Categories
Pop Sunday

Dolph Chaney / This Is Dolph Chaney

Dolph Chaney

This Is Dolph Chaney (Big Stir)

https://bigstirrecords.com/dolph-chaney#!


Although Dolph Chaney has been making music since the late eighties, the Chicago-based singer, songwriter and guitarist didn’t receive widespread recognition until his album, Rebuilding Permit was released by the Big Stir label in 2020. Not only did the disc rope in rounds of raves from the public and music journalists, but led to Dolph winning the impressive seat as Woody Radio’s Artist Of The Year.

So now Dolph has returned to the spotlight with This Is Dolph Chaney, which offers remodelings of songs from the handful of albums he recorded prior to Rebuilding Permit. The thirteen track collection was produced by Nick Bertling, who also chips in on background vocals and instrumentation.

Powered by a jumpy beat and juicy melodies, Cuddle Party ranks as one of the many stand-out tracks on This Is Dolph Chaney, as well as the dizzying static of Now I Am A Man, which features guest vocals from Lindsay Murray of Gretchen’s Wheel. And then there’s the twangy tremors of Pleasant Under Glass, that includes the breezy harmonies of Kevin Robertson and Scott Robertson (of The Vapour Trails). 

Jazzy rhythms, seasoned with a shot of soul-styled six-string flourishes, are heard on the seductive Under The Overpass, where the springy I Wanted You pops and prances with digging hooks and breaks. A bare-bones arrangement, augmented by the haunting tenor of a Mellotron and sleepy but emotionally-charged vocals, shape Sideless World and Worship Song chimes brightly with tingling melodies and ear-pleasing licks.

Shooting and playing straight from the hip, Dolph keeps it real. There is nothing the least bit forced or pretentious about This Is Dolph Chaney, as raw talent and spontaneous energy ride his songs, not fussy and fancy technology. An honest and heartfelt affair, This Is Dolph Chaney is sure to catch fire and gather continual accolades for the Windy City musician.    

Categories
Got Any Singles? Quick Spins

Dan Pavelich’s 1st Annual Means-nothing Awards

Please note: These awards mean nothing beyond the fact that I like what the recipients did. There were tons of albums, songs and videos that I never heard or saw. 2020 was a shitty year in general, but an extraordinary one for great independent music. It would have been impossible to acknowledge or consume all of it.

DP

Coolest Release of the Year

Michael Slawter & The Pleased To Meet Me’s – Dear Bastards (Flexidisc)

Record of the Year

Marshall Holland – Paper Airplane

Song of the Year

The Vapour Trails – Lonely Man

Best Vinyl Releases (Tie)

Maurice & The Stiff Sisters – Welcome To Love

Gretchen’s Wheel – Such Open Sky

Best Cassette Release

Dw Dunphy – Test Test Test

Top Ten Singles of the Year  (In no particular order)

Ken Sharp – Girl

Ed Ryan – Even Time

Nick Frater – Let’s Hear It For Love

Tenderhooks – 20-20 Vision

More Animal – I Won’t Forgive You

The Empty Hearts – Coat-tailer

Katrina – Drive

Mike Daly & The Planets – This Is My Life

Coke Bela – Thank You, Paul

The Pretenders – The Buzz

Top Ten Long Players of the Year (In no particular order)

The Well Wishers – Shelf Life

Katrina – Hearts, Loves and Babys

honeychain – Pocketful of Good Luck

Tom Curless and The 46% – Almost Ready For The Future

Bill Lloyd – Don’t Kill The Messenger

It’s Karma It’s Kool – Woke Up In Hollywood

Nick Piunti and The Complicated Men – Downtime

Pop Co-Op – Factory Settings

Gary Ritchie – Head On Swivel

The Toms – The 1979 Sessions

Music Video of the Year

Tiny Bit Of Giant’s Blood – Girl Over Here

Best Children’s/Family Releases (In no particular order)

Lindsay Munroe – I Am Kind

Rena Strober & Friends – Imagine That

Red Yarn – Backyard Bop

Flor Bromley – Fiesta Global

Diana Panton – A Cheerful Little Earful

Congrats to all of the winners!

Categories
Pop Sunday

Big Stir Singles / The Seventh Wave

Various Artists

Big Stir Singles: The Seventh Wave (Big Stir Records 2020)

https://bigstirrecords.bandcamp.com/album/big-stir-singles-the-seventh-wave


Stationed in Burbank, California, Big Stir Records is not only impressively prolific, but the quality of the label’s output remains consistently high. Along with releasing a never-ending stream of great discs by bands and solo artists, the banner regularly produces Big Stir Singles compilations, which contain both the A and B sides of digital singles recorded by acts from nearly every nook and cranny of the world.


The imprint’s most recent collection – Big Stir Singles: The Seventh Wave – offers an extra treat, as a number of these songs have never been aired until now. You’ll also notice that much of the material relates to the confusing and chaotic times we are presently experiencing. 


Stacked with storming riffs, a driving backbeat and a punchy chorus, Far Away from The Incurables cuts a dashing power pop pose, and The Ex-Quaranteens sign in with We’ll All Drink Alone Together, a mid-tempo crooner-type ballad rimmed with country-laden pedal steel guitar gestures. From Broken Arrows, there’s the anthemic folk rock of Worst Of The Rest, which is wrapped in a bundle of ringing and jingling six-string sensations. Anton Barbeau and Kenny’s Land Of Economy spins and soars to a dizzy display of daring melodies and surrealistic lyrics that resemble a curious coupling of 10CC and Robyn Hitchcock. 


A double shot of penetrating garage rock is provided by The Forty Nineteens in the form of Crocodile Tears and Late Night Radio, the latter which features legendary Standells guitarist Tony Valentino. The Vapour Trails make good with the atmospheric bluster of A Bit More Fire, where Strange moves to a grittier gait projecting in an early seventies underground rock vibe pockmarked with bluesy harmonica fills.

 
The Corner Laughers step up to the plate and hit a home run with the jaunty Calculating Boy, and Nick Frater unveils a spine-tingling showing of his amazing vocal prowess on Intro. The fast and frantic If Romance Is Dead Then I Want To Be Dead Too from Carol Pacer & The Honey Shakers teams hillbilly aspirations with reckless punk rock energy to exciting effects, while the band deposits a completely different demeanor on Love Does, a sweet and tender acoustic-based ballad.
Contributions from Rick Hromadka  include the big and bright harmony popfest of Searchlight that should send fans of The Beach Boys and Todd Rundgren into orbit, and Dreams Of A Hippy Summer, which floats and flutters with flowery psychedelic frequencies. Kai Danzberg and Dear Stella’s Let Him Go lets loose a lashing of trippy space-age soundscapes, and The Empty City Squares check in with History Rhymes, a hook-heavy slab of hypnotic pop-rock grandeur. 


Bumper to bumper with catchy tunes, Big Stir Singles: The Seventh Wave is the yardstick which all albums of its kind should be measured. Nothing but top picks here, my friends.

Categories
Quick Spins

The Bookends / The Well Wishers /The Vapour Trails

The Bookends

Calliope (JEM)

http://www.jemrecordings.com

The Bookends pick up right where The Bristols left off, with their JEM Records debut. Filled to the brim with double-tracked vocals, jangly guitars and catchy choruses, these fourteen original tunes are more fun than a barrel of Monkees.

Karen Lynn and Sharon Lee anchor the band, augmented by guitarist Frank Labor, and multiple drummers. Clearly influenced by the guitar pop of the 1960’s, Face The Facts and Mr. Know It All sound like a couple of lost Boyce & Hart numbers. My fave of the set, however, is the slinky She’s Got It, which shows that these ladies aren’t afraid of shifting gears. Very cool.

The Well Wishers

Shelf Life (TMSM)

https://thewellwishers.bandcamp.com

I was just telling someone the other day, that not only was I amazed at how prolific a songwriter Jeff Shelton is, but also at his ability to keep a standard of quality that few can match. Last Year’s The Lost Soundtrack was phenomenal, as was 2018’s A View From Above.

We Grow Up drives like an overland trucker, as does All The Same. Filled with muscular guitar arrangements and a 90’s pop sensibility, these tracks would fit well on a playlist between Bob Mould and Matthew Sweet. Shelton and his Well Wishers are equally adept on the alt-country Holidays Await and the groovy Only The Rain. Shelf Life is top-shelf.

The Vapor Trails

Golden Sunshine (Futureman)

https://futuremanrecords.bandcamp.com/album/golden-sunshine

The Vapor Trails caught my ear earlier this year, with their swell single, Lonely Man. Reminiscent of quality, classic guitar pop from Herman’s Hermits to The Rembrandts, it was the perfect teaser for their full-length, Golden Sunshine.

These twelve tracks are brimming with hook-laden goodness, and quite often make the listener feel like they are literally basking in the Golden Sunshine. The One That Got Away is dreamy in a Phil Angotti/The Idea way, and Different Girl slinks with a groove that is irresistible. Harmony vocals are sweet and well-thought-out, complimenting the abundant guitar jangle to perfection. Highly recommended.

By Dan Pavelich

Categories
Pop Sunday

The Vapour Trails / Golden Sunshine

The Vapour Trails

Golden Sunshine (Futureman Records) 

https://futuremanrecords.bandcamp.com/album/golden-sunshine

The Vapour Trails hit the jackpot right from the start, as the Scottish band’s debut album, See You In The Next World, was an instant smash, both artistically and sales-wise. Needless to say, expectations run high for the follow-up effort, and I am happy to report Golden Sunshine soars above and beyond the call of duty. 

Suitably christened, the album emits endless rays of warmth and vitality. Positive energy abounds, producing songs of a spiritual nature that transcend space and time. The band’s mastery of sonic innovation also supplies additional layers of spellbinding beauty to their superbly-scripted material. 

The paired pursuits of folk rock and psychedelic experimentation are strongly emphasized throughout Golden Sunshine, particularly on the title cut, which begins on mellow footing, prior to expanding into a mountain of crunchy acid-dusted jamming that reflects a head-on collision between The Byrds and Buffalo Springfield.

Assembled of honey-coated vocals, angelic harmony and rich melodies, Dr. Barnes, Lonely Man and Different Girl, kick in as subsequent stunners, as well as the hauntingly gorgeous Seabird that sweeps and swoons with a Beach Boys flavor, and appropriately concludes to a choir of chirpy feathered friends. A rougher edge guides the meaty, beaty, bouncy Strange, which provides the bluesy toot of a harmonica, while an exotic belly-dancing vibe anchors The Conversation, that includes a burst of blaring trumpets. 

Pulsing with vibrant contours and a groove that energizes the soul, Golden Sunshine revisits Southern California sixties sounds with a here and now mentality. Blending discipline with spontaneity, The Vapour Trails keep their songs consistently fresh and exciting. Chock full of magical moments, Golden Sunshine catches The Vapour Trails singing and playing the kind of music they love and believe in. Such enthusiasm is infectious, which is yet another aspect that makes the band and their new album so special.

Categories
Quick Spins

The Vapour Trails/Lonely Man

The Vapour Trails

Lonely Man (Futureman)

Futuremanrecords.bandcamp.com

It’s snowing and blowing here in Wisconsin, so nothing could be more welcome than a shiny dose of jangle pop from The Vapor Trails. “Lonely Man,” from The VT’s upcoming album, is equal parts Rembrandts and Herman’s Hermits, and features a chorus that is both somber and uplifting.

This three-song outing includes “See You In The Next World,” from The VT’s last release, remixed by the always-brilliant Nick Bertling. With a nifty bit of Ringo-influenced drumming and a sitar-laden bridge, it’s simply irresistible to my ears. A quality live cover of George Harrison’s “Something” rounds out the release with a smile and a sigh. Well done, gents.

D.P.