Although the members of Nick Piunti & The Complicated Men have been mainstays of the Detroit, Michigan music scene for many years, the band itself is a fairly new entity. Made up of lead singer, songwriter and guitarist Nick Piunti, bassist Jeff Hupp, keyboardist Kevin Darnall and drummer Ron Vensko, the band issued its debut album, Downtime, in 2020.
Five-star reviews were delivered in droves, and the guys are set to return to the spotlight once again in the form of not one, but two smashing singles.
Despite the name, there is nothing the least bit complicated about the band. In terms of classic power pop, Heart Inside Of Your Head clearly exemplifies such a genre. Nick’s radio-rich vocals sound like a less rootsy version of Tom Petty, while the instrumentation is rock solid and to the point. Navigated by a riveting rhythm, Heart Inside Of Your Head is further layered with muscular melodies and grooving harmonies. Great lyrics as well, which are universally-themed and executed with passion.
On One Of The Boyz, Nick Piunti & The Complicated Men crank the volume to maximum decibels and turn in a fist-pumping anthem that combines the throbbing beat of Slade with the modliness moves of The Jam and the rebel bite of The Clash. Bouncing with intent, the rousing song contains a shouting chorus impossible not to sing along with.
Both these singles fully express Nick Piunti & The Complicated Men’s expertise for composing and playing the sort of hook-packed pop rock that refuses to go out of style.
As the world turns on an unsettling axis, Richard Turgeon keeps churning out one brilliant song after another. Music certainly provides great comfort and joy at a grim time like this, so how wonderful it is Turgeon shares his gift with us and relays words of hope and encouragement.
The San Francisco-based singer, songwriter and multiple-instrumentalist has been putting a new album together, and posting choice cuts as download singles, with “Still Not Ready To Die” tapped as the latest release.
Buzzing with energy, the song resonates to a terminally uplifting vibe. Accentuated by a “call to arms” chorus evocative of The Clash and Eddie and the Hot Rods, “Still Not Ready To Die” additionally soars forth with tightly-woven rhythms and powerhouse melodies. Also of excellence is the clean but killer guitar work penetrating the production.
Rocking with purpose and determination, “Still Not Ready To Die” invites listeners to join (virtual) hands, sing along and most importantly, remain strong and optimistic.
Recovery Room (Precedent Records 2004)
Since the late seventies, singer, songwriter and guitarist Jim Basnight has been active both in the studio and on the live circuit. The Seattle native’s resume includes leader of bands such as The Moberlys and The Rockinghams, as well as a solo career. A loyal fan base, heightened by continual praise from the press has awarded Basnight satisfying artistic rewards.
A blast from the not so distant past, “Recovery Room” examines Basnight traveling beyond his signature roots-flavored power pop parameters and embracing a mercurial selection of styles. String and horn arrangements, along with female back-up vocals, duly play an integral part is allowing the album to cast a different demeanor than Basnight’s previous efforts.
Adopting a jazzy soul pose, “Comfort Me” simmers with cool and breezy textures, and “Something Peculiar” plugs in as a glistening orchestrated ballad. Recalling one of those quirky little kind of tunes the Small Faces produced during their psychedelic phase, “Riding Rainbows” skips and flips to a happy carefree beat, punctuated with a run of wiggy sound effects and instrumentation. A cover of “Brother Louie” – which was a huge hit for The Stories in 1973 – favors an improvisational approach, marked by jammy jazz rock doodlings.
While a good deal of “Recovery Room” catches Basnight experimenting and channeling his inner soul and jazz impulses, the album offers no shortage of Tom Petty meets The Kinks type of rockers he is primarily known for. Fired by striking riffs and arresting hooks, “Ripple In The Bay” and “Python Boogaloo” ably blend Basnight’s top-notch tunesmith skills with sneering garage punk energy, while “Miss America” and “Microwave” also perch high on the totem pole as other electryfing endeavors not to be ignored.
Although “Recovery Room” contains a mix of genres, the presentation is balanced and cohesive. The performances are totally natural and stem straight from the heart. It’s rare to come across an album where each song has its own personality and leaves a permanent imprint, but “Recovery Room” succeeds at doing so. Rife with creativity and originality, the album brings out the best in Basnight.