories, a perfect balance of the tragedy that birthed The Batman and the undying hope that belies the story’s title. There is hope, or at least there can be, even in dark circumstances. The original story introduced Leslie Tompkins, a woman who comforted young Bruce Wayne in the moments after he’d witnessed his parents’ murders. Tompkins has been brought back in many, many later stories, but “There Is No Hope In Crime Alley” is the only time her character was ever done right. In my opinion. Harrumph.

I can’t say whether or not my own indirect sequel “Hope In Crime Alley” would render Tompkins correctly, but the story would build on the feeling of hope Gotham needs after all that its citizens have been through in the year since Mr. Freeze attempted and failed to conquer death. The “4 Famous Co-Stars” billing was first used for The Brave And The Bold # 100, then referring to Robin, Green Lantern, Green Arrow, and Black Canary. Here, our fab four is Wildcat (opening a youth gym in the Crime Alley neighborhood, to help give direction and purpose to the children of its streets), Plastic Man (using his own experience as a reformed criminal to inspire marginal individuals to better themselves), Robin the Teen Wonder (to help his mentor retain the hope he needs), and Wonder Woman (because…well, that would be telling). Challenges would arise. Despair would threaten. Hope would prevail. The Batman, as always, will make damned sure of that.

And there’s my twelve-part fantasy edition of The Brave And The Bold. And though it’s been said many times, many ways, it bears repeating: B & B seeing you!

In this issue, a future blogger identified as “Carl Cafrelli” suggests Batman be teamed with The Shadow. I do not recall making that request. And no, The Shadow is not the co-star in “The Phantom Of Gotham City.”

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George Reeves

Born on this day in 1914, in Woolstock, Iowa, actor George Reeves. Reeves will forever be remembered for his portrayal of The Man of Steel, in the TV series, The Adventures of Superman.