Categories
Birthdays

Pete Townshend

Born on this day in 1945, in Chiswick, England, musician and songwriter, Pete Townshend, of The Who. Townshend wrote dozens of now-classic songs with that band, including; I Can’t Explain, Pinball Wizard, Who Are You, and Baba O’Reilly. At 77 years of age, he shows no signs of slowing down.

Categories
Boppin'

Fake THIS IS ROCK ‘N’ ROLL RADIO Playlist: The Songs Of BOPPIN’ (LIKE THE HIP FOLKS DO)

I’ve written about a number of albums over the years (especially when I was freelancing for Goldmine), but I’ve always been a single-song guy. Each of the tracks in today’s fake playlist is an individual song that was the focus of a post right here at Boppin’ (Like The Hip Folks Do). Most of them came from my Greatest Record Ever Made! series, though some were originally posted in some other series instead. The curious can follow links to read my original post about each song. Ready to bop? We’ve got some songs for you.

This Is Rock ‘n’ Roll Radio with Dana & Carl–y’know, the real one–airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read all about this show’s long and weird history here: Boppin’ The Whole Friggin’ Planet (The History Of THIS IS ROCK ‘N’ ROLL RADIO). TAX DEDUCTIBLE DONATIONS are always welcome.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download

PS: SEND MONEY!!!! We need tech upgrades like Elvis needs boats. Spark Syracuse is supported by listeners like you. Tax-deductible donations are welcome at 
http://sparksyracuse.org/support/

You can follow Carl’s daily blog Boppin’ (Like The Hip Folks Do) at 
https://carlcafarelli.blogspot.com/

Fake TIRnRR Playlist: The Songs Of Boppin’ (Like The Hip Folks Do)

THE MONKEES: I Never Thought It Peculiar

THE RAMONES: Babysitter

BADFINGER: Baby Blue

GLADYS KNIGHT & THE PIPS: Midnight Train To Georgia

THE BARBARIANS: Take It Or Leave It

THE GO-GO’S: Surfing And Spying

WHAM!: Freedom

DUSTY SPRINGFIELD: I Only Want To Be With You

WILSON PICKETT: In The Midnight Hour

NICK LOWE: So It Goes

WANDA JACKSON: Let’s Have A Party

LITTLE RICHARD: The Girl Can’t Help It

MANNIX: Highway Lines

JOHNNY NASH: I Can See Clearly Now

YOKO ONO: Kiss Kiss Kiss

ELTON JOHN: Saturday Night’s Alright For Fighting

HEART: Kick It Out

CHUCK BERRY: Promised Land

THE BEATLES: Tell Me Why

THE DAVE CLARK FIVE: Any Way You Want It

MATERIAL ISSUE: Kim The Waitress

PATTI SMITH: Gloria

THE MONKEES: The Girl I Knew Somewhere

LOVE: 7 And 7 Is

BIG STAR: September Gurls

DAVID BOWIE: Life On Mars?

THE RASPBERRIES: I Wanna Be With You

SMOKEY ROBINSON & THE MIRACLES: The Tears Of A Clown

CRAZY ELEPHANT: Gimme Gimme Good Lovin’

MELANIE WITH THE EDWIN HAWKINS SINGERS: Lay Down (Candles In The Rain)

STEVIE WONDER: I Believe (When I Fall In Love It Will Be Forever)

THE BUZZCOCKS: Ever Fallen In Love (With Someone You Shouldn’t’ve)

THE SEARCHERS: Hearts In Her Eyes

THE FLASHCUBES: No Promise

THE RAMONES: I Don’t Want To Grow Up

FIRST AID KIT: America

THE KINKS: Waterloo Sunset

THE GRATEFUL DEAD: Uncle John’s Band

THE SMITHEREENS: Behind The Wall Of Sleep

THE WONDERS: That Thing You Do!

THE CASTAWAYS: Liar, Liar

LESLEY GORE: You Don’t Own Me

THE MONKEES: Porpoise Song (Theme From Head)

THE WHO: I Can’t Explain

BRUCE SPRINGSTEEN: Girls In Their Summer Clothes

GRAND FUNK: We’re An American Band

FREDDIE & THE DREAMERS: Do The Freddie

THE DRIFTERS: On Broadway

THE ROLLING STONES: Happy

THE BEATLES: Thank You, Girl

THE RARE BREED: Beg, Borrow And Steal

THE JAYHAWKS: I’m Gonna Make You Love Me

THE KNICKERBOCKERS: Lies

THE LEFT BANKE: Walk Away, Renee

KISS: Shout It Out Loud

THE BAY CITY ROLLERS: Rock And Roll Love Letter

THE KINKS: You Really Got Me

EYTAN MIRSKY: This Year’s Gonna Be Our Year

Categories
Boppin'

Fake THIS IS ROCK ‘N’ ROLL RADIO Playlist: Songs THE FLASHCUBES Like

This Is Rock ‘n’ Roll Radio with Dana & Carl is simply too large a concept to be neatly contained within a mere three-hour weekly time slot. Hence these occasional fake TIRnRR playlists, detailing shows we’re never really going to do…but could.

The recent release of the Flashcubes‘ 1979 live set Flashcubes On Fire, has reinforced my ongoing state of giddy Cubic buzz. So here’s a fake playlist gathering a bunch of songs the ‘Cubes covered at least once (or more), whether in live shows or in studio or demo sessions. It is not a comprehensive list, but it makes a damned compelling playlist.

You can read my liner notes for Flashcubes On Fire here, you can buy the album here, and you can link to a whole bunch of my Flashcubes writing through here. Like the Beatles before them, the Flashcubes were and remain true fans of rockin’ pop music, and that love of pop with power informed everything they did, and everything they continue to do today. 

We can expect more recordings of covers performed by the Flashcubes in the very near future; in the mean time, we open this imaginary playlist with a Flashcubes original (as heard on Flashcubes On Fire), a song celebrating the act of rock ‘n’ roll fandom, and then we dive into a selection of tunes the ‘Cubes fancied enough to perform. On stage. In the studio. In the basement with a TEAC 3340. These are some records the Flashcubes like.

I like ’em, too.

This Is Rock ‘n’ Roll Radio with Dana & Carl–y’know, the real one–airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read all about this show’s long and weird history here: Boppin’ The Whole Friggin’ Planet (The History Of THIS IS ROCK ‘N’ ROLL RADIO). TAX DEDUCTIBLE DONATIONS are always welcome.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:


Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download

PS: SEND MONEY!!!! We need tech upgrades like Elvis needs boats. Spark Syracuse is supported by listeners like you. Tax-deductible donations are welcome at 
http://sparksyracuse.org/support/

You can follow Carl’s daily blog Boppin’ (Like The Hip Folks Do) at 
https://carlcafarelli.blogspot.com/

Fake TIRnRR Playlist: Songs THE FLASHCUBES Like

THE FLASHCUBES: Face In The Crowd

OASIS: Rock And Roll Star

THE SUPREMES: Stop! In The Name Of Love

THE BAY CITY ROLLERS: Wouldn’t You Like It

PAUL COLLINS’ BEAT: All Over The World

TELEVISION: Elevation

THE KINKS: I Need You

THE DWIGHT TWILLEY BAND: Alone In My Room

PEZBAND: Baby It’s Cold Outside

THE FLAMIN’ GROOVIES: Shake Some Action

ARTHUR ALEXANDER: Soldier Of Love

THE SEX PISTOLS: Pretty Vacant

THE RUTLES: I Must Be In Love

THE HOLLIES: Have You Ever Loved Somebody

THE OHMS: License To Kill

THE MONKEES: She

THE RASPBERRIES: I Wanna Be With You

THE dB’S: Neverland

CHRIS SPEDDING: Boogie City

BADFINGER: No Matter What

THE WHO: I Can’t Explain

THE RAMONES: I Just Want To Have Something To Do

HERMAN’S HERMITS: A Must To Avoid

BIG STAR: September Gurls

THE NEW YORK DOLLS: Personality Crisis

THE MOVE: Forever

THE YARDBIRDS: Heart Full Of Soul

EDDIE COCHRAN: Somethin’ Else

APRIL WINE: Tonight Is A Wonderful Time

THE BOB SEGER SYSTEM: Get Out Of Denver

1.4.5.: She Couldn’t Say No

SCREEN TEST: Sound Of The Radio

STEVE CARR: I Want To Touch You In The Dark

WRECKLESS ERIC: Take The Cash (K.A.S.H.)

THE SEARCHERS: Needles And Pins

LARRY WILLIAMS: Dizzy Miss Lizzy

THE BEATLES: Thank You, Girl

SHAUN CASSIDY: Hey Deanie

THE TROGGS: Wild Thing

NICK LOWE: Heart Of The City

THE BREAKAWAYS: Walking Out On Love

THE POSIES: Flavor Of The Month

SHOES: Tomorrow Night

WIZZARD: Ball Park Incident

XTC: Earn Enough For Us

THE KNICKERBOCKERS: Lies

THE JAM: In The City

THE KINGSMEN: Louie Louie

CHRIS SPEDDING: Hey Miss Betty

THE BEATLES: I’m Down

THE BEATLES: Hold Me Tight

THE RASPBERRIES: Tonight

BADFINGER: Baby Blue

THE RAMONES: I Wanna Be Sedated

THE WHO: The Kids Are Alright

THE KINKS: You Really Got Me

THE SEX PISTOLS: God Save The Queen

EDDIE & THE HOT RODS: Do Anything You Wanna Do

DICK DALE & HIS DEL-TONES: Rawhide

Categories
Boppin'

Pop With POWER!

This piece was commissioned by John M. Borack and S.W. Lauden for Big Stir magazine # 6, a special edition asking that musical question, IS THIS POWER POP? The magazine is still available and highly recommended, and I was damned proud to participate. Here’s my contribution to the discussion.

Pop With POWER!

By Carl Cafarelli

“After all, power pop means pop with POWER! Not some whimpering simp in a Beatles haircut.”

–Gary Sperrazza!, Bomp! magazine

It was a straightforward sequence of events. I broke up with a girl just before my 18th birthday. Just after my 18th birthday, I saw my first power pop band.

That band was the Flashcubes, soon to be called Syracuse’s own power pop powerhouse, and quickly perched alongside the Beatles and the Ramones in the trinity of my all-time Fave Raves. When I saw them in January of 1978, few (if any) were calling them “power pop,” a phrase which was just beginning to work its way into the lexicon. The Flashcubes were a punk band. A punk band that covered the Kinks, the Who, the Searchers, the Hollies, and the Yardbirds, sure, but still a punk band.

And they were absolutely power pop. Loud, proud, and hook-laden. Pop with power.

Many deny any relationship between punk and power pop. Yeah, punk’s angry clatter is certainly a breed apart from Badfinger. But within punk’s first wave, groups like the Ramones, Generation X, Eddie and the Hot Rods, the Buzzcocks, and the Jam were applying battered hearts to tattered sleeves, running AM radio influences through a primal DIY aesthetic. Some pop fans require jangle and harmonies as power pop prequisites, and dismiss, say, “Sheena Is A Punk Rocker” for its lack of either. But man, it ain’t power pop if it doesn’t have power.

My idea of power pop came from writers Greg Shaw and Gary Sperrazza!, via the power pop issue of Bomp! Magazine in 1978. The phrase predates them; “power pop” was coined by Pete Townshend in 1966, describing what the Who were playing, what the Small Faces were playing, what the Beach Boys had played prior to getting all sober and mature with Pet Sounds. Shaw and Sperrazza! saw the sound of the early Who as the Ur-Example of power pop. Bomp! put forth a simple power pop equation: the punk energy of the Sex Pistols plus the catchy pop of Shaun Cassidy equals the power pop of the Who.

I concur.

(And, whether we start power pop’s shot clock with the Beatles [my choice] or with the Who [Bomp!‘s pick], it’s clear that the style existed in the ’60s. I reject the notion that it was created in the ’70s as an attempt to recapture the excitement of the British Invasion. The latter view reduces power pop to mere revival, no more vital than freakin’ Sha Na Na. Power pop is not a revival. Revivals are well-behaved. Power pop explodes.)

Bomp!‘s power pop issue also extolled the unassailable cred of the Ramones as power pop touchstones. The Ramones wed the promise of AM radio with the 1-2-3-4! ferocity of velocity, pure pop for punk people. When I was corresponding with Shaw in the ’90s, he still maintained that no discussion of power pop could have any meaning if it didn’t include “Rockaway Beach.”

The discussion has continued, long after Shaw and Sperrazza! have departed. As power pop fans, we are passionate and confident in our individual, often contrasting points of view. That’s okay. We’re friends here. Friends can disagree and remain friends. (Except for the guy who called me a ninny for regarding the Ramones as power pop. That guy can take a hike.) Squeeze and Marshall Crenshaw don’t fit within my idea of power pop; I love ’em just the same. You don’t agree that the Ramones are power pop? I won’t let my conviction that you’re wrong prevent you from buying me a beer. Cheers!

My own POV can shift over time. But I have a pretty good idea of how I define power pop, and it goes back to that Bomp! equation: Punk + Pop = Power Pop. Still, there are shades and subtleties to consider. And how many power pop acts are really 100% power pop all of the time? Raspberries did the country-flavored “Last Dance.” Big Star did “The India Song.” The Ramones did “Warthog.” The Who did…well, the Who did a lot of stuff, didn’t they? On the other hand, Styx is certainly not a power pop band, no way, no how…except with “Kiss Your Ass Goodbye,” which is as power pop as anything ever. Musician Marty Ross recently suggested that power pop is an approach rather than a genre. Bomp! said otherwise, but I think Marty’s right on this count. Hey, this means we can have it all!

Do the definitions matter? Yes. And no. Yeah, we should have recognized parameters, common ground to understand what the hell we’re going on about when discussing power pop favorites (or ska favorites, rockabilly favorites, et al.). Power pop’s just a label, a tool to help identify sounds that may appeal to us. Recommended If You Like Cheap Trick. Or, as AM radio told me when it turned me on to Badfinger, “These guys sound like the Beatles.”

My favorite music had a name. I didn’t know that name until I was in college.

“Power pop’” is a misunderstood genre, and there will never be a true consensus on its meaning and parameters. It’s my favorite music. It’s not my only favorite music–I adore so many sounds that fall outside my strict definition of power pop, even many that fall outside a broader, nebulous approximation–but it’s my primary boppin’ raison d’être. My awareness of power pop, my understanding of its meaning, began in 1978 with an incredible magazine called Bomp!

I wrote the above a few years back, introducing a reminiscence about how important Bomp! was to me, particularly in developing my understanding of power pop. Bomp! is still my go-to reference in that regard. Greg Shaw’s equation still holds. Gary Sperrazza!’s statement still rings true: “Power pop means pop with POWER!”

Pop with power. Whimpering simps need not apply. No matter what kind of haircut they have.

You can support this blog by becoming a patron on Patreon, or by visiting CC’s Tip Jar. Additional products and projects are listed here.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

I’m on Twitter @CafarelliCarl

Categories
Boppin'

I’m At BAT! (No Pun Intended)

Love Letters 2 Rock N Roll recently asked its Legion of Super-Stringers to write a blurb about our “up-to-bat” songs, the tracks that would play if we were professional baseball players about to enter the batter’s box. I swear the pun in my choice is unintentional.

The crowd was anxious. This wasn’t supposed to be close, wasn’t thought to be any real challenge for the hometown heroes. But that’s baseball. There’s no clock. There’s no guarantee of dominance. The team who scores the most wins. Obvious? Sure. It ain’t rocket surgery, man. It’s baseball.

So there we were: bottom of the ninth, the visitors ahead by one run, two outs, the bases loaded, the season coming down to whatever happened next. The final playoff game in a best-of-seven series. The winning team would go on. The losing team would go home. We’d been the favorites to go 4-0. It hadn’t worked out that way. Injuries. Bad luck. Baseball.

Scratchy McQuade was at bat. He’d strode to the plate as his familiar at-bat theme “I Honestly Love You” by Olivia Newton-John played for the still-puzzled fans, desperate for a hit. Maybe not an Olivia Newton-John hit, but you go into battle with the pop music you have, not the pop music you wish you had.  First pitch: swing and a miss, strike one. Second pitch: high and outside, ball one. Ball two. Ball three. Strike two. C’mon Scratchy! C’mon Olivia!

Ball four. Scratchy strolled to first, the run scored, and the game was tied. A conference at the mound, the content of which caused seasoned lip-readers to blush like schoolgirls. Play resumed. Next batter.

Me.

I was so far down the line-up that no one knew what my at-bat song would be. I’d been an occasional designated runner, but otherwise hadn’t appeared since preseason exhibitions, and I was set to be traded in the off-season. I was not a hometown hero. But there weren’t many choices left. The manager had sighed, cursed, and thumbed me to the on-deck circle. With Scratchy now at first, and the potential winning run at third, it was time.

My song played. That well-known intro. The fans buzzed. They knew the song; they all knew the song. And they started to sing along:

Batman! Batman! Batman! Batman! Batman! Batman! Batman!
I wanted the TV version, but I was okay with a snippet of the longer version from Nelson Riddle‘s TV soundtrack album. I ruled out composer Neal Hefti‘s version, The Marketts‘ hit version, covers by The WhoThe Jam, the live Kinks. I wanted old school, old chum. I wanted the original.

Excitement surged through the crowd, palpable and electric. They didn’t know me. But they knew the song. They felt the confidence of the just and true. BATMAN WOULD SAVE US!

I was hit by the first pitch. Our run scored. The season was saved! I was traded to Metropolis, but I’d had my moment. A hero? I guess not. But I’ll take it. Yes, Commissioner. Yes indeed.

Na na na na na na na na na na na na na BATMAN!

TIP THE BLOGGER: CC’s Tip Jar!
You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Categories
Boppin'

THE GREATEST RECORD EVER MADE: The Batman Theme

This chapter from my book The Greatest Record Ever Made! (Volume 1) includes bits from a few other previous posts, all remixed into its own unique piece. It was distributed privately to this blog’s paid patrons on September 1, 2020. This is its first public appearance. You can become a supporter of Boppin’ (Like The Hip Folks Do) for just $2 a month: Fund me, baby!

An infinite number of songs can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!

NELSON RIDDLE: The Batman Theme

Written by Neal Hefti
From the 20th Century Fox TV series Batman, 1966
I grew up in a time when TV theme songs routinely entered the public consciousness. The catchy ditties that opened shows like Gilligan’s IslandF TroopThe Beverly HillbilliesThe Patty Duke Show, and Car 54, Where Are You? weren’t hit records in the usual sense, but within our shared pop culture they were nonetheless as big as any 45 spinning on the radio. 

Many theme songs were sufficiently hook-laden to prompt release as a single, sometimes by the original artist and sometimes in cover versions, and sometimes to chart success. The Cowsills‘ swell cover of “Love American Style” wasn’t a hit, but it should have been, and it remains a staple of their live act. The VenturesPerry ComoHenry Mancini, and Johnny Rivers all made the Top 40 with their respective renditions of themes from Hawaii Five-0Here Come The BridesPeter Gunn, and Secret Agent Man. Television tunes continued to maintain a radio presence throughout the ’70s and ’80s. In June of 1995, The Rembrandts‘ “I’ll Be There For You,” the theme from the NBC sitcom Friends, was the # 1 song on radio the week my daughter was born. I thought that was appropriate, and pretty cool.

The campy 1966 Batman TV series had a seismic effect on me when I was six. No other television program could ever equal Batman‘s lasting impact on impressionable li’l me, creating a life-long interest in comic books and superheroes in general, and in the Caped Crusader specifically. I didn’t understand that the show kinda poked fun at the character, because actor Adam West played the title role straight, and to perfection. As West said decades later in a guest appearance on The Big Bang Theory: “I never had to say ‘I’M BATMAN!’ When I showed up, people knew who the hell I was.”

Batman was the most flamboyantly POP! TV show to ever grace the home screen, more so than The Monkees or Laugh-In, more even than essential jukebox shows like Shindig!  Each episode was an explosion of color and attitude, of purposely hammy acting accompanied by on-screen BIFFs, BANGs, and POWs.

But it wasn’t a rock ‘n’ roll show, at least not musically. Its musical direction was charted by bandleader Nelson Riddle, its simple theme song written by Neal Hefti, both of whom were traditional swing/jazz guys who normally eschewed rock. Paul Revere and the Raiders and Lesley Gore appeared as guests on the show, but it was always clear that Batman‘s producers considered themselves above such primitive noise.

(To illustrate this point that Batman‘s higher-ups did not love rock ‘n’ roll, consider the two-part episode guest-starring British pop duo Chad and Jeremy. When Catwoman literally steals Chad and Jeremy’s voices, a character played by Steve Allen [himself a vocal critic of rock ‘n’ roll] quips that maybe that loss isn’t such a bad thing. And we’re talking about agreeably goofy ‘n’ grinning Chad and Jeremy, who were wonderful but hardly hide-your-daughters ruffians on the authority-threatening scale of, say, The Rolling Stones.)

All of this just makes “The Batman Theme” all the more remarkable. It is rock ‘n’ roll; it’s rock ‘n’ roll written and performed by jazz guys who don’t care if you know they’re just slumming, but it rocks anyway. It transcends its secret origin. 

The Who covered it. The Jam covered it. The Kinks included it in their live set. George Harrison appropriated it for The Beatles‘ “Taxman” (which itself inspired The Bangles‘ “I’m In Line” and The Jam’s “Start!”), and Prince incorporated it into his 1989 Batman soundtrack single “Batdance.” The Marketts had a hit with it. Hefti recorded his own version, and it also charted. 

This entry represents the only spot in this book that’s not occupied by an actual record (although the track was finally given an official release on the CD version of the soundtrack to the 1966 Batman movie). The definitive version will always be the compact rumble performed by Nelson Riddle and his orchestra during the show’s opening credits, heard every Wednesday and Thursday night at 7:30, 6:30 Central on ABC. No subsequent recording has ever matched the specific feel, the unique sway of a caped-crusading call-to-arms accompanied by deadly-earnest chick vocals, rolling percussion, and the on-screen cartoon images of Batman and Robin boppin’ the bad guys at the start of another exciting episode. Riddle recorded a full-length version for the show’s official soundtrack LP, but even that fails to duplicate the simple magic of the short little TV version. 

Years ago, when I auditioned for a game show, prospective contestants were expected to dazzle and impress a small live audience. I did some schtick, got some laughs, and then said that I wanted to close with a rendition of  “The Batman Theme,” but couldn’t remember all the words. “Can anyone help me out?,” I asked. The response was tentative at first, then more confident, and soon everyone in the audience was singing with me: Na Na Na Na Na Na Na Na, Na Na Na Na Na Na Na Na Na BATMAN!
I whooped my approval. I didn’t succeed in getting on the game show, but I still felt that justice had triumphed. And right now, in your head, I bet you’re singing along with it, too. Thank you, citizen. And thank you, Caped Crusader.

TIP THE BLOGGER: CC’s Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Hey! If you buy from Amazon, consider making your purchases through links at Pop-A-Looza. A portion of your purchase there will go to support Boppin’ (Like The Hip Folks Do). Thinking Amazon? Think Pop-A-Looza.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download
Carl’s writin’ a book! The Greatest Record Ever Made! (Volume 1)will contain 165 essays about 165 tracks, each one of ’em THE greatest record ever made. An infinite number of records can each be the greatest record ever made, as long as they take turns. Updated initial information can be seen here: THE GREATEST RECORD EVER MADE! (Volume 1). My weekly Greatest Record Ever Made! video rants can be seen in my GREM! YouTube playlist. And I’m on Twitter @CafarelliCarl.

Categories
Pop Sunday

The Split Squad / Another Cinderella

The Split Squad

Another Cinderella

https://thesplitsquad.bandcamp.com/album/another-cinderella

A bona fide supergroup, The Split Squad stars the indelible talents of Keith Streng (The Fleshtones), Eddie Munoz (The Plimsouls), Clem Burke (Blondie, The Romantics, The Empty Hearts), Michael Giblin (Cherry Twister) and Josh Kantor (The Boston Red Sox). After several years of taking a sabbatical from the studio, the band has returned with fire in their bellies and ants in their pants. The Split Squad are so smoking hot to begin with, but on their new – and second album – Another Cinderella – they sound meaner and keener than ever. 

The engine revs up with Hey DJ, which represents all the tasty traits we love about heritage power pop. Acrobatic and explosive instrumentation, radiant vocals and a punchy swing seal the song. In fact, Another Cinderella is chock-full of such power popping dazzlers. Relentlessly gripping, Trying To Get Back To My Baby races to a sweeping cadence and gleaming melodies, where the title track of the album bristles and bobs with muscle and might, topped by charmingly girly harmonies. And then there’s Sinking Ship, which is anything but, as electrifying guitars, vigorous drumming and seizing hooks snap the high-energy tune firmly into place. A power ballad rather than power pop, As Bright As You Are beams with divine piano work, liquid clear vocals and exquisite string arrangements. 

Ripping a page in the book from both The Beatles and The Who, the stunning Taxicab wheels in as a trippy slice of pop art innovation, and Palpitation Blues is a down and dirty blues number, chugging with gruff vocals, groaning rhythms and hard-hitting harmonica trills rooted along the lines of Beggar’s Banquet-era Rolling Stones. Comparisons to KISS are sure to be drawn on Showstopper, a loud and lively arena-ready rocker formed of clanging chords and a shouting chorus. The grand finale is a reprise of Hey DJ,  that adopts a danceable Motown-styled soul pop stance with brass orchestration added to the setting. 

By combining experience with enthusiasm, The Split Squad conceived the perfect classic pop rock platter. Jammed tight with killer chops, catchy vocals galore and on target timing, Another Cinderella captures the band at the height of their prowess. Here’s to a standing ovation!  

Categories
Boppin'

THE GREATEST RECORD EVER MADE: Making Time

This was prepared as a chapter for my long-threatened book The Greatest Record Ever Made! (Volume 1), but is not in that book’s current blueprint. That could change, but for now, here ’tis.

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. Today, this is THE GREATEST RECORD EVER MADE!THE CREATION: Making Time
Written by Kenny Pickett and Eddie Phillips
Produced by Shel Talmy
Single, Planet Records [U. K.], 1966

Power pop. I disagree with the widespread notion that while power pop as a genre may be (MAY be…?!) rooted in the ’60s, it doesn’t really begin until the ’70s. No matter how many knowledgeable pundits express that view, I consider it…well, nonsense may be too strong a dismissal, but…wrong. The viewpoint is incorrect. We’re talking about a sound, an approach to pop music. You can’t limit its discussion to a certain era if there are bona fide examples that predate that era. That would make it a revival. Power pop is not a revival. And we can look to the ’60s for many examples that well predate the Raspberries and Big Star.

Examples like the early Who. Examples like the early Kinks. Examples (in my opinion) like the Beatlesinventing power pop with “Please Please Me.” And examples like “Making Time” by the Creation.

The Creation were a British rock group in the ’60s, and “Making Time” was produced by expatriate Yank Shel Talmy, who knew a thing or two about the style from his work with the Who, the Kinks, and the Easybeats. When I was reading about power pop in Bomp! magazine’s landmark 1978 issue devoted to that particular clarion call, the Creation’s records were among the more elusive sounds cited therein. The Creation had no hits in America, were virtually unknown on these shores, and I had a devil of a time trying to hear any of their music in ’78. I finally found and bought an import 45 at Syracuse’s Desert Shore RecordsArty Lenin, guitarist for Syracuse’s own power pop powerhouse the Flashcubes, was working the counter at Desert Shore that day, trying to interest me in “The Staircase (Mystery)” by Siouxsie and the Banshees. Instead, I purchased a reissue 7″ combining two of the Creation’s signature tunes, “Making Time” and the British hit “Painter Man.”

Both of the songs had been cited in Bomp! as essential power pop; hearing the tracks, I had to agree. Power pop. No matter what decade it was made.

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You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Hey! If you buy from Amazon, consider making your purchases through links at Pop-A-Looza. A portion of your purchase there will go to support Boppin’ (Like The Hip Folks Do). Thinking Amazon? Think Pop-A-Looza.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download

Categories
Boppin'

THE GREATEST RECORD EVER MADE! (VOLUME 1)

An infinite number of tracks can each be THE greatest record ever made, as long as they take turns. I like that idea so much, I’ve been writing a book about it: The Greatest Record Ever Made! (Volume 1). The long-threatened book remains a work in progress, but what the hell. Work is progressing.

My first public announcement of my plan to do this book was waaaay back in September of 2018. The GREM! concept well predates that announcement, springing from a series of blog posts that commenced in 2016 with a celebration of Badfinger‘s “Baby Blue.” The first proposed Table of Contents was posted in April of 2019, back when I was only planning for the book to discuss a mere 50 songs. 

50…?! How quaint. It’s grown a bit since then. As of the last posted update in November of 2021, the book’s Table of Contents was a collection of 165 songs. It now stands at 175–170 selections plus five bonus tracks–and that’s probably where the number will stay.

The book’s current Table of Contents appears below. But before you dive in to experience its splendor, it’s worth repeating this caveat from one of the book’s introductory chapters:

“This specific disclaimer is worth highlighting in bold and all-caps: THIS IS NOT INTENDED AS AN EXHAUSTIVE LIST OF THE BEST RECORDS EVER MADE! Jesus, no! The chapters in this book cover a number of popular and personal favorites, but it’s nowhere near comprehensive, and it’s not meant to be. It’s a discussion and a celebration of pop’s infinite promise–nothing more, nothing less.”

Ready? Let’s GO!

THE GREATEST RECORD EVER MADE! (VOLUME 1) 

Table of Contents

FOREWORD

DISCLAIMERS AND DECLARATIONS (A User’s Guide To The Greatest Record Ever Made!)

A Fistful Of 45s

OVERTURE THE RAMONES: Do You Remember Rock ‘n’ Roll Radio?

1. BADFINGER: Baby Blue

2. CHUCK BERRY: Promised Land

3. DUSTY SPRINGFIELD: I Only Want To Be With You

4. THE SEX PISTOLS: God Save The Queen

5. ELVIS PRESLEY: Heartbreak Hotel

6. WILLIE MAE “BIG MAMA” THORNTON: Hound Dog

7. PATTI SMITH: Gloria

8. LITTLE RICHARD: The Girl Can’t Help It

9. NEIL DIAMOND: Brother Love’s Traveling Salvation Show

10. CRAZY ELEPHANT: Gimme Gimme Good Lovin’ 

11. WILSON PICKETT: In The Midnight Hour

12. THE HOLLIES: I Can’t Let Go

13. MELANIE WITH THE EDWIN HAWKINS SINGERS: Lay Down (Candles In The Rain)

14. THE ROMANTICS: What I Like About You

15. SAM COOKE: Chain Gang

16. PETULA CLARK: Downtown

17. ARTHUR ALEXANDER: Soldier Of Love

18. TRANSLATOR: Everywhere That I’m Not

19. LESLEY GORE: You Don’t Own Me

20. THE SHANGRI-LAS: Leader Of The Pack

21. THE SHIRELLES: Will You Love Me Tomorrow

22. THE RAMONES: Sheena Is A Punk Rocker

23. AMY RIGBY: Dancing With Joey Ramone

24. PINK FLOYD: Wish You Were Here

25. GLADYS KNIGHT AND THE PIPS: Midnight Train To Georgia

26.THE BOBBY FULLER FOUR: I Fought The Law

27. MERLE HAGGARD: Mama Tried

28. THE TEMPTATIONS: Papa Was A Rollin’ Stone

29. BUDDY HOLLY: Peggy Sue/Everyday

30. ROBERTA FLACK: Killing Me Softly With His Song

31. JOHNNY NASH: I Can See Clearly Now

32. ELTON JOHN: Saturday Night’s Alright For Fighting

33. SUZI QUATRO: I May Be Too Young

34. ALICE COOPER: School’s Out

35. THE RARE BREED/THE OHIO EXPRESS: Beg, Borrow And Steal

36. ARTHUR CONLEY: Sweet Soul Music

37. OTIS REDDING: (Sittin’ On) The Dock Of The Bay

38. ARETHA FRANKLIN: Respect

39. THE MONKEES: The Girl I Knew Somewhere

40. THE MONKEES: Porpoise Song (Theme From Head)

41. PRINCE: When You Were Mine

42. THE 13th FLOOR ELEVATORS: You’re Gonna Miss Me

43. THE ROLLING STONES: Get Off Of My Cloud

44. PAUL REVERE AND THE RAIDERS: Just Like Me

45. BOB DYLAN: Like A Rolling Stone

46. THE KINGSMEN: Louie, Louie

47. BARON DAEMON AND THE VAMPIRES: The Transylvania Twist

48. THE MARVELETTES: I’ll Keep Holding On

49. THE WHO: I Can’t Explain

50. TODD RUNDGREN: Couldn’t I Just Tell You

51. SHOES: Tomorrow Night

52. THE FLASHCUBES: No Promise

53. TELEVISION: Elevation

54. DONNA SUMMER: I Feel Love

55. SMOKEY ROBINSON AND THE MIRACLES: The Tears Of A Clown

56. JUDAS PRIEST: Heading Out To The Highway

57. THE DIXIE CUPS: Iko Iko

58. THE NEW YORK DOLLS: Personality Crisis

59. MILLIE SMALL: My Boy Lollipop

60. THE EASYBEATS: Friday On My Mind

61. IKE AND TINA TURNER: River Deep Mountain High

62. THE RONETTES: Be My Baby

63. RONNIE SPECTOR AND THE E STREET BAND: Say Goodbye To Hollywood

64. BRUCE SPRINGSTEEN: Girls In Their Summer Clothes

65. KISS: Shout It Out Loud

66. THE LEFT BANKE: Walk Away, Renee

67. THE BAY CITY ROLLERS: Rock And Roll Love Letter

68. THE KNICKERBOCKERS: Lies

69. THE WONDERS: That Thing You Do!

70. THE GO-GO’S: We Got The BeatINTERLUDE The Tottenham Sound Of…The Beatles?!

71. THE DAVE CLARK FIVE: Any Way You Want It

72. JAMES BROWN: Please, Please, Please

73. GRAND FUNK: We’re An American Band

74. THE VELVELETTES: He Was Really Sayin’ Somethin’

75. THE FIRST CLASS: Beach Baby

76. THE ISLEY BROTHERS: Summer Breeze

77. THE RUBINOOS: I Wanna Be Your Boyfriend

78. THE PANDORAS: It’s About Time

79. THE MUFFS: Saying Goodbye

80. BIG STAR: September Gurls

81. PAUL COLLINS/THE BREAKAWAYS: Walking Out On Love

82. LINDA RONSTADT: You’re No Good

83. P. P. ARNOLD: The First Cut Is The Deepest

84. THE NEW PORNOGRAPHERS: All For Swinging You Around

85. THE DAVE BRUBECK QUARTET: Take FiveENTR’ACTE THE BEATLES: Yesterday

86. THE BEATLES: Revolution

87. YOKO ONO: Kiss Kiss Kiss

88. THE MC5: Kick Out The Jams

89. THE CHAMBERS BROTHERS: Time Has Come Today

90. MARVIN GAYE: I Heard It Through The Grapevine

91. SAMMY AMBROSE: This Diamond Ring

92. THE MYNAH BIRDS: I Got You (In My Soul)

93. RICK JAMES: Super Freak

94. BIG BROTHER AND THE HOLDING COMPANY: Piece Of My Heart

95. THE FLAMIN’ GROOVIES: Shake Some Action

96. THE DANDY WARHOLS: We Used To Be Friends

97. THE CARPENTERS: Only Yesterday

98. MATERIAL ISSUE: Kim The Waitress

99. THE 5TH DIMENSION: Medley: Aquarius/Let The Sun Shine In (The Flesh Failures)

100. THE JACKSON FIVE: I’ll Be There

101. SLY AND THE FAMILY STONE: Everybody Is A Star

102. LOVE: 7 And 7 Is

103. THE BANGLES: Live

104. THE SEARCHERS: Hearts In Her Eyes

105. THE FLIRTATIONS: Nothing But A Heartache

106. THE SPINNERS: I’ll Be Around

107. TOM PETTY AND THE HEARTBREAKERS: American Girl

108. THE PARTRIDGE FAMILY: I Woke Up In Love This Morning

109. EDDIE COCHRAN: Somethin’ Else

110. DAVID RUFFIN: I Want You Back

111. LED ZEPPELIN: Communication Breakdown

112. FREDDIE AND THE DREAMERS: Do The Freddie

113. THE BANDWAGON: Breakin’ Down The Walls Of Heartache

114. HEADGIRL/MÖTOR HEADGIRL SCHOOL: Please Don’t Touch

115. DON HENLEY: The Boys Of Summer

116. THE CLASH: Train In Vain (Stand By Me)

117. BEN E. KING: Stand By Me

118. GENE PITNEY: Twenty Four Hours From Tulsa

119. RUFUS: Tell Me Something Good  

120. THE SPONGETONES: (My Girl) Maryanne

121. THE TRAMMPS: Disco Inferno

122. HAROLD MELVIN AND THE BLUE NOTES: Don’t Leave Me This Way

123. GRANDMASTER AND MELLE MEL: White Lines (Don’t Don’t Do It)

124. THE VELVET UNDERGROUND: I’ll Be Your Mirror

125. DEL SHANNON: Runaway

126. THE EVERLY BROTHERS: Gone, Gone, Gone

127. THE COCKTAIL SLIPPERS: St. Valentine’s Day Massacre

128. SAM AND DAVE: Soul Man

129. T. REX: 20th Century Boy

130. HEART: Kick It Out

131. THE RUNAWAYS: Cherry Bomb

132. AMERICA: Sister Golden Hair

133. THE KINKS: Waterloo Sunset

134. THE KINKS: You Really Got Me

135. HOLLY GOLIGHTLY: Time Will Tell

136. THE SMITHEREENS: Behind The Wall Of Sleep

137. THE COWSILLS: She Said To Me

138. ELVIS COSTELLO AND THE ATTRACTIONS: (What’s So Funny ‘Bout) Peace, Love And Understanding?

139. THE FOUR TOPS: Reach Out I’ll Be ThereINTERLUDE Old Time Rock ‘n’ Roll

140. THE BOB SEGER SYSTEM: 2 + 2 = ?

141. THE JIVE FIVE: What Time Is It?

142. LULU: To Sir, With Love [Museum Outings Montage]

143. FREDA PAYNE: Band Of Gold

144. THE CONTOURS: Do You Love Me

145. WHAM!: Freedom

146. THE COOKIES: Wounded

147. THE SUPREMES: You Keep Me Hangin’ On

 148. THE BEACH BOYS: God Only Knows

149. JOAN ARMATRADING: Me Myself I

150. THE SELECTER: On My Radio

151. TRACEY ULLMAN: They Don’t Know

152. MANNIX: Highway Lines

153. THE DRIFTERS: On Broadway

154. FIRST AID KIT: America

155. THE FIVE STAIRSTEPS: O-o-h Child

156. SOLOMON BURKE: Everybody Needs Somebody To Love

157. THE JAM: That’s Entertainment

158. THE COASTERS: Yakety Yak

159. CHEAP TRICK: Surrender

160. TEGAN AND SARA: Walking With A Ghost

161. DAVID BOWIE: Life On Mars?

162. THE O’JAYS: Put Your Hands Together

163. THE GRATEFUL DEAD: Uncle John’s Band

164. RITA MORENO, GEORGE CHAKIRIS, SHARKS & GIRLS: America

165. EDDIE AND THE HOT RODS: Do Anything You Wanna Do

166. JOAN JETT: Bad Reputation

167. STEVIE WONDER: I Believe (When I Fall In Love It Will Be Forever)

168. MARYKATE O’NEIL: I’m Ready For My Luck To Turn Around

169. EYTAN MIRSKY: This Year’s Gonna Be Our Year

170. THE JAYHAWKS: I’m Gonna Make You Love Me

An Infinite Number

INTERLUDE Underrating The Beatles

ENCORE! THE BEATLES: Rain

ENCORE!! THE T-BONES: No Matter What Shape (Your Stomach’s In)

Cruisin’ Music

CODA THE RAMONES: Blitzkrieg Bop

AFTERWORD


Repeating the disclaimer
: These selections are not ranked in any way, and this is most definitely NOT intended as an inclusive list of the all-time best songs. There are an infinite number of worthy prospects; these are the one I choose to write about in The Greatest Record Ever Made! (Voume 1).

At this writing, the book is only two chapters shy of a complete first draft. The completed chapters total just under 153,000 words, though that tally may shrink once I start revising the text. It is certainly possible that I will make further changes to the Table of Contents, but this is getting closer and closer to the final line-up.

I hope to complete those two remaining chapters in short order. Then, I’ll finally get to the revision process, tightening the prose and reducing redundancies. Somewhere in there, I’ve gotta start looking for an agent.

I have a different book due out by the end of 2022, but the principal work for that one is already done. Which means it’s finally time for The Greatest Record Ever Made! (Volume 1)
Wish me luck.

TIP THE BLOGGER: CC’s Tip Jar!

You can support this blog by becoming a patron on Patreon: Fund me, baby! 

Hey! If you buy from Amazon, consider making your purchases through links at Pop-A-Looza. A portion of your purchase there will go to support Boppin’ (Like The Hip Folks Do). Thinking Amazon? Think Pop-A-Looza.

This Is Rock ‘n’ Roll Radio with Dana & Carl airs Sunday nights from 9 to Midnight Eastern, on the air in Syracuse at SPARK! WSPJ 103.3 and 93.7 FM, and on the web at http://sparksyracuse.org/ You can read about our history here.

The many fine This Is Rock ‘n’ Roll Radio compilation albums are still available, each full of that rockin’ pop sound you crave. A portion of all sales benefit our perpetually cash-strapped community radio project:

Volume 1: download
Volume 2: CD or download
Volume 3: download
Volume 4: CD or download
Waterloo Sunset–Benefit For This Is Rock ‘n’ Roll Radio:  CD or download

I’m on Twitter @CafarelliCarl.

Categories
Pop Sunday

The Successful Failures / James Cotton Mather

The Successful Failures

James Cotton Mather

https://music.thesuccessfulfailures.com/album/james-cotton-mather-2021

Founded a decade and a half ago, The Successful Failures have gone on to become one of the greatest and most respected bands on the indie circuit. Unlike most groups that have been around for such a long period of time, these guys haven’t slacked off and taken a nosedive, but just get better and better with every record they release. And that is certainly quite a complimentary remark, considering how impressive the Trenton, New Jersey band was right from the beginning. 

Specializing in a lethal cocktail of power pop and heartland rock, The Successful Failures not only sound spectacular, but enhance their repertoire in the form of cerebral dialogue that encircles witty historical to educational observations. Here on the band’s latest and ninth studio album, James Cotton Mather, we’re zapped back to nineteenth century Maine and guided through the trials, tribulations, turmoil and tragedies of  James Cotton Mather. Aside from the thrilling theme and cool music, the album is lavishly packaged and includes a color poster of The Successful Failures and a lyric sheet.

Each track on James Cotton Mather, is potent enough to stand alone, but the method in which these songs are sequenced and connected lead to a cohesive presentation. Not intended for lullaby lovers, the album is a turbo-charged drama aimed to activate the adrenaline and indulge in some serious air guitar in the process. The urgent energy of the songs perfectly reflect the verse depicting the mental anguish of the young man as he engages in battles on stormy seas and in dark and spooky forests. 

Flooded with force and fury, yet tempered with layer upon layer of fat hooks and melodies, A Coat For Your Dreams, Let The Power Go Through You, Naval Victories and Freedom Within, are only a quick peek at the ultra- catchy tunes featured on the album. At this point, The Successful Failures have developed their own notable approach, although it’s hard to ignore the double inspiration of the brash bark of The Replacements and the buffed Who-styled chords and rhythms, rimming the material. And of course, there’s also plenty of gritty roots rock moves to be savored. 

Not surprisingly, The Successful Failures have cut yet another thoroughly accomplished album. It is not far-fetched to classify James Cotton Mather a rock opera, and so good are these songs, that you can imagine them being staged on Broadway. 

By Beverly Paterson